Four

A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.

Horror legend Tom Holland dares you to join him for nine nerve-shredding, totally Twisted Tales. Serving up a mind-bending assortment of the macabre, it’s an anthology fine-tuned to keep you on the edge of your seat. A new drug offers users a glimpse of the future… with beastly consequences. A murderous husband is stalked by his own cell phone. A jilted lover wreaks satanic vengeance. The nightmarish action then leads to worlds haunted by dark magic, demonic possession, vampires, witches and more in this seriously freaky festival of fear.

"Babygirl" follows a psycho who wishes to raise his victim as a baby. "Goodnight Darling" follows a daughter suspicious that her mother is different. "Beast of Prey" features a woman attempting to evade a monster. "Changeling" follows a mother with a mysterious child. "Night Swim" a woman at a pool sees spirits. "Polaroid" follows a man as he uses a camera in self-defense. "Landgraves" features a man interviewing a metal band accused of murder. "Every Night I See Them" follows a man trying to keep himself awake. "Mommy" makes dinner while watching her child on a camera.

Return to Horror Hotel is an anthology feature with 4 segments. One is about giant a bedbugs, one is about a magical charm that turns girls beautiful, one is about a WWII sailor who hasn't aged and one is about a terrorizing severed hand.

An anthology film of seven short films made during the Training Camp of FIRST Film Festival 2021.

Inspired by 70s Horror movies and real crimes, Dead Human Collection is a bloodbath that follows a deranged Serial Killer and his sadistic habits.

A feature-length anthology film. They are known as myths, lore, and folktales. Created to give logic to mankind’s darkest fears, these stories laid the foundation for what we now know as the horror genre.

An anthology of three stories which portray various shades and motives of violence through different characters that are dissimilar in nature.

It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.

An independent horror anthology with segments by some of the most twisted minds in the U.K.'s independent horror scene.

Three distinct tales unfold in the bustling city of Tokyo. Merde, a bizarre sewer-dweller, emerges from a manhole and begins terrorizing pedestrians. After his arrest, he stands trial and lashes out at a hostile courtroom. A man who has resigned himself to a life of solitude reconsiders after meeting a charming pizza delivery woman. And finally, a happy young couple find themselves undergoing a series of frightening metamorphoses.

Three stories of murder and the supernatural: A museum worker is introduced to a world behind the pictures he sees every day. When two lifelong friends fall in love with the same woman and she is killed, they are obvious suspects. Is their friendship strong enough for them to alibi each other? When a young politician is hurt by the arrogant Secretary for Foreign Affairs Lord Mountdrago, he uses Mountdrago's dreams to get revenge.

Different people and five different families are acting out various scenarios, scripts and what-ifs. First there is the four Suzuki family members, who are not, sitting around a table in isolation. Then there is the unveiling of a will and what happens when it is read out, there are the sisters who are at it against each other, then there is the funeral that does not go according to plan and more.

This is an omnibus of six short films by six different directors, whose lead characters are unconventional women. They are "Hijoshi," females who live true to themselves and their desires.

The film presents seven short stories of everyday madness: parking in Athens. Thanasis, the soccer referee. Thanasis, the projectionist at a porn theater. Thanasis, the extra in a pasta commercial. Thanasis, the hospital director. Thanasis, the undertaker. Thanasis, the sailor who suspects his wife is cheating on him.

Three tales of terror: in "The Graveyard Rats" lovers murder the woman's older husband and encounter horror when they attempt to rob his grave; "Bobby" is the story of a woman who summons her son back from the dead; and in "He Who Kills" an African doll goes on a murderous rampage.

Shane Ryan presents the worlds first snuff anthology, with stomach- turning short films collected from over 20 filmmakers around the world, who all reach deep into the darkest cervices of their humanity to put on a gruesome and unforgettable show of depravity and pain. Some of the filmmakers contributing to this anthology refuse to be named, and some claim their entries are real. Now you can be the judge.

A journalist could marry the daughter of a tycoon, but prefers a relationship with a married woman. An attorney renounces her lover by greed. A soldier tries to approach a widow on a train. A German couple looking for adventure mistakingly aim for the wrong target, yet find love.

On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.