Locomotion

First film produced by Laugh-O-Gram Studio, as part of demo reel. This film is not really animated, it just consists of Walt drawing a single frame. Part of the Newman Laugh-O-Grams Series.

This film is not really animated, it just consists of Walt drawing a single frame. Part of the Newman Laugh-O-Grams Series.

This film is not really animated, it just consists of Walt drawing a single frame. Part of the Newman Laugh-O-Grams Series.

First properly animated film produced by Laugh-O-Gram Studio, as part of demo reel. Part of the Newman Laugh-O-Grams Series.

Ghiblies, a totally different look on the staff of Studio Ghibli as they go through life, work on new animation projects, office jokes, off the wall events, and deciding what to have for lunch.

Kuso no Sora Tobu Kikaitachi (Imaginary Flying Machines) is a 2002 Japanese animated short film produced by Studio Ghibli for their near exclusive use in the Ghibli Museum. It features director Hayao Miyazaki as the narrator, in the form of a humanoid pig, reminiscent of Porco from Porco Rosso, telling the story of flight and the many machines imagined to achieve it.

The film centers on an unusual photograph dating back to the 1930s. An investigation of its particulars reveals a tapestry of secrets hidden in the details, and a tale of kidnapping and murder captured in a haunting moment.

An animated band comprised of foul mouthed fruit.

With harpsichord music in the background, a dandy, seated at a table, plucks a quill pen from a ceiling full of them above him, dips it in ink, thinks, then draws a straight line down the page in front of him, out of which sprout six more quill pens, each held by a hand. The calligrapher moves all the hands and pens in unison, drawing an elaborate feathered wing, which comes to live, peeling off the page, and, now a quill pen, slips in to his hand. He tucks it behind his left ear.

A display at the strange and wonderful artifacts in a collection of medical curiosities.

Two men seek to negotiate an agreement of international significance.

“When he shot Une seconde (4 min., 20 sec.), a video animation without computer graphics, Richard Angers tried to adapt Norman McLaren’s animation techniques to video shooting and editing. A long-term solitary task, in which images are moved by hand, centimetre by centimetre, in which one plays with the number of images per second, and in which the ± pure quest for effects is more important than the message”. BLANCHARD, Louise. “Les vidéastes sont au ‘rendez-vous’”, Le Journal de Montréal, Montreal (9 February 1992), p. 38.

A doctor mysteriously discovers that he is required urgently at the village to offer his services. He arrives there after a long and difficult journey, only to discover that the village is empty.

Journey to the future of Rani and Keren, a young couple moving in together for the first time. Without control they are drawn to the race of marriage, children and work, while desperately trying to keep up with the race and stay together.

A greedy King Midas is visited one day by a mysterious visitor who grants him the ability to turn all things he touches to gold. He learns his lesson when the food he tries to eat and his own daughter are turned to gold as well. The visitor reappears and offers him the opportunity to return to his old self, which he gladly does.

A short film that explains the quote, the greatest gift that we can give, is the gift of self.

As the gap between a burning airplane and the ground gets smaller, one passenger has other things on his mind!

While filming a Teddy Bear in stop-motion, a man accidentally unleashes supernatural dark forces. A short horror film by Robert Morgan

The Trolls, Princesses, Glooms, and Engineers must join forces to defeat Silence.

A man's repeated attempts to retrieve an apple off a high tree branch all prove fruitless. What does he want the apple for? That would be telling.