The Cow Who Wanted To Be a Hamburger

Legacy takes the audience on a rapid-fire journey through the evolution of the world, starting with a cosmic bang, evolving through billions of years of plants, animals and the creation of natural resources, ending with man and his bounty – “sitting on his world contemplating his coconut”. Preserved by the Academy Film Archive in 2012.

Animated short film. Preserved by the Academy Film Archive in 2009.

Once up on a time, there was an ugly and violent monster. Because he was ugly, everybody disliked him. One day, the monster came to the small town to get some food and found a small girl. The monster tried to eat her, but something happened to him and changed him.

Kris Kringle, seemingly the embodiment of Santa Claus, is asked to portray the jolly old fellow at Macy's following his performance in the Thanksgiving Day parade. His portrayal is so complete that many begin to question if he truly is Santa Claus, while others question his sanity.

An mutoscope motion picture installation commissioned for the 86th anniversary of the Guggenheim museum. Later preserved and turned into a short film. Preserved by the Academy Film Archive in 2000.

An abstract animation. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.

The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war.

A man's repeated attempts to retrieve an apple off a high tree branch all prove fruitless. What does he want the apple for? That would be telling.

Jerry Martin quits his dull job as a bank clerk and falls in with a band of hobos. He takes on the guise of Bachelor, the "king of the market," and finds himself pursued by dangerous men who are after the real Bachelor. *Only fragments are known to exist. Preserved by the Academy Film Archive in 2010.

Mountain Music illustrates what happens when technology gets too advanced too soon. Preserved by the Academy Film Archive in 2012.

This animated short focuses on the lives of three eccentric people living on a farm in the Ukrainian countryside. Told in a non-linear, stream of consciousness style, the film depicts the deceitful relationship between a master and his two servants. Preserved by the Academy Film Archive in 2007.

A man wakes up in a hospital bed and has his head bandages unwrapped to find he is not alone in the room as it seems there is now no noise unless it is provided by a pair of Foley artists and a small musical troupe providing a score.

A doctor mysteriously discovers that he is required urgently at the village to offer his services. He arrives there after a long and difficult journey, only to discover that the village is empty.

Begins as a whimsical piece with 'sheets' of lines running down the screen, progressing into more and more complex geometic patterns but without deviating from the basic precepts of 'dot and line' animation. Jazz piano on a lazy Sunday afternoon, and a spring color palette. -- Stephanie Sapienza. Preserved by the Academy Film Archive in 2001.

A collaborative piece by Gore and Beckett, the film begins with one of Gore's characters composing a letter, to eventual mail it. Beckett's animation takes over at this point, transforming the envelope into a looping, cascading form that seems to be perpetually turning itself inside out. A brief Gore finale bookends the piece, which is one of only two extant examples of Gore's unique animation work. This film is usually appended to Gore's own Dream of the Sphinx. [Source: Mark Toscano] Preserved by the Academy Film Archive in partnership with CalArts in 2009.

A story about love, hate and loneliness, depicting several days from the life of two brothers. They work as track walkers on a railway somewhere in rural Russia.

The first Studies were synchronized with records (Fischinger made a total of 13 Studies all without sound). It was only with the introduction of sound, beginning with Study No 6 that the films did full justice to this musical principle. The play of the white lines, the arcs, and the upside-down U’s running hither and thither like ballet dancers was brought into perfect synchronization with the music, and thus the films offered an abstract illustration of the melodies. Study No 6 is certainly the best of his films in terms of forms. - Hans Scheugl and Ernst Schmidt, Jr. Preserved by the Academy Film Archive in 2001.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.