Buebe gö z'Tanz

Chronicles the rise of Collab Crib, one of the first mainstream Black creator mansion, exclusively documenting their whirlwind drive to achieve social media stardom in 90 days.

The Rosie Kay Dance Company present a piece about the strange history and pop-cultural aftermath of CIA mind control experiments during the Cold War, with documentary segments by Adam Curtis.

The film features exclusive footage of the dancers from the series "The Next Step", as they prepared for their first-ever tour in Canada. Also includes live performances and exclusive interviews with cast members.

Markku Lehmuskallio has devoted a large part of his documentary work to the indigenous people of the Arctic Circle. In this latest film, co-directed with his son Johannes Lehmuskallio, he composes a fascinating poetic ethnography inspired by the singing, dancing, forms of contemporary existence and, above all, the vital breath of these nomad communities mistreated by History.

Farid travelled from the easternmost tip of the Arabian Peninsula to the Iranian island of Qeshm to film the annual celebration of Nowruz Sayadeen (Fisherman's New Year). By importing Qeshm to the Sharjah Biennial, she sought to highlight the overlapping identity of Iran and the Gulf states, and specifically the Emirates.

Phnom Penh-based dancer Prumsodm Ok—a Cambodian-American and pioneer of the first Cambodian gay dance company Prumsodun Ok & NATYARASA—demonstrates the meticulous form of Khmer dance. This short draws a parallel between the nature of film as a time machine and the dancing human body as both fundamentally dynamic and temporal. Within the frame beckons a prayer for healing and empowerment in the face of violence and conflict.

In this Oscar Winning documentary short film, students in their final year at the National Ballet School of Canada are seen learning the flamenco from Susana and Antonio Robledo, who come to the school every winter to conduct classes which are held after the day's regular schedule has ended.

Bailando al Margen: Vogue, Waack y el arte de la expresión.

The tendency in the world is right-wing, neo-liberal, and people are more controlled. We have less liberty even if we think we have more. The last territory where we can be ourselves and where we can have full freedom is our own body. The documentary "BARE" focuses on male nudity in the modern dance. The story follows a well-known Belgian choreographer Thierry Smits through a process of building his new creation with a group of male dancers performing bare naked.

A visit to a West Berlin dance club.

A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.

Discover Les Ballets Trockadero de Monte Carlo (The Trocks), an all-male company that for 45 years has offered audiences their passion for ballet classics mixed with exuberant comedy. With every step they poke fun at their strictly gendered art form.

Moving Together is a celebratory love letter to music and dance that brims with kinetic life and energy. This documentary explores the intricate collaboration between dancers and musicians, moving seamlessly between Flamenco, Modern, and New Orleans Second Line.

A retrospective of Chita Rivera's film, television and stage career, including interviews with Dick Van Dyke, Ben Vereen, Carol Lawrence and others. Originally aired as Episode 2 of Season 43 of the PBS series Great Performances.

Home movie from Man Ray featuring dancer Jenny gyrating in black and white.

A late period home movie with Man Ray and his lovely friend Juliet Browner lounging together in the US. Man Ray had returned to America when the Germans occupied France.

Dance for All

American Indians dancing.

A variation on the popular Butterfly Dance, released in hand-colored and stenciled versions. The film has the catalogue number 2011 and was likely shot in 1897 but not screened in France until the 10th of December 1899.

A group of women dressed up as Commedia dell'Arte characters dance together.