For the 75th anniversary of the liberation of Auschwitz, CNN’s Wolf Blitzer looks back through the eyes of those who were imprisoned there.
Hotel Armada is a curated portrait of dance and expression showcasing talents in the world of contemporary, vogue, and ballet. It is an integration of time, space, movement and sounds highlighting each performer's rawness in their power and beauty.
On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).
A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.
The documentary tells the stories of people who were just children during the Second World War and the Nazi occupation of Ukraine. Its protagonists now live in Kyiv, Dnipro, and Odesa, where the filming took place. They survived the ghetto and also witnessed mass shootings that took place, according to researchers, in about five thousand locations across Ukraine. Each of the heroes lost loved ones. Parents, brothers, sisters, loved ones. Everyone had a single task during these terrible years - to survive. The entire mosaic of terrible memories collected in the film is part of a story of survival.
Anne Frank's world famous diary came to an abrupt end shortly before she and her family were discovered hiding from the Nazis in a secret annex at the top of Otto Frank's office building, on August 4, 1944. While her diary tells the story of Anne's life, the story of her death reveals the atrocities encountered by millions of Jews during the Holocaust. In a solemn remembrance of the horrors that Anne Frank and these millions of others suffered during the dark days of World War II, National Geographic Channel (NGC) takes viewers inside the concentration camps in a two-hour special. In keeping with NGC's tradition of unparalleled storytelling, Anne Frank's Holocaust incorporates new findings and rarely seen photographs to reintroduce the story of the massacre of Jews in one of the most comprehensive documentaries on the subject to date.
Pina Bausch created and performed Café Müller for her dance company Tanztheater Wuppertal. The dance was inspired by and based on her childhood memories of watching her father work at his café in Germany during and immediately following World War II. In this silent style featurette, Bausch shows a restaurant after closing, in which the ghosts of the departed customers stumble blindly into walls and onto chairs but fail to find one another.
Artfully erotic nudity with plush, glamorous décor and sensual, atmospheric lighting: The Crazy Horse, in the French capital’s well-heeled eighth district, has been delighting audiences for 70 years with its special brand of classy Parisian cabaret.
The indelible testimonial of David Shentow, Canadian WWII immigrant and Holocaust survivor lies at the heart of a remarkable journey that begins in 1942 on Le Chemin des Juifs, a forgotten road in Northern France. David's eloquence and vivid recounting of events will indelibly mark the heart and conscience of every viewer.
The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.
Released on DVD as part of The Criterion Collection's "Martha Graham: Dance on Film" collection.
Anma (The Masseurs) is a representative and historical work by the creator of Butoh dance, Tatsumi Hijikata in his early period in the 1960s. The film is realized not only as a dance document but also as a Cine-Dance, a term made by Iimura, that is meant to be a choreography of film. The filmmaker "performed" with a camera on the stage in front of the audience. With the main performers: Tatsumi Hijikata and Kazuo Ohno, the film has the highlights such as Butohs of a soldier by Hijikata & a mad woman by Ohno. There is a story of the mad woman, first outcast and ignored, at the end joins to the community through her dance. Inserted descriptions of Anma (The Masseurs) are made for the film by the filmmaker, but were not in the original Butoh. The film, the only document taken of the performance, must be seen for the understanding of Hijikata Butoh and the foundation of Butoh.
Nazi troops massacre 30,000 Jews over a three-day period in September 1941. Babyn Yar ravine in Kyiv, Ukraine.
The senior year of a girls’ high school step team in inner-city Baltimore is documented, as they try to become the first in their families to attend college. The girls strive to make their dancing a success against the backdrop of social unrest in their troubled city.
In 1935, German scientists dug for bones; in 1943, they murdered to get them. How the German scientific community supported Nazism, distorted history to legitimize a hideous system and was an accomplice to its unspeakable crimes. The story of the Ahnenerbe, a sinister organization created to rewrite the obscure origins of a nation.
The story behind the Uganda-based YouTube dance sensations who have endured devastating personal loss from famine and war, and use the power of dance and song to overcome hardship.
Eva Mozes Kor, who survived Josef Mengele's cruel twin experiments in the Auschwitz concentration camp, shocks other Holocaust survivors when she decides to forgive the perpetrators as a way of self-healing.
Martin is rejected by his mother with callousness and beaten by his father: a childhood without love. The story sounds like a case study from the book "The Drama of the Gifted Child" by the world-famous Swiss psychoanalyst Alice Miller. But Martin is the son of the committed child rights activist...
As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.
Language of Mules is a poignant exploration of the haunting legacy of the Holocaust through the eyes and words of poet and author John Guzlowski. Born to Polish parents who survived the unimaginable horrors of Nazi concentration camps, Guzlowski's poems give voice to the stories passed down from his parents, stories of suffering, resilience, and survival. The film interweaves interviews with Guzlowski in his home in Virginia, with vivid poetic depictions of his parents' harrowing experiences: the brutality of the German soldiers, the daily horrors of camp life, physical torture, and enslavement in conditions that dehumanized those who endured them. With profound sensitivity and depth, Language of Mules becomes not just a retelling of history, but a meditation on the enduring impact of war on the human psyche.