A New Romance of Celluloid: The Miracle of Sound

This FitzPatrick Traveltalk short visits Guatemala City, touching upon its sights, customs, and history.

Harmful chemicals are disproportionately affecting Black communities in Southern Louisiana along the Mississippi River. I am One of the People is an experimental short film exposing the environmental racism of “Cancer Alley.”

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.

An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. Then she climbs up the tall ladder that takes her to the rooftop of the church.

BTS Now was a series of travel photobooks and DVDs released by BTS. It features the members partaking of photoshoots around various locations in different countries for the annual photobook and a DVD with the behind the scenes of the photoshoots.

BTS Now was a series of travel photobooks and DVDs released by BTS. It features the members partaking of photoshoots around various locations in different countries for the annual photobook and a DVD with the behind the scenes of the photoshoots.

BTS Now was a series of travel photobooks and DVDs released by BTS. It features the members partaking of photoshoots around various locations in different countries for the annual photobook and a DVD with the behind the scenes of the photoshoots.

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

The life and times of the mexican pianist Julieta García Rello, as told by her granddaughter.

Based on an unrealized film script written in 1964 for The Homosexual Law Reform Society, a British organisation that campaigned for the decriminalization of homosexual relations between men, "The Colour Of His Hair" merges drama and documentary into a meditation on queer life before and after the partial legalization of homosexuality in 1967.

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

A lyrical journey through the heart of Chicano culture as reflected in the love songs of the Tex-Mex Norteña music tradition. Performers include, Little Joe & La Familia, Leo Garza, Chavela Ortiz, Andres Berlanga, Ricardo Mejia, Conjunto Tamaulipas, Chavela y Brown Express and more.

A behind-the-scenes documentary on the making of Martin Scorsese's "Silence."

This black-and-white archival film outlines the importance of Canada's forests in the national war effort during the Second World War.

One of several Kevin Jerome Everson pieces regarding African-American rodeo riders, SECOND PLACE brings us inside the big show. The jerkily pixilated view of a bucking bull offers an aesthetic equivalent of the cowboy's wild ride while the film's silence lends an unexpected repose to the contest. Whether anticipating a bull's blasting out of the gate or watching an old hand stretch out his back, Everson's camera is ever-attentive to the action at the edge of the frame. - Max Goldberg

Making of the movie Southland Tales

A behind the scenes look on Jaws The Revenge with interviews from the cast and crew.

Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.

Matthew Perry: Not just Friends

The Tŝilhqot’in Nation is represented by six communities in the stunningly beautiful interior of British Columbia. Surrounded by mountains and rivers, the Tŝilhqot’in People have cared for this territory for millennia. With increasing external pressures from natural-resource extraction companies, the communities mobilized in the early 21st century to assert their rightful title to their lands. Following a decision by the Supreme Court of British Columbia in 2007 that only partially acknowledged their claim, the Tŝilhqot’in Nation’s plight was heard in the Supreme Court of Canada. In a historic decision in 2014, the country’s highest court ruled what the Tŝilhqot’in have long asserted: that they alone have full title to their homelands.