Rock 'N' Roll Goldmine: The Sixties

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

Music by Byron Westbrook, 16mm film by Paul Clipson.

A musical about a woman getting work done on her house.

You go to hell, and it's Jacksonville.

Misha observes the area with binoculars. In the infinite white, he notices Gia, as lonely as himself.

Amidst many distractions, Samantha struggles to find her voice recording a new song. She encounters a mysterious stranger who reminds her of why she loves to create music.

A young girl’s fiery dance, accidentally caught on 16 mm film in the street. The viewer is confronted by the sacrificial and the passionate, the strong and the fragile, the fleeting and the eternal. These are the faces of femininity.

In this short animation film we see a world, where the monkeys are music-lovers. As two young chimpanzees are separated by a musical dispute.

A romantic drama about two couples shifting sexual dynamics over one night in a music bar.

A young man with social anxiety goes out for dinner with his high school crush years after graduation.

Produced by Official Films and titled "When The Circus Comes to Town, featuring the Kidoodlers singing a song.

Alan Ladd was discovered by Sue Carol for his incredible voice in radio. And then she married him. In I Look At You, he is sweet and graceful. And at the very beginning of his career in film. He sings and leads Rita Rio's all-girl band while she dances around him.

The story begins in the basement of a worn-out blues bar in Louisiana in the 1980s. A few regular customers are having a drink. A guitarist gets on stage and everybody comments on the newcomer. The guitarist draws the attention of the audience by tapping the microphone. He introduces himself. He will tell them the true story of Blind Boogie Jones.

A story about a boy who signs up for drum lessons, not knowing that his teacher turns out to be an amateur and becomes jealous of her own student's drumming skills.

Big Time, the visual counterpart to Angel Olsen's album of the same name, is the story of light versus shadow told through a non-linear surrealist dreamspace that poses one central dilemma. ‘What lengths must one go through to let go of the past in order to step out of the darkness and accept one’s true self?’ It’s a story that targets deep rooted complexities such as how our unconscious deals with repressed sexual identity, the hardships of letting go of our past selves in order to step into self actualization, and the guilt we hold when dealing with loss.

Cab Calloway and The Cabaliers are singing about how The Big Bad Wolf only talks about his Disney money, Felix the Cat is fat and rich, and Mickey the Mouse is riding in his motor car, while the skunk moans about how "nobody loves me" on account of him just being a "dirty old skunk".

The Tortoise composed a song and the Lion cub learnt it by heart and they sang it together.

Compelling performance of long notes on the traditional Bangladeshi harmonium and shehnais — instruments on the brink of disappearance in contemporary society.

As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.