Swing Cat's Jamboree

A rain parade of sausages meets camels and kings in the 32 minute experimental syncing of Pharaoh Sanders' "The Creator has a master plan"

BULIMIA: THE MUSICAL follows a young girl's journey from first vomit to last breath, in fifteen minutes of laugh-out-loud, puke-your-guts-out song and dance, all wrapped up with a positive message.

Animation with coloured salt by Aleksandra Korejwo. Music by Johann Strauss performed by the Strauss Festival Orchestra.

Animation with colored salt by Aleksandra Korejwo. Music by composer Camille Saint-Saëns performed by the Polish Radio Orchestra.

Animated stills of Maria Callas and overlaid with a soundtrack of her singing.

A series of rare Max Fleischer sound cartoon shorts released by animation historian Jerry Beck. Fleischer was a pioneer in the development of the animated cartoon and served as the head of Fleischer Studios. He brought such animated characters as Betty Boop, Koko the Clown, Popeye and Superman to the movie screen and was responsible for a number of technological innovations including the Rotoscope.

An intense short movie showing a turbulent marriage. The wife is always smiling. The man gets angry time and again.

A film miniature to classical music inspired by the music of Wolfgang Amadeus Mozart. Praise for the joy of life, synchronously set to the vocalization of Mozart's piece.

A musical revue featuring children, primarily girls, is presented. The first number has a chorus of girls performing a high kicking dance routine with tambourines, before two soloists, a boy and a girl, take center stage to do a gymnastic dance number. The girls chorus then takes over to perform a synchronized song and tap dance style number. Next, the young female orchestra leader introduces the Gumm Sisters, the three who sing and dance on stage by themselves. The final number has another chorus of dancing girls performing an Arabian-themed number.

On a high mountain plain lives a lamb with wool of such remarkable sheen that he breaks into high-steppin' dance. But there comes a day when he loses his lustrous coat and, along with it, his pride. It takes a wise jackalope - a horn-adorned rabbit - to teach the moping lamb that wooly or not, it's what's inside that'll help him rebound from life's troubles.

A short biopic about young Kurt Cobain.

An accompanying short film to TÁR (2022).

CREMASTER 1 (1995) is a musical revue performed on the blue Astroturf playing field of Bronco Stadium in Boise, Idaho - Barney's hometown. Two Goodyear Blimps float above the arena like the airships that often transmit live sporting events via television broadcast. Four air hostesses tend to each blimp. The only sound is soft ambient music, which suggests the hum of the engines.

In present-day Monterrey, three downtown musicians confront the urbanization of the city as they perform Fara Fara pieces in search of clients.

Somewhere between a music-video, a documentary and a fantasy - created with and around a Toronto-based acting-collective called LUSTR.

Experience a mystical journey through nature performed by a movement artist. Felix faces the whirling challenges of his inner turbulence with an emotionally charged dynamic, delicate strength, graceful dignity, as well as ecstatic devotion. Behold the fire dancer in the night.

A gay artist flees the repressive laws and war in Russia to go to Berlin, leaving his boyfriend behind. Meanwhile, life in Berlin turns out to be less inclusive he had expected.

Lucette, in her twenties, leads a life without joy or sorrow. At the karaoke bar where she works, Diana arrives and everything goes wrong. While her former love has decided to reconnect, Lucette must fight against her fairy.

The short follows the dream of a young boy in which strange whale teleports him to a fantasy land where a happy cat named Pero (modeled after the character in the Nagagutsu wo Haita Neko anime that serves as Toei Animation's mascot) appears. The piece is entirely dialogueless.

Original animated film made for the International Chopin Year. The soundtrack consists of Fryderyk Chopin's music performed by Justyna Steczkowska, Tomasz Stańko and Michał Urbaniak. The author rejects the pompous, exalted, pathos-laden, obligatory admiration that paralyses the possibility of hearing Chopin's music in a fresh way.