Stan Kenton and His Orchestra

Eccentrics, the Sunny Side of the Street

Circumstances arise that result in a man impersonating his uncle. As the "uncle", he finds himself pursued by his girlfriend's aunt, who does not approve of their relationship.

As WWII begins, vaudeville entertainer Tommy Towers is called up to serve. He arranges a job for his girlfriend at the local pub. To keep moral up, his commanding officer orders him to perform for the troops.

In this amiable Columbia B musical, society girl Ann Miller escapes her Back Bay family by performing in the chorus line in a burlesque house. But trouble starts when her boss (William Wright) decides to build her up as a star. One of the many bread-and-butter Columbia productions graced by the contributions of Cole’s in-house dance studio. Cole dances behind Miller in “I’m Gonna See My Baby.” --Museum of Modern Art

As dancer Ginny Walker performs on stage, a veiled woman in the audience stands up, accuses Ginny of stealing her husband and then fires a gun at her. After Ginny collapses and is taken to her dressing room, the woman, Julia Westcolt, a friend of Ginny's, dashes backstage, discards her veil, and then congratulates her friend on their successful publicity stunt. When Ginny's press agents, Gus Crane and his son Junior, visit their client backstage, she brags about her feat and chides them for not being more creative in promoting her. Horrified at Ginny's brashness, Junior, a conservative Harvard graduate, chastises her and leaves the room.

A bandleader falls in love and marries a small town girl.

Bandleader Frances Carroll leads The Coquettes, an all-female band, in several swing tunes.

Artie Shaw and his orchestra perform four popular songs, "Alone Together", "Jeepers Creepers", "Deep Purple", and "Lady Be Good".

Jimmy, the owner of a failed music shop, goes to work with his uncle, the owner of a food factory. Before he gets there, he befriends an Irish family who happens to be his uncle's worst enemy because of their love for music and in-house band who constantly practices. Soon, Jimmy finds himself trying to help the band by getting them gigs and trying to reconcile the family with his uncle.

A joyful tale filled with music. The rise of radio. The jazz big bands. The legendary clubs and ballrooms. The soundtracks of the great musical films and TV shows. Sex and romance, gangsters, luxury cars and palm trees. From Barcelona to New York, with a stop in Cuba. The birth of Las Vegas. The sound of the maracas. Chihuahuas everywhere. The incredible life story of Xavier Cugat (1900-90).

In a nightclub setting, Jimmy Dorsey and His Orchestra, with two of his vocalists, perform four of the group's best known songs. For the complete list of songs, check the soundtrack listing.

This musical short salutes bandleader B.A. Rolfe on his 40th anniversary in show business.

A dance band leader finds love and success in Brazil.

In this MGM Miniature Musical, Harry Owens and his orchestra perform several song numbers.

Lulu Monahan, the press agent for John Barrymore, is attempting to get a sponsor for a radio program. To that end, she and the agent for bandleader Kay Kyser, plant a story that the great Shakespearean actor, over his heartfelt objections, will teach Kyser how to play Shakespeare, which isn't the same as playing Paducah, which soon becomes evident.

Joined by the likes of saxophonist Ben Webster and trumpeter Cootie Williams, jazz giant Duke Ellington demonstrates in this collection of performance clips (spanning the years 1929-43) precisely why he's one of the seminal figures in American music. Ellington's musical evolution can be seen in excerpts from feature-length and short films that include Black and Tan, Check and Double Check, Symphony in Black and The Hit Parade of 1937.

A high school bandleader captures the interest of a popular co-ed.

His filmmaker son probes the professional and private lives of his remote but fascinating father: bandleader, composer, inventor, and electronic music pioneer Raymond Scott.

The life story of the famous pianist and band-leader of the 1930s and 1940s.

Connie Ward is in seventh heaven when Gene Morrison's band rolls into town. She is swept off her feet by trumpeter Bill Abbot. After marrying him, she joins the band's tour and learns about life as an orchestra wife, weathering the catty attacks of the other band wives.