"The Karma Killings," is a modern-day crime thriller mixed in with Indian mythology and class warfare. The documentary delves into India's most infamous serial killings and its impact on a nation. Told through the people directly involved, the film unravels the complexities of the case and goes beyond the sensational headlines to present a suspenseful and scary mystery. And has a huge twist - one of the killers maybe innocent?
A meandering brook of moments from two afternoons spent with Vinod Kumar Shukla, his wife and son at their home in Raipur, saunters between the mingling geographies of past, present and future, drifting in and out of pauses – to ponder, to reflect, to reminisce, and to share.
Takes the audience behind the artistry, intellectual spirits, and production of the second season of the holy grail of Indian sitcom.
A short film that sets up an opposition between functional forms of industrial age and decorative ones from Indian tradition.
Conversations with 92 year old Kamlabai Gokhale, a pioneering actress of the Marathi stage and the first lady of Indian film. The documentary gives an impression of the history and growth of Indian film and theatre as it was experienced by a woman who struggled against the social structures of her times.
The film explores the campaign waged by the Hindu right-wing organisation Vishva Hindu Parishad to build a Ram temple at the site of the Babri Masjid in Ayodhya, as well as the communal violence that it triggered. A couple of months after Ram ke Naam was released, VHP activists demolished the Babri Masjid in 1992, provoking further violence.
A turbulent newsroom drama that intimately chronicles the working days of broadcast journalist Ravish Kumar as he navigates a spiraling world of truth and disinformation.
An exploration of the 'respectable' and 'immoral' stereotypes of women in Indian society told from the point of view of two striptease dancers in a Bombay cabaret.
In the dense forests of the Eastern Himalayas, moths are whispering something to us. In the dark of night, two curious observers shine a light on this secret universe.
A charismatic Indian-Nepali boy, lives a bohemian life in a remote Himalayan village. As he transitions from childhood to teenagehood, his poetic journey of perseverance echoes issues that span across ages and communities.
At the age of 54, Binode Bihari Mukherjee, an accomplished painter, lost his sight following an unsuccessful cataract operation. He continued to create art despite his loss of sight. The documentary explores Binode Bihari’s inner eye that guides his fingers to create art.
Celebrated actor Nayanthara looks back on her journey towards love and superstardom amidst personal struggles and triumphs in this intimate documentary.
Tree planting in Rajasthan, India, has become a symbol of freedom in the middle of the desert. Families in this community have abandoned the belief that the birth of a girl is a curse.
Krishnattam or Krishnanattam (Play of Krishna) is a temple ritualistic art performed at Guruvayur Temple (Guruvayur 680101, Trishshur District, Kerala) by a troupe owned by Guruvayur Devasvam. The performance of Krishnattam is based on Krishnagiti, a poetic text in Sanskrit containing verses and stanzas, written by the Zamorin King Manavedan in 1654. The story of Krishna, described in Bhagavata, Mahabharata and Harivamsha is presented in Krishnattam as songs, dance and acting in a sequence of eight plays (Avataram, Kaliyamardanam, Rasakrida, Kamsavadham, Svayamvaram, Banayuddham, Vividavadham and Svayamvaram) in eight days.
In 'Queen of Vikretamandi, we follow the stories of three female street vendors in Mumbai. Each woman faces her own challenges but also enjoys her victories. The documentary shows their strength and hard work. It creates a close and powerful picture of how they survive and thrive in a busy city that is always awake.
Based on the poetry of R. Raj Rao, Bomgay is a collection of six vignettes that depict the underground and complex nature of the gay identity in urban India. Part Genet, part Bollywood, this film combines acidic verse and insightful imagery to reveal the emerging gay community in the post-liberalized India of the 1990s.
The film is inspired by a rural folklore from central India, centred around a concept known as “Maya” or "the buried treasure." According to folklore, this treasure possesses its own consciousness and has the ability to select its rightful bearer. When the treasure is acquired by the person it is destined for, no trouble arises. However, if someone other than the chosen or destined individual claims the buried treasure, it brings forth bad omens. The film explores the lives of two cousins and the choices they make, highlighting the conflict between greed and need, as well as the themes of prophecy and destiny.
The film starts with the earliest form of cinema and how Shama Zaidi became an integral part of the evolution of Indian Cinema.
Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.
When most people think about Australia, they picture massive sandy beaches, singlet-clad locals drinking beer, and kangaroos bounding through the dusty red outback. Saris, musical numbers, and masala are the furthest from anyone's mind - unless of course, you're one of the millions of Bollywood fans from around the world.