Colossal

In Vigo, Spain, during Christmas, Ángel, a Spanish filmmaker, walks through the crowded streets while thinking about a possible movie made of…

A gang of women wreak havoc in the city, killing various men who have treated women poorly. And sometimes they do it just for fun.

A surreal, moody short about the fetishisation of automobiles and auto accidents.

A film about friendship and the occasional loneliness.

a visual experience

A young woman, injured and alone, desperately seeks refuge in an empty house before finding an abandoned train car. Haunted by surreal visions, she repeatedly collapses. At dawn, her motionless form draws the curiosity of local children, leaving her fate uncertain.

A cartoon with a very loose form, mostly following the very creation of images with the author's hand often in the shot.

Experimental short film from Yugoslavia. A woman and a man are making out on a bed, when suddenly an odd fellow with a chandelier enters the room. Suspense grows as they have a drink together...

Yo creo que...

La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.

Experimental film by Aldo Francia that consists in diverse situations through the 123 steps of the Santa Justina staircase in the Cerro Larraín of Valparaíso.

Features four distinct, bizarre, existential tales about people whose lives are in transition, who are each asking questions about themselves, their environments, and about God(s).

A filmmaker recalls his youth in the town of Onomichi. In the present, he shoots a film in Onomichi alongside his cast, crew and family.

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt?

CREMASTER 3 is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect...

Here I am. A mind backed up by delusion of previous condition. Free or humiliated? Who is ashamed? Me or you? It is so hard to share one's secret.

Glen doesn't dare tell his fiancée Barbara that he is a transvestite known as Glenda; in addition, Alan is undergoing medical treatment to become a woman named Anne; both stories are told by a psychiatrist.