Boxing Match; or, Glove Contest

Early Balkan footage.

Early Balkan footage.

The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.

A group of Macedonian women are shown hard at work.

A silent succession of black-and-white photographs of the city of Montreal.

The historical impact of Mexican fighters in mixed martial arts.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Documentary footage of the author and his two daughters at home.

Wallace Carlson walks viewers through the production of an animated short at Bray Studios.

We see the man in action, in the ring as the intense fighting machine with killer instincts, and out of the ring as the quietly spoken young man.

An overview of the works of French film pioneers Louis and Auguste Lumière from 1895 to 1897.

Silent documentary short showcasing a fashion show in the late twenties set at the Côte d'Azur.

Documentary about the rise of the female German boxer Regina Halmich.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)

Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.

Charles Dekeukeleire, then a questioning Catholic, was spurred into making this documentary on a pilgrimage with the Catholic Young Workers’ Movement. The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.

Fueled by a raging libido, Wild Turkey, and superhuman doses of drugs, Thompson was a true "free lance, " goring sacred cows with impunity, hilarity, and a steel-eyed conviction for writing wrongs. Focusing on the good doctor's heyday, 1965 to 1975, the film includes clips of never-before-seen (nor heard) home movies, audiotapes, and passages from unpublished manuscripts.

Jean Painlevé is interested here, with the help of Eli Lotar, in crabs and shrimps. He is particularly interested in detailing their anatomy and observing their mating and fighting behavior.

A display of flower bouquets, rotating to show the Kinemacolour process.