Euroestafa

Lebanon today. The traces of the civil war are all too tangible as government corruption becomes unbearable. In a country where conflict and peace are caught in an endless cycle, musicians from different backgrounds pool their talents to create an underground music scene. Each evokes his or her representation of Lebanon: its shifting geographical, political, historical and social borders, its painful passage through conflict and instability. A touching portrait of a young generation trying to build an oasis in a hostile environment where the forces of destruction continue to wreak havoc.

Documentary directed by Johanna Lee's that explores the emotionally charged, cutthroat world of commodities trading. They try to make a living trading coffee on the New York Board of Trade before electronic trading threatens to make their way of life obsolete.

This documentary is a case study of the multinational tentacles of the world's biggest bank, how it started and what its power means to everyone.

American Made Movie looks back on the glory days of U.S. manufacturing when there was a more balanced relationship between the goods produced and consumed, and illustrates how technology and globalization have changed the competitive landscape for companies doing business in America, as well as overseas. By illustrating the successes of companies and entrepreneurs that, of their own accord, have prospered without adopting the practices of their competitors, American Made Movie shows the positive impact these jobs can have on national and local economies in the face of great challenges.

A documentary about the closure of General Motors' plant at Flint, Michigan, which resulted in the loss of 30,000 jobs. Details the attempts of filmmaker Michael Moore to get an interview with GM CEO Roger Smith.

A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.

Drawing surprising connections between market methods and CIA torture techniques developed in the 1950s, the film explores how well-known events of the recent past have been theaters for the shock doctrine, from Pinochet's coup in Chile, to the Tiananmen Square Massacre, to the war in Iraq today.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Attila Baukó, aka Azahriah is one of Hungary's most famous singer, who filled the biggest sport arena of the country with three consecutive concerts. But this film is not a concert film. It is not a music documentary. Nor is it a traditional portrait film. We are Azahriah is the story of a real and an imaginary journey inspired by Azahriah's life and songs.

Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.

A documentary about the Enron corporation, its faulty and corrupt business practices, and how they led to its fall.

Too high, misused, unfair... a large part of the French and Europeans criticize taxes. From tax-rascal to tax revolt, the movement of yellow vests in France has returned to the center of attention the question of consent to tax. How to explain a different resistance to taxes from one country to another without tax pressure being an explanation? Is there a "good" tax? Jean Quatremer takes us on a journey to the tax center across Europe, to meet those who pay it, those who decide it, those who study it... or those who allow to avoid it.

Should the United States eliminate the penny? "Heads-Up: Will We Stop Making Cents?" is a documentary that explores the different sides of the debate, touching on the role of the penny in today's economy, predictive economic models of a penny-less future, and the cultural importance of the coin. Radio DJ and Actor Laurie Gallardo narrates the penny odyssey as we travel from Texas to Canada, stopping to speak with former Mint Directors, lawmakers, economists, and more than a few unique penny characters, including a coin-hunter, a former President*, and one very memorable penny prankster. * "Abraham Lincoln" appears in the film.

Completely topless. Completely uninhibited. The craze that began in San Francisco is now exploding across the USA and Europe.

Since its adoption in June 1955 by the Congress movement, the Freedom Charter has been the key political document that acted as a beacon and source of inspiration in the liberation struggle against Apartheid. It was reputedly the main source that informed democratic South Africa’s liberal constitution and a constant reference point for the ruling African National Congress (ANC) and rival political parties that it spawned since 1994, all claiming the Freedom Charter’s legacy. Freedom Isn’t Free assesses the history and role of the charter, especially in relation to key political and socio-economic aspects of developments in South Africa up to the present period. It includes rare archival footage with interviews of a cross-section of outspoken influential South Africans.

In September of 2017 German writer and director Daniel Raboldt accompanied a group of German and Polish scientists and students into the woods of Masuria, Poland. The expedition aimed to find traces of the so-called "lost villages", left by the Masurians around 1945 by the end of the Second World War. Today only some of the old graveyards can be found deep in the woods of the beautiful Masurian landscape. The documentary "In the back of history - The lost villages of Masuria" shows the students at their work in the historic archives and in the woods. How conclusive can this kind of historic research be? How much can we really learn by looking through old files or other sources? And what can we learn from the vanishing of the Masurians? Do we face similar problems today? The film dives deep into themes like the rise of nationalism and identity and uncovers the tragic end of a population that was asked one simple question in the early 20th century: Stay or Leave?

As the documentary “Tax Me If You Can” explored, the tax shelter became one of corporate America’s biggest hidden profit centers in the 1990s and early 2000s. The General Accounting Office estimated that bogus tax shelters at the time cost the government more than $85 billion. Correspondent Hedrick Smith spoke with government officials, tax experts and industry insiders to expose these tax shelters. His reporting led him to some unexpected places — from the city of Dortmund, Germany, to the Cayman Islands. The documentary examined how difficult it was for the Internal Revenue Service to find tax shelters and how the tax shelter wave prompted a federal investigation. The ultimate victim in this scheme, experts in the documentary said, is the honest taxpayer who is left to make up what companies aren’t paying.

He was one of Germany's leading investment experts with an income of several million Euros per day. Now, he sits on one of the upper floors of an empty bank building in the middle of Frankfurt, overlooking a skyline of glass and steel. And talks. In an extended mix of a monologue and an in-depth interview, which is as frightening as it is fascinating, he shares his inside knowledge from a megalomaniac parallel world where illusions are the market's hardest currency. Marc Bauder's 'Master of the Universe' is based on meticulous research and provides us with geniune insight into the notoriously secretive and self-protective 'universe' of which our nameless protagonist experiences himself a master. Where other films on the financial meltdown have focused on the epic nature of larger-than-life business, Bauder probes the mentality that made it possible in the first place. A tense drama where psychology meets finance - two things that are more closely linked than you would like to believe.

In northern Morocco lies the Spanish enclave of Melilla: Europe on African Land. On the mountain above live over a thousand hopeful African migrants, watching the land border, a fence system separating Morocco and Spain. Abou from Mali is one of them – the protagonist in front of the camera, as well as the person behind it. For over a year, he has ceaselessly persisted in attempting to jump the fence.

The poor may always have been with us, but attitudes towards them have changed. Beginning in the Neolithic Age, Ben Lewis's film takes us through the changing world of poverty. You go to sleep, you dream, you become poor through the ages. And when you awake, what can you say about poverty now? There are still very poor people, to be sure, but the new poverty has more to do with inequality...