El Cardenal

Some Must Watch While Some Must Sleep is a hypnotic and oneiric cinematic poem composed from footage Michael Higgins shot on the road across Alberta and BC, Canada. Photographed on Super 8mm and using hand-processed film techniques to create an unworldly zone between sleep and wakefulness, it looks at three characters and the film’s material that connects them. It is a film that invites the viewer to sleep with the film’s protagonists, to drift across into the dream world of the film’s material and lose touch with their current surroundings.

From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate destination. A contemplation of nature and time along a raw journey in the American landscape.

Julie, a teen who died from a PCP overdose in the early '70s, searches from beyond the grave for her younger brother Bob, who now in the '90s is an obese watch seller suffering with sucrose intolerance.

An ambient representation of depression with a slowly fading score building towards an uncertain climax.

A monkey paces inside a cage: visually, the short film confines itself to this stark simplicity, yet its message resonates deeply. It draws on whispered excerpts from Goffman’s seminal Asylums on total institutions, paired with a poignant citation from Poe. In the spirit of post-'68 thought, closed and segregated spaces take center stage in the social and cultural discourse, and this film embodies that reflection with radical intensity.

Mais a soma de seus possíveis: parte 2

Morte em pleno verão

Between 1652 and 1657, 58 girls were devoured by a wolf in the Essonne, France. Four centuries later, in the same place, young girls vanish.

The film juxtaposes/compares two museums: The Museum of Art, Ein Harod, Israel, which Samuel Bickels (1909-1975) built there in 1948, and The Menil Collection in Houston, Texas, built by Renzo Piano (b. 1937) 1986 . The method of natural lighting in Bickels‘s construction was the direct model for Piano, who adopted for his construction at the request of its patroness Dominique de Menil.

December 31, 2015. The Valencian bookstore Valdeska closed its doors permanently after forty years of activity. The result of four years of monitoring and filming, these 31 minuts of run time are part of a book unread, unknown and undiscovered. "Me voy. Me voy" it's not the story of a bookstore, not the portrait of an exceptional bookseller, it's a will to attach the things in the filmed image, to make something lasting showing the moment of its disappearence.

Beneath towering Brutalist architecture, a man is driven to do what must be done.

A visit to the Rotoli cemetery in Palermo, while film director Carmelo Bene reads a fragment of Antonio Pizzuto's book "Signorina Rosina".

In this surrealist vignette-based film, a goldfish makes conversation with various objects. A TV becomes a writer, a triangle learns it is not a hexagon, and a goldfish sees themself without an audience. // \ / \ \\ \ / \ / /\/ /// \ / \ \\ \ / \ / /\/ /// \ / \ \\ \ / \ / /\/ /

The film takes us through the working day of protagonists, factory workers. Their basic working tool is their body, ready to execute strenuous manual tasks. Day after day the same story, the same faces, the same spaces, the same tasks. Feeling confined, they seek a sheet anchor, a way out, an escape. They venture into the unknown, dance, drift and float in the air.

An abstract work featuring three dancers, the performers interact with large screens as well as each other. Included in Shirley Clarke’s Four Journeys Into Mystic Time, costuming and color play an integral role in this piece.

A non-narrative cine-essay that collaboratively explores the potentials for trans feminine representation in film.

An animation mixing hand-drawn and cut-out techniques depicting the daily rituals of weekday morning that is occasionally interrupted by flights of fantasy delivered in stroboscopic flashes. Showing scenes of brushing teeth and face washing, Tanaami describes the film to be like a self-portrait on his favorite day of the week.

In recent years, more than 2,500 books have been removed from school districts around the US, labeled as banned, restricted, or challenged, and made unavailable to millions of students. By no accident, the themes targeted are the usual scapegoats of the American Right—LGBTQ+ issues, Black History, and women’s empowerment—impeding the power of future generations to develop their own thoughts and opinions on critical social issues. By weaving together a lyrical montage of young readers and authors, THE ABCs OF BOOK BANNING reveals the voices of the impacted parties, and inspires hope for the future through the profound insights of inquisitive youthful minds.

How do we represent the ideas of gender? This short reflects about this topic, as we see an unidentified character, suited up, and with a paper bag over his head, walking down the hallway of its high school.

A surrealist saga in four parts: 1.) The credit sequence in which title cards show successively larger foetuses pulsating on the screen until the baby is born and cries. 2.) Etoile-directly referring to Cocteau, Lethem shows an adolescent sucking a starfish and then giving birth to a smaller starfish. A statement of inadequacy. To give birth involves an emasculation and a loss of vitality. 3.) Corps-two images of a man on a couch groping for each other, watched by a mysterious peeping Tom. As the two superimposed images come together, the heavy breathing subsides…the statement that the birth of desire is a self – realisation. 4.) Hymen – The decaying body of a girl is shot through green filters, and the final image reveals her vagina crawling with maggots and overlain with a crucifix. A representation of Catholicism preventing the free expression of desire.