Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.
Summaries "The John Wayne Gacy Murders: Life and Death in Chicago", Focuses on serial killer John Wayne Gacy's time in Chicago and includes information about Gacy's childhood, his career of crime in Waterloo, Iowa, and Gacy's becoming a celebrity in prison. Containing interviews with Chicago attorneys, news reporters, law enforcement officers, and history experts, the film illustrates what the atmosphere was like in Chicago when Gacy was murdering and ultimately apprehended. Gacy's time in prison as a celebrity serial killer is also explored in this groundbreaking film by Chicago native filmmaker John Borowski. —John Borowski
"Sam, could you do me a favor?" A seemingly simple request sparks the story that has now become part of America’s true crime hall of fame - the journey of a young lawyer, fresh from the Public Defender’s Office, whose first client in private practice turns out to be the most evil serial killer in our nation's history.
Serial Killer Culture examines the reasons why artists and collectors are fascinated by serial killers.
This short film, first broadcast on BBC TWO in 1989, is a chilling depiction of a series of violent killings during the Troubles in Northern Ireland.
Chyna Shepherd is a twenty-six-year-old psychology student who survived an extremely troubled past. While visiting Laura Templeton's house, a farm in the Napa Valley. A serial killer named Edgler Foreman Vess breaks into the house, killing Laura and her parents. Chyna survives, but she learns of Vess's captive: a girl, just as innocent as Chyna, trapped in Vess's home far from the Napa Valley.
When it comes to serial killers, there aren't many stories more chilling than the one of Fred and Rosemary West. The murderous duo raped, tortured and murdered at least a dozen young British girls between 1967 and 1987 in Gloucestershire, including several of their own daughters. Learn of how two of Britain's most notorious serial killers were able to get away with their crimes for so long, how they hid the victim's remains within the confines of their own home, and how they were eventually taken down.
Harold Frederick Shipman, known to acquaintances as Fred Shipman, was an English general practitioner and serial killer. He is considered to be one of the most prolific serial killers in modern history, with an estimated 250 victims. We delve into the psychology of Harold to try and understand what turned him into such a cruel murderer and how he managed to get away with it for so long.
The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.
New exclusive access and never before heard testimony gives a unique insight into the mind of America's most notorious serial killer, Ted Bundy. Breathtaking archive from the time and the voice of Bundy himself, reveals the monster inside the man.
A Portland taxi dancer is a suspect in a series of murders involving her former customers.
Walker investigates a murder connected with a missing government weapon. In addition, he tries to track down a teen on the run from a crime syndicate.
Albert Fish, the horrific true story of elderly cannibal, sadomasochist, and serial killer, who lured children to their deaths in Depression-era New York City. Distorting biblical tales, Albert Fish takes the themes of pain, torture, atonement and suffering literally as he preys on victims to torture and sacrifice.
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
An examination of why the James Bond films have proved so popular including a discussion between the four actors who have played Bond, an interview with Cubby Broccoli and contributions from the directors, production designers, special effects and stuntmen.
Jonathan Ross delves into the world of James Bond and meets with new and former cast members who reveal humorous stories and anecdotes in a series of interviews. All the 5 Bonds at the time are featured, though only Lazenby (reflecting in the usual frank, self criticizing manner), Moore and Brosnan granted an interview. Connery and Dalton are featured through some unused footage from LWT's 30 years of James Bond program. The ever faithful Desmond Llewelyn turns up in character as well as some other less related peeps like Christopher Lee, Paul McCartney and the ultimate playboy: Hugh Hefner -- who all give an interesting perspective on the worlds most famous spy.
Based on the screenplay by Mel Dinelli, this story revolves around Helen Warren, a beautiful mute girl, who becomes the target of a mysterious killer who preys on young handicapped women.
The investigation of two horrific mass murders leads to the capture and trial of the psychotic pseudo-hippie Charles Manson and his "family".
Jess Koster is a young attorney in LA who is being stalked by the serial killer she is prosecuting.