The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.
America has a fascination with serial killers. Many of them are household names, Ted Bundy, John Wade Gacy, Jeffrey Dahmer. But there is another group of serial killers with even higher body counts. However, chances are you've never heard of Samuel Little, The Grim Sleeper, or The Sunday Morning Slasher. Combined these men have 85 confirmed murders. There are no books, movies, or television shows about these killers. Why? Because they are black serial killers. Filmmaker Sean Reid explores black serial killers and the lack of public information and media representation about them. Reid interviews Allan Branson, a criminal justice professor. Branson discusses the history of African-American serial killers and the negative stereotypes and biases that have influenced their portrayal in the media.
A new case for the energetic criminal investigation officer Beate Stein: The half-undressed corpse of a subway driver is found in a subway tunnel. It soon seems as if the perpetrator has been found in a convicted female murderer. But after his death, the murders continue ...
Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.
After 31 years at-large, detectives in Wichita, Kansas hone in on the serial killer known as BTK.
A documentary by writer and filmmaker Daniel Bird about the making of Sergei Parajanov's 'The Colour of Pomegranates'.
A short documentary by Levon Grigoryan about the making of Parajanov's «Sayat-Nova», or «The Colour of Pomegranates».
A documentary about Pier Paolo Pasolini and his film 'Salò o le 120 giornate di Sodoma'.
A 55-minute film by director Xavier Giannoli that analyses 'À nos amours'. The film features former Cahiers du cinéma editorial director Jean-Michel Frodon, actors Jacques Fieschi and Sandrine Bonnaire, and other members of the cast
A ring of call girls leaves the "business" when one of them is murdered. The survivors change their names and leave town. However, they are reunited 15 years later when another one of them is murdered and the rest realize that they are all being tracked by the same serial killer.
Holly Grant has learned a long time ago not to rely on Santa Claus leaving Mr. Right in her Christmas stocking. But Holly is in for a surprise when a handsome man arrives on her doorstep with a twinkle in his eye and Yuletide tree in tow.
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
Eleven bodies are found dumped on Long Island between 2010 and 2011; journalists Alexis Linkletter and Billy Jensen investigate corruption at the highest level of the Suffolk County Police Department and why the case has never been solved.
The life story of Colin McKenzie, a forgotten pioneer of international cinema who was born in rural New Zealand in 1888.
2nd Edition of Loose Change documentary. What if...September 11th was not a surprise attack on America, but rather, a cold and calculated genocide by our own government?We were told that the twin towers were hit by commercial jetliners and subsequently brought down by jet fuel. We were told that the Pentagon was hit by a Boeing 757. We were told that flight 93 crashed in Shanksville, Pennsylvania. We were told that nineteen Arabs from halfway across the globe, acting under orders from Osama Bin Laden, were responsible. What you will see here will prove without a shadow of a doubt that everything you know about 9/11 is a complete fabrication. Conspiracy theory? It's not a theory if you can prove it.Written and narrated by Dylan Avery, this film presents a rebuttal to the official version of the September 11, 2001 terrorist attacks and the 9/11 Commission Report.
During a three-month period in 1888, a knife-wielding serial killer murdered six women on the streets of Whitechapel. Their throats were cut and their bodies horribly mutilated. He was never caught and his identity remains one of the world's greatest crime mysteries. In the years that have passed since Jack the Ripper's killing spree, many high-profile suspects have been suggested, yet the fact remains that none of them can be placed at any of the crime scenes. Now, journalist Christer Holmgren believes that he has found a suspect who can not only be linked directly to one of the murders but also whose daily routine could be consistent with all the other deaths
A short documentary exploring the ongoing relevance and power of 'Salò o le 120 giornate di Sodoma'.
A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.
The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.