Chaplin Today: 'Monsieur Verdoux'

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A thriller documentary where the director seek answers on why her brother was shot by the Swedish serial killer Peter Mangs.

This documentary captures the sounds and images of a nearly forgotten era in film history when African American filmmakers and studios created “race movies” exclusively for black audiences. The best of these films attempted to counter the demeaning stereotypes of black Americans prevalent in the popular culture of the day. About 500 films were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.

A serial killer kills redheaded women and drapes them like Venus from Sandro Botticellis artwork.

A documentary on the revolutionary life and career of director Juan Antonio Bardem, including interviews with many of his colleagues, including Luis Garcia Berlanga.

Director Denys Arcand made an inquiry on textile industry in Quebec, meeting employers and workers of that industry.

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.

After 31 years at-large, detectives in Wichita, Kansas hone in on the serial killer known as BTK.

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.

"Sam, could you do me a favor?" A seemingly simple request sparks the story that has now become part of America’s true crime hall of fame - the journey of a young lawyer, fresh from the Public Defender’s Office, whose first client in private practice turns out to be the most evil serial killer in our nation's history.

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

The film follows the career of detective inspector Marianne Atzeroth-Freier through the Hamburg police force of the 80s and 90s. At the end of the 70s, Marianne is 30 years old and a single parent; she becomes one of Hamburg's first female police officers. Marianne is one of the first women ever to be promoted to the Hamburg homicide squad. The opposing forces in this male-dominated world are strong, she is not really taken seriously and is even bullied along the way, until she comes to the attention of the furrier Lutz R.. Against the considerable resistance of her superior, Marianne investigates in her spare time and makes a significant contribution to solving the case of the "acid barrel murderer".

During a three-month period in 1888, a knife-wielding serial killer murdered six women on the streets of Whitechapel. Their throats were cut and their bodies horribly mutilated. He was never caught and his identity remains one of the world's greatest crime mysteries. In the years that have passed since Jack the Ripper's killing spree, many high-profile suspects have been suggested, yet the fact remains that none of them can be placed at any of the crime scenes. Now, journalist Christer Holmgren believes that he has found a suspect who can not only be linked directly to one of the murders but also whose daily routine could be consistent with all the other deaths

A new case for the energetic criminal investigation officer Beate Stein: The half-undressed corpse of a subway driver is found in a subway tunnel. It soon seems as if the perpetrator has been found in a convicted female murderer. But after his death, the murders continue ...

Jack the Ripper was a prince, a pauper, a mason, a madman... A host of more and more bizarre theories have surrounded the unexplained killings in Whitechapel since they hit the headlines in 1888. This film dispels the grisly fiction, revealing for the first time the true contents of the police and Home Office files on the case, drawing on the expertise of historians and of those who have encountered today's killers - on the street or behind bars.

The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.

A documentary about Pier Paolo Pasolini and his film 'Salò o le 120 giornate di Sodoma'.

A 55-minute film by director Xavier Giannoli that analyses 'À nos amours'. The film features former Cahiers du cinéma editorial director Jean-Michel Frodon, actors Jacques Fieschi and Sandrine Bonnaire, and other members of the cast

A short documentary by Levon Grigoryan about the making of Parajanov's «Sayat-Nova», or «The Colour of Pomegranates».

A female writer of popular thrillers decides that it is time to kill off one of her characters, a serial killer who has appeared in many of her recent books. Soon afterward, she finds herself pursued by a copy-cat serial killer.