Rock the Boat

When Howard Brookner lost his life to AIDS in 1989, the 35-year-old director had completed two feature documentaries and was in post-production on his narrative debut, Bloodhounds of Broadway. Twenty-five years later, his nephew, Aaron, sets out on a quest to find the lost negative of Burroughs: The Movie, his uncle's critically-acclaimed portrait of legendary author William S. Burroughs. When Aaron uncovers Howard's extensive archive in Burroughs’ bunker, it not only revives the film for a new generation, but also opens a vibrant window on New York City’s creative culture from the 1970s and ‘80s, and inspires a wide-ranging exploration of his beloved uncle's legacy.

Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.

A documentary about a shocking case of HIV criminalization in Greece.

Stonewall veterans (including prominent trans activist Sylvia Rivera) and HIV-positive New Yorkers take up residency on the Hudson River piers as cranes raze vacant buildings for a new skyline.

The 1997 sequel to the 1992 film of the same name, updated with a substanial amount of new information gained about safer sex for gay men in that 5 year gap.

Saar is an HIV positive gay man living in London, where he found refuge from the religious kibbutz where he grew up in Israel. Ever since he was diagnosed with HIV, Saar has craved his family's love, while they struggle with fears and prejudices.

Portrait of the last year of the life of famous New York drag queen Consuela Cosmetic.

Another sensitive, thoughtful, and elegantly crafted film from home-grown McGee that speaks calmly to us of an alarming truth. Even in outports and relatively small Newfoundland communities, young people are vulnerable to becoming infected with HIV. The story centres on Trudy Parsons who was 20 when she contracted the virus, a young woman with the determination to show others that people like us do get it. The direct and candid way in which trudy and her friends discuss current social and personal views of sexuality makes for another stirring experience that inspires as much as it moves.

Sex Positive explores the life of Richard Berkowitz, a revolutionary gay S&M hustler turned AIDS activist in the 1980s, whose incomparable contribution to the invention of safe sex has never been aptly credited. Mr. Berkowitz emerged from the epicenter of the epidemic demanding a solution to the problem before the outside world would take heed. Now destitute and alone, Mr. Berkowitz tells his story to a world who never wanted to listen.

One of the most powerful video documentaries of our time boldly reveals the modern medical-industrial complex’s dire descent into utter corruption. HIV/AID$ - A deadly and dangerous DECEPTION! This feature-length expose explains exactly how the 300-Billion-dollar AID$ fraud began, why HIV can NOT be the cause of AIDS, what the real causes could be, and who manipulates the public’s good intentions while poisoning hundreds of thousands with toxic drugs that cause the very disease they are supposed to prevent.

As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.

No clothes. No apologies. This film marks artist Spencer Tunick's third 'Naked' documentary which feature photo shoots that create art from the naked bodies of men and women. In this shoot, 85 HIV-positive men and women gather in a downtown Manhattan bar where they bare it all for Tunick's camera, creating an unsentimental look at life with AIDS in America today.

The business of HIV is uncovered through the lens of a long-term survivor, who puts his life on the line in search of a cure.

Five gay Black men who are HIV-positive discuss how they are battling the double stigmas surrounding their infection and homosexuality.

At the heart of the HIV/AIDS crisis and widespread hysteria, a single number and letter designated a ward on the fifth floor of San Francisco General Hospital, the first in the country designed specifically to deal with AIDS patients. The unit's nurses' emphasis on humanity and consideration of holistic well-being was a small miracle amidst a devastating crisis and the ensuing panic about risk and infection.

A stark documentary about young male prostitutes in Prague, aged 15 to 18, who work the streets, train stations, and clubs. Through candid interviews and behind-the-scenes footage of gay porn shoots, the film explores their lives, struggles, and dreams, touching on themes of exploitation, identity, AIDS, and survival.

Documents 18 months in the lives of three crack addicts in Lowell, Massachusetts.

Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".

Ricardo was once Sara, a homeless HIV positive transvestite, living in the underbelly of Manhattan. Today he is a churchgoing, married man, "saved" by a Dallas ministry. He has renounced his homosexuality, but is his conversion complete? Susana Aiken and Carlos Aparicio offer an intimate look at Ricardo's transformation.

Mark Patton sets the records straight about the controversial 1985 sequel to A Nightmare on Elm Street, which ended his acting career, just as it was about to begin.