Anijam

A visual and musical game which builds and destroys itself according to the vivacious rhythm of Serge Prokofiev’s Scherzo to Piano Concerto No. 2.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

A short film about a mother and her son, she teaches him life skills later on the son gets niked by a man so the young donkey can be his work slave and his mother saves him. Preserved by the Academy Film Archive in partnership with the UCLA Film and Television Archive in 2013.

Two short fragments resulting from experiments in controlling the mechanical development of the instrument. Preserved by the Academy Film Archive in 2005.

Early 'visual music' film by John Whitney. Preserved by the Academy Film Archive in 1999.

The film is based on a poem by James Weldon Johnson depicting the power of the southern black American preacher's telling of the biblical creation story.

Background is a 1973 American short documentary film directed by Carmen D'Avino. It was nominated for an Academy Award for Best Documentary Short. The original version was preserved by the Academy Film Archive in 2012.

A short educational Claymation film about dinosaurs. Preserved by the Academy Film Archive in 2013.

A dirge-like hula song illustrates humanity's woes. Preserved by the Academy Film Archive in 2010.

Fischinger's abstract designs accompanied by Gitta Alpar singing. Preserved by the Academy Film Archive in 2000.

In the year 6470, a husband and wife team of explorers receive a mysterious distress signal from an astronaut who disappeared decades earlier. They leave their son on board their ship while they go searching for the missing astronaut — but fate intervenes, crash-landing the ship on a jungle-like planet populated by bulbous, telekinetic aliens and eerie stone gardens of frozen space creatures.

Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.

The bridge as the channel between worlds: between the living and the dead, between male and female, between sacred and profane.

Music: Carl Stone. Colored pen-and-ink drawings, like topological maps of biomorphic objects, grow and evolve from the red star. Once the master image is formed, this continuously throbbing, pulsating sight is used to ring changes based on years of optical work. Music and picture work together to create a mood of ecstatic tranquility. The bright colors, beautiful music, surprise at the end, etc. make this a good film for young children. Awards: Sinking Creek Film & Video Festival, 1973; Washington National Student Film Festival, 1974; Brooklyn Independent Filmmakers Exposition, 1974; Vanguard Int'l Competition of Electronic Music for Film, 1974; Humboldt Film Festival, 1974. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.

Begins with a three beat announcement drawn out in time which thereafter serves as a figure to divide the four sections. Each return of this figure is more condensed, and finally used in reverse to conclude the film. Preserved by the Academy Film Archive in 2004.

A psychedelic animated short about a flying cat.

Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.

A contemporary man in the eye of the cyclone created by information. He finds no support for his hands and feet. It’s like in a poem by Tadeusz Rozewicz (‘falling in every direction’), he turns to dust when his time finally comes.

This is one of those abstract animated films in which colored, richly textured light moves in a black, three-dimensional space. The pictures and the electronic score are unified in a strict structure made of three main sections which progressively develop three subsections. This film may look like it was made using computers or video to the uninitiated, but only animation and much optical printing are to be seen herein. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.