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A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he's there, or why he's bleeding from a stomach wound. Apparently drugged, he occasionally 'zones out' of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.

An unnamed man is house-sitting for his friend Imogen. Imogen calls to remind him to take her dog Rothko for a walk, but Rothko takes him for a walk instead.

Ponto Final

Pirelli Film's first promotional short, starring John Malcovich and Naomi Campbell.

Krazy is at his house reading a magazine. Ignatz comes in and goes inside a jar of jam. Krazy is aware of this, and tries to get the rodent out of the jar. After getting bitten in the paws, he decides to discard the container, along with Ignatz.

A short film featuring several dancers from different countries: first an Arabian dancer, then an Algerian belly dancer, and finally Scottish highlanders in kilts performing a jig. Section one is rendered in hand-color.

This is the story about a boy not like the others that dreams about finding his place in the world.

A young man has his time divided between his band and taking care of his sick grandmother. And the night is long.

Olhos Pretos, Cabelo Azul

A very graceful dance with voluminous draperies, by Annabelle Moore, well-known on the metropolitan stage.

A barber's customer is not accustomed to the blade. Luckily, the coiffeur has a modern solution.

This is the first film ever filmed in Stockholm, Sweden. The part of the city featured is Djurgården (Tiergarten in German). It is where the unique outdoor museum Skansen is located.

Men walk by as a dog lays about. Just out of view, a crippled man is begging for money.

In a sunny open air setting with a background of high, deep foliage trees, and a white-walled storeyed house, an acrobat with light shirt and trousers and white plimsolls is doing acrobats in a trapeze in the center of the area. Behind it, a pair of men in similar dress seem to be carrying barbells from one place to the other, rather then exercising with them.

Lumière's documents life in Palestine.

A man attempts to shave with a blunt razor.

In this picture there is a limited amount of action in the pose. As the curtains are drawn aside the shell appears shut. It gradually opens, disclosing the model curled up in a recumbent position. She slowly arises as if awakening, and gracefully assumes the final position of the pose.

Women getting onto a rickshaw.

Gaston Velle's 'Les Fleurs Animées' was screened by the Australian-based Corrick Family Entertainers as part of their variety act. In their advertising the Corricks described the detailed, hand-coloured production as 'The finest "Color" Film of the Twentieth Century'. Simple camera tricks create a magic fairy story in this tale of angry flowers exacting revenge on a man who has wantonly destroyed their garden.

Modern Americans think that the movies learned to talk in 1927 when Al Jolson opened his mouth in THE JAZZ SINGER, but sound pictures had a much longer history. Edison envisaged combining the phonograph with motion pictures even before they had been perfected and there is a test sequence from 1895. By the time this 'phonoscene' had been made, Alice Guy had been directing a series of them and there was a series in production in Germany, too. Yet true synchronization remained a problem, what with records wearing out and film breaking until the perfection of sound on film itself.