¿Cómo, por qué y para qué se asesina un general?

The documentary portrays the desires and ftures of four young people from the third year of secundary education in Chile. Two of them attend the industrial high school in the San Joaquín commune, where they have already begun their training as a textile technician. They both have dreams, they want to study, work, start a family and improve themselves. On the other hand, at the exclusive Saint George school, two students study in privileged conditions. They want to be professionals and develop through the arts. This is the portrait of two worlds located less than 20 kilometers apart and that can only be together in the audiovisual montage. It is the manifestation of the coincidences and contradictions that exist between the realities and the discourses of four young Chilean students in a fundamental stage for their future.

It follows Chilean writer Antonio Skármeta as he celebrates the end of the autocrats. Cheerful farewell rituals accompany others facing political persecution on their way to fly home.

This documentary short features Chile's history, culture, and customs.

Documental about the Second Independence of Chile. Images and videos from the period before and after September 11th, 1973

It is a powerful predator, one of the most elusive animals in Patagonia and rarely filmed. In the very South of Chile the Pumas' hunting grounds lie in the awe-inspiring Torres del Paine National Park, follow a mother Puma as she rears her cubs in the wild, teaching them to survive and thrive.

Concert by Víctor Jara at Panamericana Televisión in Lima, Peru, on July 17, 1973. This is one of the last audiovisual records of Víctor Jara. Two months later he would be assassinated by the Chilean military dictatorship.

A moving portrait of Chilean singer-songwriter and political activist Victor Jara (1932-73) that chronicles the life of the talented artist who was imprisoned, tortured and machine-gunned by the country's dictatorship.

A documentary about Finnish twin sisters, one of whom disappeared in Argentina in 1977.

A film about the fearless photographers and photojournalists who documented strikes, demonstrations, protests etc during the Chilean military regime of Augusto Pinochet, sometimes risking their very lives.

A conversation between the director of this film, Carmen Castillo and Marcia Merino, AKA La Flaca Alejandra who was one of the collaborators of Pinochet's secret police (the DINA) after being tortured by them. It was Merino who betrayed Castillo, who lost her new born child after being tortured. Almost twenty years later, Carmen Castillo returns to Chile after her exile to film this documentary, during a time in which Marcia Merino, on the court of justice, decided to give the names of her old bosses who worked with her on the DINA.

Agüero is able to look at the scene in all it's complexity around architectonical brutality that Santiago de Chile underwent around the year 2000.

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During the first days after the 1973 Chilean coup d’état, the political leadership of the Popular Unity government was arrested and transferred to Dawson Island, Magallanes Region, extreme south of Chile and the mainland. The wives of the then political prisoners began an incessant effort to find out the whereabouts of their husbands and then try to return them alive. In these circumstances, they meet and spontaneously organize into a group they call the “Dawsonianas.”

Filmmaker Rodrigo Dorfman goes in search of his revolutionary roots in Chile and in the process finds it in the euphoria of the Occupy Movement.

Religiosity is an immaterial wealth that preserves the identity of a people. Documentary filmmaker Patricio González Colville searches for the ancestral rites that characterize the relationship between God and man from the countryside. A strange mix of faith, devotion, pagan festival, wine, submission, violence and sorcery make up these rites whose origin has been forgotten but tradition does not allow losing. Cultural mixes over time have given rise to the peculiar current peasant religion. The documentalist's camera allows the country man to express his personal experiences, beliefs and divergences with divinity in his simple language. Through five chapters, the documentary searches the Maule Region for the descendants of Adam, expelled from Paradise to cultivate the land. What kind of faith does this man have left and how does he manifest it? The documentary presents his perspective on this controversial issue.

Documentary tells the story of the Chilean football club Colo-Colo, exploring its profound impact on popular culture and the everyday lives of its fans. Throughout the film, it shows how the club has transcended sport to become a symbol of resistance, pride, and class struggle in Chile.

Travel to the ice mountains of Chile to discover the secrets of the puma (aka panther, mountain lion and cougar) the area's largest predator. Discover how this elusive cat survives and follow the dramatic fate of a puma and her cubs.

Life in the isolated town of Charrúa is dominated by the presence of a large power plant that distributes energy to most of Chile. A little boy hunts rabbits, residents demand better electrical coverage at a town meeting, a woman waters the plants outside her house and a local radio station relays the day's happenings. At night, wildlife is captured on camera, along with strange bursts of light that momentarily illuminate a countryside criss-crossed with pylons and cables. And ever present is the insidious hum of electricity.

A Swedish mining giant, Boliden, is accused of having dumped 20000 tonnes of toxic waste in a poor neighborhood in a Chilean desert town.

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