Maria Callas Porträt

Puppet animation of Bert Ambrose and His Orchestra performing. A Puppetoon animated short film.

A claustrophobic stage revue where McNaughton comes out to introduce the numbers with Thelma white and chorines, but is interrupted by Wills and Carney with painful gags, and some clothes-tearing horseplay. For a costume number with the boys, McNaughton is replaced by McKay.

Rehearsals for a fundraising gala become the arena for a struggle between two men; one, the gala director and the other, a richly talented but unstable rock drummer. As their battle for expression and control escalates against a relentless rhythmic backdrop, their public and private selves explosively collide.

"I've Been Afraid" blends stories of women who have been threatened.

Every day is boring and the same to Amy, even her birthday. All the evidence her family puts forth that each day is different she rebuts with well-thought out responses of sameness. She is supposed to visit her Aunt Lucy to pick up her present from her, and instead meets weird characters who insist that her aunt has a beagle named Charlie and that she has turned into a butterfly. Eventually she encounters fairytale folk who thought their lives were normal before the events in their stories occurred. (IMDb)

“Trigger Happy” was made with hundreds of objects found on the streets and sidewalks of New York. It began as an attempt to make an animated ballet, but as I was shooting the dance turned rowdy, into more of a nocturnal revel. It was shot on a lightbox with high-contrast film. The backlight silhouetted the objects, making them into graphic icons of themselves. The resulting film is a negative, which turned the objects white and the background black as asphalt. It makes the dance almost phantasmagoric. The trigger I was happy about was on the camera, but the title also fits the velocity of the imagery. Much of the animation happens by the rapid replacement of one object with another. It’s the afterimage in your eyes that animates the difference between the shapes, as one is replaced by another, and another… The music by Shay Lynch perfectly captures the idea of dancing in the streets.” —Jeffrey Noyes Scher

2-minute animation film to music by John Coltrane.

Georgie Price tells Bryan Foy, who is to direct his short film, that he is nervous about performing to a camera and microphone instead of an audience. He then sings a couple songs, in an Al Jolson/Eddie Cantor style.

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

Set in the future: Two men learn that a mysterious winged girl has been taken prisoner, and then decide that they must free her at any cost.

A nocturnal education film, designed to help children develop their emotions and expressions as well as language and physical skills by enjoying singing and exercising with a big brother.

The short features previously unseen Evangelion storyboard art. Evangelion director Hideaki Anno supervised the "petit film," and Mahiro Maeda directed and storyboarded it. Shiro Sagisu provided the music, and voice actress Megumi Hayashibara narrates the Japanese version of the English lyrics. Sagisu made a few comments about the video on his website and posted the Japanese version of the lyrics. According to Sagisu, when they were finishing work on Q, Anno told him this would be the last time they used the F2 (Next Episode) theme, which made Sagisu want to make a extended version of it. He says the video actually contains four versions of the song: An unreleased version by the London Studio Orchestra (at the start), the Takahashi version from Xpressions, the version from Piano Forte #1, and Hayashibara's narrated version.

Hymn of the Nations, originally titled Arturo Toscanini: Hymn of the Nations, is a 1944 film directed by Alexander Hammid, which features the "Inno delle nazioni," a patriotic work for tenor soloist, chorus, and orchestra, composed by Italian opera composer Giuseppe Verdi in the early 1860s. (For this musical work, Verdi utilized the national anthems of several European nations.) In December 1943, Arturo Toscanini filmed a performance of this music for inclusion in an Office of War Information documentary about the role of Italian-Americans in aiding the Allies during World War II. Toscanini added a bridge passage to include arrangements of "The Star-Spangled Banner" for the United States and "The Internationale" for the Soviet Union and the Italian partisans. Joining Toscanini in the filmed performance in NBC Studio 8-H, were tenor Jan Peerce, the Westminster Choir, and the NBC Symphony Orchestra. Preserved by the Academy Film Archive in 2010.

A young woman who is unable to pay her rent gets some unexpected help when the other tenants throw a last-minute rent party in her apartment. In the process, they all charm the landlady out of a year's rent. The entire story is told in song (swing music) and dance (Jitterbug, Lindy Hop etc.).

Cris Superstar

A short film about mental health

A duo of acrobats go onstage one last time, united under the spotlights even as their harmony backstage is broken.

The then unknown Jennings and Andrew Larbi made a little film called One Cold Eskimo, which aired on the television series Takeover TV, produced by World of Wonder for Channel 4 in the UK. Takeover TV was a show that invited viewers to send in their curious, weird, or dumbfounding videotapes for possible airing. One Cold Eskimo is all of that.

The Bonzo Dog Band freak out at the farm and strange sounds abound.

MS-DOS demoscene short film that showcases computer animation, art and music.