To Let Ambadi Talkies

A stranger who may be the trickster magician Kummatty comes to a village in Malabar, India.

A special battalion of police is deployed by the government to do away with Maoist menace (A banned Left organization) in a tribal village near forest. The police forcibly occupy a tribal primary school for their camp. One day, the police are on lookout for some people in the forest near the school at night. A policeman follows a person deep into the forest and nabs the person. The person arrested happens to be a woman. He tries to come out of the forest with the arrested person, but he loses his way in the wild. The woman knows the path to get out of the forest but she is not willing to show him the way. Thus, both the hunter and the hunted are stranded in the thick forest. Power, Crime, Man, Woman, the Hunter, the Hunted... all such equations change utterly and are no more what they used to be. The film has been very un-expected resemblance with Maoist hunt and killing happened last month in Kerala.

Sunny, a priest, comes to know that Vavachan is running an old age home with vile intentions. He wants the corpses of the inmates for the medical college run by his son. Sunny decides to expose this.

Nadan is the story of a popular drama troupe owned by Devadas Sargavedi (Jayaram), which was previously possessed by his father and grandfather in the past, and speaks about the problems faced by the owner and his survival. The revival of this mighty art through the sustained effort of the talented theatre artists forms the crux of the narrative.

The film interprets a story from the Uttara Kanda of the epic poem Ramayana, where Rama sends his wife, Sita, to the jungle to satisfy his subjects. Sita is never actually seen in the film, but her virtual presence is compellingly evoked in the moods of the forest and the elements. The film retells the epic from a womens' liberationist perspective, and is about the tragedy of power and the sacrifices that adherence to dharma demands, including abandoning a chaste wife.

Salaam Kashmir revolves around two men - Tomy Eeppan Devassy and Sreekumar. Jayaram plays Sreekumar, a character who does all the domestic work expected from a wife in normal course. Into this peaceful world enters Tomy (Suresh Gopi) disrupting the domestic bliss and bringing out an unexpected twist.

A taxi driver from Alleppey who always tries to keep his wife happy by taking her to very materialistic trips. She becomes more greedy and in order to keep her happy, he knowingly or unknowingly undertakes few tasks that gets him trapped.

All that David Pauly ever wanted in life was to witness the downfall of his high school nemesis Chembaden Joey. When Joey louses up Davy's betrothal ceremony, Davy and his friends vow to scheme up something that would button up Joey forever. Enter Giri, a village boy who joins the gang on the mission, for vested interests of course. But little did he know then, about Baagirathi or the misadventures that awaited the gang on their revenge quest.

Pooja Mathew, a spirited young girl, wants to have a love marriage in her life. Thus, she stops at nothing to impress Giri, who saved her once from a group of unruly men.

Karutthamma, the daughter of a Hindu fisherman, falls in love with a Muslim fish trader. However, social prejudices seem to ruin their love life and invite the wrath of their communities.

Riny (Biju Menon) is the right hand man of jeweller Lolappan (Innocent). He is extremely selfish and doesn't worry about the consequences of his actions as long as it contributes to his growth. He becomes estranged even with his family, but despite this, his rise up through the ranks continue.

Born to rich parents, Majeed falls in love with his not-so-affluent neighbor Suhra. After her father's death, when Suhra struggles to make both ends meet, Majeed pleads with his father to sponsor her education. Refused, he wanders off to distant lands.

Ghost-busting is both scary and hilarious in this tale of bhoots on the ground.

Purushan, a student on his way to Delhi, becomes obsessed with the tragic suicide of a young drummer. He collects many people to go with him to tell the boy’s mother.

A wayward youth of a rich father, Jomon is a carefree youngster who doesn’t care about ‘being responsible enough’ for his age. When the family lands in a financial soup out of the blue, a different side of the youngster surprisingly emerges. ​

Anxious Durga and her friend, Kabeer are running away from their village at midnight. On the same night there is a huge festival happening at the village temple where Goddess Durga is being worshipped. Devotees are offering their body and mind to please their Goddess. At the same time the woman, Durga, faces complete darkness of the night on the highway. Some drivers offer help to Durga and Kabeer to reach the railway station. Their journey filled with darkness and agony is mystical. Devi Durga is the Goddess of power but what about the woman Durga who is in the midst of darkness?

Abraham, the planter comes from Jaffna to his ancestral home in central Kerala unaware of the unpleasant things waiting for him. On the night of his arrival, he dies under mysterious circumstances and the cloud of suspicion falls on everyone.

Ravi, an unemployed young man, faces a series of encounters during his search for a job.

Dennis Paul (Maqbool Salman) is a business consultant working in Malaysia. During a journey to Hyderabad as part of his profession, he acquaints Riti Satyanarayanan (Aima). They soon become friends. Dennis finds some similarities in Riti and his ex-lover Ann Mariya (Aina).

Three friends decide to hire a prostitute on the day of the Aatukaal Pongala - a Hindu festival in Trivandrum - when their wives are busy.