Crash 'n' Burn is an experimental film shot in and named after Toronto, Ontario's first punk rock club. (Not to be confused with Peter Vronsky's similarly titled 1977 documentary on the Toronto punk scene made for the CBC television network.) The film, shot on 16mm black-and-white stock, features performances by Dead Boys, Teenage Head, The Boyfriends, and The Diodes".
A documentary about women in the Indonesian DIY hardcore/punk scene, including interviews with musicians, photographers, and zine-makers.
Interviews from 1999, with some queer artists, activists and bands about queer punk, feminist concepts and actions. Filmed during a trip to San Francisco.
Originally aired as part of the Arena series, this BBC biography of Poly Styrene of X-Ray Spex. She is one of the first black women singer-songwriters in the early New Wave/Punk scene.
"Collective Unconsciousness: The Not Dead Yet Story" explores the annual Not Dead Yet festival that takes place in Toronto. This documentary dives into what makes the festival great and the impact it makes on the city's hardcore/punk scene. "Collective Unconsciousness: The Not Dead Yet Story" also features performances from bands that played in 2015, shot up close to give the viewer the feel that they are there. Features performances by S.H.I.T., V.C.R., Power Trip, Title Fight, Career Suicide and more alongside interviews with members of Dress Code, Title Fight, I.C.E. and more.
A Dutch documentary about the history of the anarchist punk band Crass. The film features archival footage of the band, and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher.
This feature length documentary tells the story of 1970's punk band The Gears - in their own words.
Documentary about a musician's plan to kill himself.
A celebration of the Irish punk/poet Shane MacGowan, lead singer and songwriter of The Pogues, that combines unseen archive footage from the band and MacGowan’s family with original animations.
"Both Ends Burning" is a film that captures MxPx at a crossroads in their seasoned career. Directed by Bryan Buchelt, this documentary not only follows the band's struggles in the face of the new touring climate, it also looks at the legacy and impact that Mike, Tom, and Yuri have had on the music industry, fellow bands, and their fans. This is one of the first true looks into the life of the notoriously private working class band on the road and at home.
Tells the story of punk in the GDR.
In the pinnacle of their Stack Is The New Black national tour, Short Stack play the Sydney Opera House in a sold out mega-show.
Satan Panonski, born Ivica Čuljak in 1960, was a Croatian punk musician, poet, artist and freak performer. We get to follow his performance at the Studentski Kulturni Centar, Novi Sad, visit the cult station of Radio B92, a conversation at the apartment and finally the never presented staff from the Popovača Hospital. In 1991, Čuljak joined the Croatian army in the Croatian War of Independence. He died in 1992 while still a Croatian soldier. The cause of his death is unknown. It is rumored that he died after slipping and accidentally discharging the gun he was carrying.
Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
Southern indie rockers Lucero hit the road in this documentary, which shows the Memphis, Tennessee band on tour and in the studio. In addition to candid interviews with band members Ben Nichols, Roy Berry, John Stubblefield and Brian Venable, the video features footage of the band on tour with The North Mississippi All-Stars, in the studio for the recording of "Tennessee" and performing live at the Memphis in May Music Festival.
Bullet in a Bible documents one of the two biggest shows that Green Day have performed in their career. They played in front of a crowd of over 130,000 people at the Milton Keynes National Bowl in United Kingdom on June 18–19, 2005. The band was supported by Jimmy Eat World, Taking Back Sunday, and Hard-Fi during their American Idiot world tour. Fourteen of the twenty songs performed at these shows were included on the disc; missing out "Jaded", "Knowledge", "She", "Maria", "Homecoming" and "We Are The Champions". Bullet in a Bible was released as a double-LP set on November 10, 2009, as part of the band's 2009 vinyl re-release campaign.
David Markey's documentary of life on the road with Sonic Youth and Nirvana during their tour of Europe in late 1991. Also featuring live performances by Dinosaur Jr, Babes in Toyland, The Ramones and Gumball.
The Happy Child is a story of "New Wave" rock genre predominant in the ex-Yugoslavia during the socialist 70's and 80's.
This previously unreleased, 35-minute documentary film that takes you deep into the bowels of Winnipeg's punk and hardcore underground circa the mid-2000s. "The Manitoba Connection" provides a rare, lightning-in-a-bottle snapshot of DIY subculture as it is on the Canadian Prairie, marked by geographical isolation, brutal winters, and a history of working-class politics.