anyone lived in a pretty [how] town

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

Silhouette film. Based on Bizet’s opera “Carmen”.

A 1941 Ministry of Information propaganda film set to the tune of The Lambeth Walk, a popular song from the musical Me and My Girl.

Rebekka and Aatos, stuck in the past, meet for the first time since their painful breakup at their treasured poetry slam. It’s easier to sing about longing than to talk about it.

A satire of 1990s pop culture.

With one coin to make a wish at the piazza fountain, a peasant girl encounters two competing street performers who'd prefer the coin find its way into their tip jars. The little girl, Tippy, is caught in the middle as a musical duel ensues between the one-man-bands.

Exploring the obsessive, compulsive, and competitive side of the dance world, Seize deconstructs the festive, enchanting, and imperfect image of Quebec folklore. It is through the synchronicity of movement, concomitant rhythms, the appropriation of space, and tangible coincidences that the jiggers convey their passionate obsession with this art.

Short documentary film on the fashionable nightclubs and the trendy pop culture scenes that were famous in London on the late 70's. Released as a support feature to the first Alien (1979) movie.

He is a Cancer guy and she is Taurus girl. They're on a date.

Lucette, in her twenties, leads a life without joy or sorrow. At the karaoke bar where she works, Diana arrives and everything goes wrong. While her former love has decided to reconnect, Lucette must fight against her fairy.

The demons of hell play music for Satan, whose delight turns to wrath when an insubordinate refuses to become food for Cerberus.

A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.

Say Om as you reach home only to realize you never really left/stopped saying Om.

Experience a mystical journey through nature performed by a movement artist. Felix faces the whirling challenges of his inner turbulence with an emotionally charged dynamic, delicate strength, graceful dignity, as well as ecstatic devotion. Behold the fire dancer in the night.

A teenage pianist delivers a chilling performance.

An accompanying short film to TÁR (2022).

A true look into Kosine’s coming of age story featuring all-new music from his highly anticipated debut album Truth Serum. On his journey to 9 Grammy nominations, millions of records sold, and a host of other accolades, Kosine still found himself unfulfilled and seeking purpose. Truth Serum is a story of self-discovery while tackling everything they never told you about Hollywood.

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.

This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.