Almost Anything

Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).

It's time the times met each other over & over.

Don't ask me why, but I feel we're about to cry trying.

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

Return to 'burn' only to find out you're already in that urn.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

Roda Viva Roda Brasil

A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.

Your raging romp results only in rescinded regret @ the hands of radder cadets.

Slowed, stowed, achingly retold.

This cacophony runs over me, over everything I see, everything I want to see: it's me.

Hiding inside&out, writhing about, taken out&in.

Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.

Rather pointless, rather stilted, fetid; not what we want us going after.

This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.

Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.

A poetic, semi-autobiographical short film of the sun setting over a village, shot from behind the curtains of a small, dimly lit room.

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

Playful and rythmic self-portrait shot on Super 8mm and 16mm. Colored directly on the super 8mm.

Cremaster 5 is a five-act opera (sung in Hungarian) set in late-ninteenth century Budapest. The last film in the series, Cremaster 5 represents the moment when the testicles are finally released and sexual differentiation is fully attained. The lamenting tone of the opera suggests that Barney invisions this as a moment of tragedy and loss. The primary character is the Queen of Chain (played by Ursula Andress). Barney, himself, plays three characters who appear in the mind of the Queen: her Diva, Magician, and Giant. The Magician is a stand-in for Harry Houdini, who was born in Budapest in 1874 and appears as a recurring character in the Cremaster cycle.