Banished

Chronicles the rise of Collab Crib, one of the first mainstream Black creator mansion, exclusively documenting their whirlwind drive to achieve social media stardom in 90 days.

A car slowly navigates the winding streets and disparate airwaves of the United States of America in search of the scars of capitalism in natural landscapes, urban environments, people, and wildife.

A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.

Can a tree be racist? A few years ago, debate on this issue reached as far as Fox News. The focus was a row of tamarisk trees along a huge golf course in Palm Springs, which screened off the neighborhood of Crossley Tract. This is a historically Black neighborhood, named after its founder Lawrence Crossley, who was one of the first Black residents to settle in the largely white tourist paradise, established on indigenous land over a century ago.

Holocaust Denial vs. Freedom of Speech

People are interviewed in Dresden, Ontario, to sample local attitudes towards racial discrimination against black people that brought this town into the news. After a round-up of the opinions of individual citizens, white and black, commentator Gordon Burwash joins two discussion panels, presenting opposite points of view. The rights and wrongs of the quarrel are left for the audience to decide.

The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.

The last living descendants of a once-thriving Black neighborhood in Athens, GA, come together to fight to preserve the memory of Linnentown. Their family homes were razed in a 1960s urban renewal project, and now they, along with civic-minded neighbors, unite to try to reclaim their forgotten history and seek redress.

Four Black transgender sex workers in Atlanta and New York City break down the walls of their profession.

50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.

Using two separate filmmaking teams (an all-white crew filming white residents and an all-black camera crew filming black residents), TWO TOWNS OF JASPER captures very different racial views by townsfolk in Jasper, Texas, the location for a racially motivated murder of an African American man in 1998.

The term "Lapo Chapé", derived from Martinican Creole, means "the skin color that escapes the status of a slave." This documentary thus explores the themes of skin color and mixed heritage from a unique perspective, through a series of testimonies that shed light on the invisible influences of history. These influences have shaped our social representations and continue to challenge our perceptions of identity today.

Hoyerswerda '91

Stories and music of Black artists who relied on an underground travel guide to navigate the injustices of racial segregation while on the road. The Negro Travelers’ Green Book was a directory of lodgings, restaurants, and entertainment venues where African Americans were welcomed. Features performances and interviews with vocalists, musicians, activists, historians, and others.

A documentary that reviews the numerous contributions of African-Americans to the development of the United States. From the perspective of the turbulent late 1960s, the fact that their positive roles had not generally been taught as part of American history, coupled with the pervasiveness of derogatory stereotypes, was evidence of how Black people had long been victims of negative attitudes and ignorance.

Pata Seca (1828), a man whose back bore the whip marks of his enslavers , whose eyes held the haunted memory of being forced to breed over 200 slave children in order to sustain his master’s plantation. Men broken but unbowed, transformed from field hands into soldiers from the civil war to Vietnam. This documentary weaves together authentic narratives from the 1800s, accompanied by original images and footage, highlighting the significant influence that Black men in uniform had in Hollywood and addressing ongoing relevant issues to date.

An examination of the connection between relentless government intervention since colonisation to the trauma and disadvantage experiences by Indigenous Australians - the two key drivers of incarceration.

[ÒDIO] is a polyphonic work that resonates as a choral dramaturgy: a fabric of gazes and contrasting testimonies on the spread of violence, emerging from encounters with dozens of young people of various nationalities and backgrounds. A three-chapter documentary film that we shot by placing a lightweight blue photographic backdrop in schools, cultural spaces, and reception centers, starting from Rimini, then Rome (the Quarticciolo district) and Hamburg. [ÒDIO] is the final destination of our long theatrical research into the novel Frankenstein (or the Modern Prometheus).

Black Is the Color highlights key moments in the history of Black visual art, from Edmonds Lewis’s 1867 sculpture Forever Free, to the work of contemporary artists such as Whitfield Lovell, Kerry James Marshall, Ellen Gallagher, and Jean-Michel Basquiat. Art historians and gallery owners place the works in context, setting them against the larger social contexts of Jim Crow, WWI, the civil rights movement and the racism of the Reagan era, while contemporary artists discuss individual works by their forerunners and their ongoing influence.

Using government documents, archive footage and direct interviews with activists and former FBI/CIA officers, All Power to the People documents the history of race relations and the Civil Rights Movement in the United States during the 1960s and 70s. Covering the history of slavery, civil-rights activists, political assassinations and exploring the methods used to divide and destroy key figures of movements by government forces, the film then contrasts into Reagan-Era events, privacy threats from new technologies and the failure of the “War on Drugs”, forming a comprehensive view of the goals, aspirations and ultimate demise of the Civil Rights Movement…