Engenhos e Usinas

A Velha a Fiar illustrates a Brazilian folk song in which a being or entity is always predating another being, but is in its turn predated by some other animal, until the circle closes. It begins like this: an old woman is quietly weaving and a fly disturbs her; a spider eats the fly; a mouse eats the spider; a cat chases the mouse and so on...

A cinematographic interpretation of a Casimiro de Abreu poem.

A cowboy uses songs to tame and gather his animals.

Musical rhytyms inspired by work activities.

The popular song Chuá Chuá, illustrated with scenes of rural life. Girl observes in window. A fountain drains water. A flower. The cattle grazing. River waters. Man seen from window of wattle and daub house. Girl hangs cage with bird. Man walks towards the gate. Ducks in river drink water. The popular song A Casinha Pequenina, illustrated with scenes from rural life. Hut surrounded by banana trees and a coconut tree. Children walk hand in hand, sit on the riverbank. Birds in cages. Again the little house and the vegetation that surrounds it, especially the coconut tree.

A visual interpretation of Brazilian popular songs "Azulão" and "Pinhal".

A morning in the farm shown with a beautiful musical background.

Conducting the Wiener Philharmoniker, Andris Nelsons presents a concert night which concentrates every conceivable passion: Bernd Alois Zimmermann’s Trumpet Concerto “Nobody knows de trouble I see” performed with “technical perfection” (Kronenzeitung) by “the fantastic Håkan Hardenberger” (Salzburger Nachrichten) and Mahler’s Symphony No. 2 in C minor “Resurrection”. “Nelsons proved to be delicate but hearty when interpreting Mahler.” (Wiener Zeitung). The conductor led the Vienna Philharmonic Orchestra to “enticingly beautiful sounds” (Die Presse). “High praise goes to the vocal soloists Ekaterina Gubanova, Lucy Crowe and the Bavarian Broadcasting choir.” (Salzburger Nachrichten)

Joe Pantoliano makes his documentary directorial debut with NO KIDDING! ME 2!! as part of his fight against the stigma and shame of mental/brain "dis-ease" (or disease).

"Hey, kids, let's get together and put on a show!" That's the idea behind this raucous spoof about a vaudeville performer who's sent to college to spy on his bratty son.

All of Shawn Michaels' WrestleMania moments plus an all new never-before-seen interview with the Heartbreak Kid himself!

This film is widely regarded as the first film made by an African south of the Sahara. Labelled an “ethnological documentary in reverse,” it shows 1950s Paris from the cinematic perspective of a group of African immigrants. (Mubi)

Documentary in two parts about Brazilian writer, journalist and sociologist Sérgio Buarque de Holanda. The first part describes how the author used to pass his days with family and friends, while the second offers a historical panorama of the times, including his reaction to Nazism and the years of Vargas’ dictatorship, and the arrival of the modernist movement in Brazil.

WHITW tells of how the controversial titled, Don’t F*** in the Woods, came to be, the pitfalls of making it, how it affected the filmmakers and actors involved, how the response of the film impacted the indie horror world, how it was pirated and briefly became one of IMDBs top films beating out Spiderman: Homecoming and being a top ten horror film behind It as well as a top 50 horror film for the year, which helped it find wide distribution through Gravitas Ventures and Terror Films.

Join the cast and crew for a probing look behind the scenes of the popular US drama series. Keifer Sutherland introduces the programme, which includes in-depth interviews with creators, producers, actors, writers and editors as well as an in-depth exploration of the editing process.

When the Pfeffermans face a life-changing loss, they begin a journey hilarious and melancholy, brazen and bold. As they face this new transition, they confront grief and come together to celebrate connection, joy, and transformation.

Colorful

What is the future of humanity? It might seem bleak, but the case for optimism is strong. Humanity has what it takes to reach transcendent futures.

With his signature circular glasses and mustache, Michael Chow is an exuberant force at the crossroads between eccentricity and sophistication. The famed restaurateur defined “The Moment” with the openings of Mr. Chow, the bustling upscale Chinese eateries that attracted the glitterati of Swingin’ London, 70s Hollywood, and post Studio 54 New York.

Join visionary director James Gunn and superstars such as Chris Pratt and Zoe Saldaña as they recount how “Guardians of the Galaxy Vol. 3” was conceived, shaped, and delivered to the world. And stand alongside the cast and crew in the emotional final moments of the shoot as they bid farewell to each other, and close this chapter in the saga of Peter Quill and his loveable band of misfit-warriors.