Engenhos e Usinas

A morning in the farm shown with a beautiful musical background.

A cinematographic interpretation of a Casimiro de Abreu poem.

A Velha a Fiar illustrates a Brazilian folk song in which a being or entity is always predating another being, but is in its turn predated by some other animal, until the circle closes. It begins like this: an old woman is quietly weaving and a fly disturbs her; a spider eats the fly; a mouse eats the spider; a cat chases the mouse and so on...

A cowboy uses songs to tame and gather his animals.

Musical rhythms inspired by work activities. Between 1974 and 1976, Leon Hirszman held three documentaries produced by the MEC about the songs of the rural workers in northeastern Brazil. In the trilogy, there is the documentation of the work songs of sugar cane, in Feira de Santana, the growers of cocoa, in Itabuna, and team workers in Chã Preta.

A visual interpretation of Brazilian popular songs "Azulão" and "Pinhal".

The popular song Chuá Chuá, illustrated with scenes of rural life. Girl observes in window. A fountain drains water. A flower. The cattle grazing. River waters. Man seen from window of wattle and daub house. Girl hangs cage with bird. Man walks towards the gate. Ducks in river drink water. The popular song A Casinha Pequenina, illustrated with scenes from rural life. Hut surrounded by banana trees and a coconut tree. Children walk hand in hand, sit on the riverbank. Birds in cages. Again the little house and the vegetation that surrounds it, especially the coconut tree.

In October 2019, The Dammed took the stage at London’s Palladium for a very special, immersive musical and theatrical experience. A Night of A Thousand Vampires teams the band with the cast of The Circus of Horrors for an evening of shock, awe, and a fierce live rampage through their 40-year rich catalogue. A true event from showmen supreme, it was a historic night in the history of a storied band and a memorable evening for fans and band alike. It was also a fond farewell for drummer Pinch, his final gig with The Dammed after 20 years.

In this extra scene from "Descendants: The Rise of Red," Bridget follows her dream of spreading love and joy to all through her dance, the "Shuffle of Love." Red and Chloe see how important the dance is to Bridget and offer to help perfect it in time to debut the dance at Merlin Academy’s biggest event, Castlecoming. In the euphoria of perfecting her dance for all to see, Bridget’s imagination runs wild, and her dance explodes beyond her wildest dreams… or so she thinks.

After the attack on Pearl Harbour, President Eisenhower committed to a reigme of ruthlessness. The blood of Americans would not have been spilt in vein and what followed was a furious and vicious series of retaliation strikes at key point around the world.

The Umbrella Movement was a wave of street protests that took place in Hong Kong from September to December 2014 as a reaction to oppressive practices of the Chinese government against the citizens of Hong Kong dissatisfied with planned changes in the electoral system. In her feature film debut, To Liu captured the citizens of the western part of Kowloon, Mong Kok, whose protests might not have been as visible as those of the leading activists, but were no less important. The documentary rhythmized by opening entries and darkening of the scene, much like the director’s first film, follows two characters, a master and an apprentice.

Award-winning investigative journalists and forensic engineers analyze never-before-seen evidence that indicates NASCAR legend Tony Stewart killed a competitor after accelerating his car and fishtailing it toward the defenseless man.

This last testimony of Robert Kramer (1939-1999) is a moving documentary with the independent American film director, in which he speaks of his political activism, his way of filmmaking, his relationship with Portugal and the revolutionary movements.

La divina cometa

It is a cold case that after 50 years still haunts Italy today - an epic travesty of justice shrouded in mystery and deception involving he ritualistic serial murder of eight young couples in the country lanes around Florence in the 1980s.

A docudrama on John F. Kennedy's early travels through Europe with his best friend Lem Billings. A road trip that would lay the foundation for JFK's later love for Europe and its countries, such as Germany.

As in a long suite, the cinematographic story of a country, Italy, in its current physiognomy, in a film made only of images and music. A home atlas of wonders that are sometimes misunderstood and of places known, loved and often lost. And of people cultured in their living in a highly stratified territory, between the still usable grandeur of the past and the apparent stasis of the present. A country marked by strong inequalities and nevertheless in continuous transformation in the difficult race towards sustainable development, problematically suspended between the old and the new and the increasingly difficult search for a balance to safeguard its éthos.

An experimental documentary that dares to gather diverse and plural audiovisual archive materials, which gives itself the possibility of creating an imaginary, but concrete, intense and profound conversation between the filmmaker Marta Rodríguez and the indefinable Camilo Torres Restrepo. A film that invents the opportunity to talk to a dead man, why yes, Camilo died, but his questions, his ideas and his effective love remain strong and powerful within Marta's life and political and artistic reflection. Who was Camilo Torres Restrepo? The documentary tries to answer this question by looking at Colombia today, analyzing it, and understanding it, perhaps a little more, in its inequalities and its constant violence. Perhaps this is the greatest legacy that Camilo left to those who are still alive.

Trace the beloved comedian, actor, and producer’s journey to superstardom — from the mid-1980s stand-up comedy circuit to SNL to the big screen.