Manhã Na Roça: O Carro de Bois

A Velha a Fiar illustrates a Brazilian folk song in which a being or entity is always predating another being, but is in its turn predated by some other animal, until the circle closes. It begins like this: an old woman is quietly weaving and a fly disturbs her; a spider eats the fly; a mouse eats the spider; a cat chases the mouse and so on...

A look at the now abandoned production farms, substituted by power plants.

Musical rhythms inspired by work activities. Between 1974 and 1976, Leon Hirszman held three documentaries produced by the MEC about the songs of the rural workers in northeastern Brazil. In the trilogy, there is the documentation of the work songs of sugar cane, in Feira de Santana, the growers of cocoa, in Itabuna, and team workers in Chã Preta.

A cowboy uses songs to tame and gather his animals.

The popular song Chuá Chuá, illustrated with scenes of rural life. Girl observes in window. A fountain drains water. A flower. The cattle grazing. River waters. Man seen from window of wattle and daub house. Girl hangs cage with bird. Man walks towards the gate. Ducks in river drink water. The popular song A Casinha Pequenina, illustrated with scenes from rural life. Hut surrounded by banana trees and a coconut tree. Children walk hand in hand, sit on the riverbank. Birds in cages. Again the little house and the vegetation that surrounds it, especially the coconut tree.

A visual interpretation of Brazilian popular songs "Azulão" and "Pinhal".

A cinematographic interpretation of a Casimiro de Abreu poem.

Crime comedy.

What if French Rock were born with Edith Piaf? From sweet sixties pop to today's gender-indifferent anthems, from feminist rebels of the seventies to fashion icons of the social media age, from Françoise Hardy to Christine & The Queens, via Vanessa Paradis, Catherine Ringer, Charlotte Gainsbourg and many more, Oh Les Filles! tells the untold story of French female rock stars. Narrated by Clémence Poésy, this groundbreaking documentary combines interviews and iconic footage to radically reverse perspectives and give the patriarchy a kick!

The story of Esther Williams is that of an improbable encounter. That of the glamorous Hollywood of the 1940s with a swimming champion. A meeting that gave birth to the most kitsch and flamboyant genre films in Technicolor: the Aqua-musicals! A dive into the troubled waters of post-war Hollywood, where only her qualities as an athlete allow an extraordinary actress to fight to emancipate herself and avoid the traps of the predators who lurk around her

Horror bleeds into the 21st Century in an incisive documentary looking back at the late 1990s film industry on a global scale to find out what happened at the turn of the millennium to allow for the huge wealth of horror films flooding out from all corners of the globe. From SCREAM (1996), THE BLAIR WITCH PROJECT (1999) and FINAL DESTINATION (2000), to WRONG TURN (2003), HOSTEL (2005) and SAW (2004), with insight from Joe Lynch, Xavier Gens and Bill Malone who track the technology, the industry and the societal changes behind the next generation of horror films.

The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.

A compilation of original footage from a program made for British television in which producer and broadcaster Mike Scott interviewed Alfred Hitchcock. During the interview, the director discuses his 'German experience', the state of the film industry at the time when he was gaining recognition, the construction and themes of some of his early films, etc. The interview was conducted in 1966.

Peer through the lens of a high profile political dissident, banished from the online world. After introducing the viewer to each of the five characters, the film recounts how each individual then came to lose their access to social media and the affect it had on them at the time, and since the event. With their stories told, they present the broader issues raised by their media de-platforming and what they foresee in their future in media and the whole of Western Culture at-large.

Following their breathtaking rise from suburban Sydney teens to one of the biggest rock bands in the world, 5 Seconds of Summer took a two-year break to focus on growing as people and musicians. Through candid interviews and behind-the-scenes footage, this exclusive film takes a close look at their highly anticipated return with Youngblood, an album that takes bold risks with big sounds.

The cast from the beloved British sitcom "The Inbetweeners" reunite after 10 years of the 3 series and films. Hosted by comedian Jimmy Carr and special guest stars Peter Andre, Zawe Ashton, Russell Howard, Frank Bruno, Basil Brush and many more. And of course the cast of The Inbetweeners, Simon Bird, James Buckley, Joe Thomas, Blake Harrison and Greg Davies.

How mass protests on the Israel-Gaza border led to one of the deadliest days in a generation. One year later, a moment-by-moment investigation, drawing on exclusive interviews in Gaza and Israel and videos of the protests and bloodshed.

Tan Pin Pin employs a strictly external perspective for this portrait of her hometown, the tropical economic powerhouse of Singapore, interviewing political exiles in London, Thailand and Malaysia, who are to this day unable to return home.

Documentary examining the life and career of producer/director Roger Corman. Clips from his films and interviews with actors and crew members who have worked with him are featured.

Zhao Liang’s film portrays AIDS sufferers of both genders; they are all people with very different biographies. As if it wasn’t bad enough being infected by HIV, their suffering is compounded by the fact that in the People’s Republic of China the disease is hushed up and people living with AIDS are ostracised. In China, the public at large knows very little about the disease and most people associate the virus with promiscuity. This fear of discrimination forces most patients to hide the fact that they are positive. The AIDS sufferers in Zhao Liang’s film were willing to share their experiences with him. The filmmaker was able to make contact with them via internet support groups; he also visited children with Aids at a ‘red ribbon’ school; but above all, he talked to AIDS sufferers during the making of Gu Changwei’s film. It is their presence which lends Changwei’s film its particular authenticity.