A Velha a Fiar illustrates a Brazilian folk song in which a being or entity is always predating another being, but is in its turn predated by some other animal, until the circle closes. It begins like this: an old woman is quietly weaving and a fly disturbs her; a spider eats the fly; a mouse eats the spider; a cat chases the mouse and so on...
The popular song Chuá Chuá, illustrated with scenes of rural life. Girl observes in window. A fountain drains water. A flower. The cattle grazing. River waters. Man seen from window of wattle and daub house. Girl hangs cage with bird. Man walks towards the gate. Ducks in river drink water. The popular song A Casinha Pequenina, illustrated with scenes from rural life. Hut surrounded by banana trees and a coconut tree. Children walk hand in hand, sit on the riverbank. Birds in cages. Again the little house and the vegetation that surrounds it, especially the coconut tree.
A morning in the farm shown with a beautiful musical background.
A cowboy uses songs to tame and gather his animals.
A visual interpretation of Brazilian popular songs "Azulão" and "Pinhal".
A look at the now abandoned production farms, substituted by power plants.
Musical rhythms inspired by work activities. Between 1974 and 1976, Leon Hirszman held three documentaries produced by the MEC about the songs of the rural workers in northeastern Brazil. In the trilogy, there is the documentation of the work songs of sugar cane, in Feira de Santana, the growers of cocoa, in Itabuna, and team workers in Chã Preta.
After 40 years working in the mine at Tierra del Fuego, Toto doesn’t qualify for the social security that would allow him to retire. So his son Jorge attempts to build a gold harvesting machine to bring them a better future.
In 1998, Wuqiu was marked as a Nuclear Waste Disposal site despite protests. Islanders question the choice: 'Why dump it here? Why not bury gold?' As a military zone, public access is denied, leaving us defenseless if the government acts further.
Arguably the quintessential film siren of the silent era, Mary Pickford was known as "America's Sweetheart." This documentary explores Pickford's life beyond the screen, as a writer, producer, director and keen businesswoman who co-founded United Artists. Narrated by Whoopi Goldberg and featuring clips of Pickford's movies, the film offers insight from historians, film critics (including Leonard Maltin) and silver-screen stars such as Janet Leigh and Roddy McDowall.
The Detroit-born Marshall Mathers emerged from poverty-stricken roots to become Eminem, the most commercially successful (and controversial) white rapper of all time. This unauthorized biography shows how he did it. Through a combination of behind-the-scenes footage, interviews and never-before-seen film clips, the film follows the rapper's rise from bad boy with attitude to multiplatinum artist with international appeal.
"King of the Cowboys" Roy Rogers stars with his real-life wife, Dale Evans, in this Western about a hardworking farmer who helps a struggling rancher by transporting her prize horse to Mexico. A fortuitous meeting with a fortune-teller (Charlita) -- who specializes in dire predictions -- sets the tone for their adventures. Burlesque comic Pinky Lee co-stars, playing himself.
A college professor remembers the humor and sorrow of his youth in World War II Britain.
James May presents a celebration of the toys which have survived across the decades, including Meccano, Lego, Scalextric and Airfix. James's all-time number one is the train set.
Corey Holcomb was chosen as a contestant on the second installment of the NBC reality television show "Last Comic Standing" by using his no-holds-barred comedic talents that have many calling him the "ghetto version of Dr. Phil." His hilarious advice to those in search of love showcases his acerbic wit and leaves audiences roaring with laughter. Also featured are a backstage interview and Holcomb's tips on setting a romantic scene at home.
In 2019, the director Leos Carax proposes to Estelle Charlier and Romuald Collinet to design, make and animate "Annette", the puppet of his new film. This one will be the child of the couple Marion Cotillard and Adam Driver. Propelled into the world of cinema, begins for this charismatic duo a unique and singular adventure in their career as puppeteers. Faced with the demands of the filmmaker, the impossible, they are held.
Yannick Nézet-Séguin conducts Grammy Award–winning jazz musician and composer Terence Blanchard’s adaptation of Charles M. Blow’s moving memoir, which The New York Times praised after its 2019 world premiere at Opera Theatre of Saint Louis as “bold and affecting” and “subtly powerful.” The first opera by a Black composer presented on the Met stage and featuring a libretto by filmmaker Kasi Lemmons, the opera tells a poignant and profound story about a young man’s journey to overcome a life of trauma and hardship. James Robinson and Camille A. Brown—two of the creators of the Met’s sensational recent production of Porgy and Bess—co-direct this new staging, which appears in cinemas on October 23. Baritone Will Liverman, one of opera’s most exciting young artists, stars as Charles, alongside sopranos Angel Blue as Destiny/Loneliness/Greta and Latonia Moore as Billie.
In a lawless no man's land at the edge of The Florida Everglades, society and all authority has abdicated its responsibilities. A huge vacuum consisting of underground criminal activities has filled its void. What began as an attempt to spotlight the disturbing phenomenon of dogs being dumped in the Everglades quickly turned into a controversial story of societal neglect, economic despair, morality and self-fulfillment.