Komposition II/1922

Marcelle Toing, owner of the best restaurant in Rio de Janeiro, must go on missions to steal ingredients from human restaurants to keep his meals the best.

Ormie is a Pig, in every sense of the word. Pig see cookie. Pig want cookie. But they are out of reach... or are they? See Ormie's attempts to gain the warm sweet taste that is his obsession.

The near future: Bruno is trying to win back his ex-wife. Under the pressure of her domineering mother and a new (arranged) boyfriend, Jorge, Isabel brings charges of harassment against Bruno. Bruno is trialed and sentenced. A device designed to suffocate him if he gets within 100 meters of Isabel is implanted in his throat. But that doesn’t stop Bruno, he practices holding his breath.

Nights are hidden days beyond our minds. But some remain like flying shadows reshaping the naive images of our lives. Faces hurt with emptiness, characters petrified in silence, lands inked with blood....And we become sleepy, carelessly dying, until morning happens.

A scientist has acquired a microscope and is showing it off to his friend. He takes various body samples - hair, phlegm, etc. - and puts them under the microscope. The "microbes" coalesce and form different shapes, creating caricatures of various people, such as mothers-in-law and drunks. These animated characters goof around in traditional cartoon fashion.

Charming animated illustration of one of nature's wonders from Britain's most inventive pioneer of wildlife filmmaking.

Episode 5. Mowgli stood the leader of the wolf pack. It's time to settle with the main enemy of Mowgli tiger Shere Khan. In addition, the jungle comes the time of renewal, blossom and love. Mowgli feels vaguely disturbing. It's time to leave the jungle and return back to the people.

This fascinating series features Max himself, filmed in live action, sitting at a drawing board and concocting adventures for his star performer Ko-Ko the Clown. Max is supposedly the guy in charge, and he takes sadistic glee in putting Ko-Ko through various forms of hell, but the clown usually fights back and sometimes gets the best of his Uncle Max. FADEAWAY elevates this charged relationship to new heights (or depths?) of nightmarish surrealism; it's also one of the most enjoyable Inkwell cartoons I've seen to date, packing lots of imaginative, unpredictable twists and turns into an eight minute running time.

Four customers are having a peaceful game of cards in a quiet café. The atmosphere being heavy, the waiter falls asleep and has an unsettling dream about the ills of alcohol, among other things.

Bell Telephone instructional film shows how - and how not - to treat your upright desk telephone set. Don't wiggle the hook excessively, don't tangle the cord, keep away from water, etc.

Oswald takes a job as a lifeguard to keep an eye on Miss Rabbit, who in turn stages a boating accident hoping Oswald will come to save her.

A train conductor goes about his duty. All the characters are animals in human form. Hippo ladies in dresses try to jam into cars and other passengers pull jokes and cause havoc.

Mickey's on African safari, riding on an elephant, but his shotgun disintegrates the first time he tries to use it. To sooth the vicious beasts, he plays tunes, sings, and dances, using the various animals and objects around him as instruments.

Mickey puts on a show in his barnyard. A short dramatic scene by a chicken and rooster; an operatic ode by Patricia Pig, and then the main attraction: Mickey sings and plays his theme song, then dances to it.

While Tom Cat goes away hunting, Mickey, Minnie, and their mouse friends break into his house and perform music. They play various tunes on the piano while the other mice hit household objects in tune to the music.

A classic about an anteater who makes life rough for a colony of ants. In the ant community, the queen spreads warnings of their greatest enemy, the Anteater. "He's a menace, he's a brute, he will scoop you with his snoot." Their motto is "make him yell uncle," which they do when the anteater invades them.

A young worm is chased by the Early Bird, but then a snake and two crows join the chase.

In a return to the Out of the Inkwell format, Betty Boop invents a pep formula to speed up lazy Pudgy, but it escapes into the real world with rapid results.

A friend of KoKo's animator draws a haunted house, and KoKo and his dog Fitz go inside. There, they encounter frightening hallways where every door leads to a new spook.

Claire Blanchet directs this visually stunning stereoscopic animation, adapted from Heather O’Neills eponymous slice of Montreal noir.