The Madness of the Louvre

Explores a fleeting moment between two strangers, revealing their brief connection in a hyper real fantasy.

One night, while celebrating at home with friends during the San Sebastián Street Festival, a pregnant woman is visited by three characters, who could be unfoldings of herself, and take her on an inner journey in search of her identity.

Julien is 10 years old. He pretends to go to school but then hides out under a bridge, his backpack filled with clothes. A few kilometers away, 15-year-old Joséphine does the same and waits for the bus.

Portrait of Costa da Morte (coast region in Galicia, Spain) from an ethnographic and landscape level, exploring also the collective imagination associated with the area. A region marked by strong oceanic feeling dominated by the historical conception of world's end and with tragic shipwrecks. Fragmentary film that approaches to the anthropological from its protagonists: sailors, shellfish, loggers, farmers ... A selection of characters representative of the traditional work carried out in the countryside in the region, allowing us to reflect on the influence of the environment on people.

A retiring man in rioting Athens faces ghosts and memories from the past to make choices about the present.

Monsterlike cranes reign over an inhospitable harbour as prehistorical reptiles. The only human being they accept is a lonesome fisherman. He is to witness a strange encounter between a ship's mate and a mermaid. Imagination or reality?

A BFI production from 1964, directed by David Gladwell, who is best known as an editor of films like Lindsay Anderson's If.... (1968) and O Lucky Man! (1973). This short was shot at 200 fps, depicting a series of pastoral scenes from a British farm, edited to produce a suggestion of violence in contrast to its visual beauty.

Marco and Lisa are in love. Online, they fight together against dreadful monsters. Sometimes they die on their mission, but there’s always one life to spare. Yet, Lisa refuses to meet Marco for real. One day she stops showing up for the game, Marco decides to go searching for her.

A short film by John G. Avildsen.

The first film in Vlatko Gilić’s Sisyphean trilogy, Homo sapiens follows a suited man as he takes a trek back and forth across a sandy desert to fill an oversized barrel using a woefully small tub of water. Shot in stark black and white and edited to achieve a dreamlike quality, the man’s devotion to this task is tested and taunted by a young couple that frolics around the barrel.

A wild boy is found in the woods by a solitary hunter and brought back to civilization. Alienated by a strange new environment, the boy tries to adapt by using the same strategies that kept him safe in the forest.

In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.

Break-up flick.

A mother confronts Death as to why he has to take her young boy. And he shows her the future to explain why he need to be eliminated.

Petek is very versatile and is experimenting with all possible formats, the Zagreb film school of animation-influenced parts, the quasi SF childish games, the color splashes, the psychedelic timbres, the pop art/ collage experiments and a swirl of other 60s gestures.

Experimental film by Ivan Martinac.

Old cinema creates new cinema in a new context. Stolen old images, someone’s audio track, someone else’s soundscapes – they re-create, reinventing interactions, relations and dialogue in familiar footage. Telling new stories. Transforming it back into cinema.

Us Reborn (Ô Truie) is an experimental short movie showing human and trash organicity.

Featuring a cast that includes Sonic Youth's Kim Gordon and Thurston Moore, Mike Watt of the legendary hardcore band Minutemen, and Pettibon himself, this deadpan narrative pays dubious homage to the 1960's radical underground. In this crudely rendered home video of a commune of stoned revolutionaries, the cameras are hand-held, the edits in-camera, and the dialogue is wryly on-target. Pettibon's band of outsiders reenacts a countercultural moment defined by rock music, drugs, and ideological paradox — and in so doing, captures their own late-80's West Coast grunge milieu as well.

A psychiatrist and his needy patient discuss their relationship in a snow-covered field.