What Was It Supposed to Be Like?

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

A student movie loosely based on the short story by Sadegh Chubak

A short film by John G. Avildsen.

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

A sexual reverie unfolds over the course of one ethereal night. Characters wander through an erotic maze of love and lust, blurring the lines between wet dream and lucid nightmare as a macabre, erotic stage performance sends a ripple of lustful desires through its audience and performers.

Cooper is given a decision that could help him finally make a difference or get him killed.

Glimpses of lives from a village in Assam reveal the relationship between its history and the present. People’s lives and beliefs are entangled with ecological strings , as nature stands witness to the narratives that unfolded there. A young boy, Rahul, hopes to write a book on his experience of growing up in this village. His mother, being deeply connected with nature can sense messages and signs arising from nature.. Urmila, a pregnant lady, is driven by sensorial experiences. But, In contrast to the serenity and harmonious living; there lurks a violent societal past.These peaceful and quiet lives intersect in a space where traumatic memories of death and loss in Assam’s thirty years of secessionist movement keep resurfacing.

A teenage boy plays truant from school, and spends the day riding around the town and the deserted beach on his bicycle, letting his mind wander as he imagines he is the only person in the world...

Playful and rythmic self-portrait shot on Super 8mm and 16mm. Colored directly on the super 8mm.

A woman wakes up to discover herself in a hospital room. She wanders the corridors before making a shocking discovery.

Eye-popping digital moving image work with an equally arresting soundtrack from noise music heavies.

Someone we hear talking - but whom we do not see - speaks of a project which describes the four key moments of love: meeting, physical passion, arguments/separation and making up. This project is to be told through three couples: young, adult and old. We do not know if the project is for a play, a film, a novel or an opera. The author of the project is always accompanied by a kind of servant. Meanwhile, two years earlier, an American civil servant meets with an elderly French couple who had fought in the Resistance during World War II, brokering a deal with a Hollywood director to buy the rights to tell their story. The members of the old couple's family discuss heatedly questions of nation, memory and history.

Nihilistic cousins explore the secret deadly language of a folie à deux relationship in a Brexit environment of racism and illusion.

Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.

Hitiro the noble samurai serves the Emperor of Richmond, Virginia. After he refuses to enforce the Emperor's draconian tax policies, Hitiro is attacked by a jealous rival, who frames Hitiro for the murder of his wife. Hitiro escapes multiple ninja assassins, and seeks to begin a new life at a peaceful, rural village under the alias of "Hitiro the peasant." But can Hitiro outrun his past? Can he deny his burgeoning feelings for Ikama, daughter of the village headman? And can he save his new home from the wrath of the Emperor's soldiers?

A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

An attempt to bring the work of surrealist artists to a wider public. The plot is that of an average Joe who can conjure up dreams that will improve his customer's lives. This frame story serves as a link between several avant-garde sequences created by leading visual artists of their day, most of whom were emigres to the US during WWII.

Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.

Cremaster 5 is a five-act opera (sung in Hungarian) set in late-ninteenth century Budapest. The last film in the series, Cremaster 5 represents the moment when the testicles are finally released and sexual differentiation is fully attained. The lamenting tone of the opera suggests that Barney invisions this as a moment of tragedy and loss. The primary character is the Queen of Chain (played by Ursula Andress). Barney, himself, plays three characters who appear in the mind of the Queen: her Diva, Magician, and Giant. The Magician is a stand-in for Harry Houdini, who was born in Budapest in 1874 and appears as a recurring character in the Cremaster cycle.