Born to Be Wild

After the huge success of the 2012 documentary, the Warwrick Rowers are back. They walk you through the making of their "Brokeback Boathouse" calendar for 2013.

We’re back in full colour and full HD, in our most intimate and revealing film yet. Follow us throughout our 2014 calendar photoshoot, hear why we love our sport and find out what we really think about taking our clothes off for the world. We also talk about the serious side of what we do – Sport Allies, our outreach programme to challenge homophobia. All against a background of a beautiful English summer by the River Avon, with an all original soundtrack that was donated to us by incredible musicians from all around the world. We think it’s our best film yet, but we’ll let you be the judge!

You’re going to LOVE our new film! Shot in Ultra HD on location in the English countryside and on the beautiful beaches of southern Spain, this stunning documentary follows the filming of the 2015 calendar. With lots of interviews with the boys as well as exquisite behind-the-scenes footage, this film will take your breath away. Running over an hour, it is our most ambitious movie to date, with exceptional cinematography and plenty of naked rowers showing they have nothing to be ashamed of…

Our England film follows our traditional English summer calendar shoot. We start out at the boathouse as usual, but then soon head for a beautiful country home, where we get to play at being lords of the manor.

Making of Takeshi Kitano's movie Kids Return.

A French documentary offering a behind the scenes look at the American television series.

Our Cinema

Phil Hartman hosts this retrospective look back at the legacy and making of the classic 1966 holiday special 'How the Grinch Stole Christmas!'

In this new documentary, produced by the Criterion Collection in 2022, directors Sean Baker and Shih-Ching Tsou and actors Charles Jang, Wang-Thye Lee, and Jeng-Hua Yu consider the making of the film and its importance in their lives since.

In this documentary, produced by Sean Baker in 2009, the directors and actors of Take Out discuss making the film.

Analog celluloid strips are disappearing. Is film dying, or just changing? Are the world's film archives on the brink of a dark age? Renowned filmmakers, museum curators, historians, and engineers help dramatize the future of film and the cinema in the age of digital moving pictures.

Brief overview of the two actors at the Fox Studio.

In 2016, French writer and photographer Carole Achache took her own life. After Carole's death, her daughter Mona Achache, a film director, discovers thousands of photos, letters and recordings that Carole left behind, but these buried secrets make her disappearance even more of an enigma. Through the power of filmmaking and the beauty of incarnation with the help of actress Marion Cotillard, the director brings her mother back to life to retrace her journey and find out who she really was.

Documentary about the making of Alfred Hitchcock's "Family Plot".

The story of the Londoners recruited to be freedom fighters during the South African apartheid during the 1960s.

Documentary about Merchant Ivory Productions, including interviews with the principals of the film production company and actors which have appeared in their films.

Hosted by Janeane Garafalo, this made-for-TV documentary treats animation fans to a behind-the-scenes look at the making of DARIA, the spin-off from BEAVIS AND BUTT-HEAD about an intelligent teenage girl surround by a world full of idiots. Features various interviews with the cast and crew of the series who share insights into what goes into making an episode.

Ann Miller hosts this documentary short on the making of the MGM-Cole Porter hot musical "Kiss Me Kate".

A fine documentary that details the sordid life of 1970s pornographic actor John Holmes, from the stories of his fellow actors, his ex-wives, and directors. Clips of his work are shown and insight on what made the man tick are given. Despite all his flaws, you can't help but admire him for what he was.

Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.