A Schoolhouse Scandal

Eighteen very different stories are told in this horror anthology film, as we get to see time travel, robots, aliens, murder, killer dolls and even the apocalypse.

After the comedy of the same name of Mirza Fatali Akhundov.

A young woman sitting on a bench in the public park is annoyed by an old man sitting next to her and paying her persistent attention. Resenting this ridiculous flirtation, the young lady rises to leave, but the old man tries to stop her, so she pushes him down and is soon seen seeking more peaceful quarters. The old flirt, disgusted, starts reading his paper, when his attention is attracted by an advertisement of some wonderful pills. (Moving Picture World)

The Porter's Horrible End

Red-tinted 9,5 mm Baby-Pathé version (1923) of a devilish contortionist short starring Fred Sato (1910/1911).

A woman attorney is seen in her apartment with her poor henpecked husband, who is more like her man servant than her better half. She is so taken up with her studies in law that she finds no time to bother with household duties, thus putting the burden on her husband who is compelled to take care of the baby, clean the house, do the cooking and be on hand, ready to answer whenever the wife calls on him to attend to her wants. Things do not run very smoothly, however, which is not at all surprising, so she finally decides to take a hand in the domestic affairs herself. (Moving Picture World)

A silent short Western comedy film directed by Thomas Ricketts.

A bumbling tramp desires to build a home with a young woman, yet is thwarted time and time again by his lack of experience and habit of being in the wrong place at the wrong time..

Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

When a calendar notification pops up, a frantic character tries to find the perfect date outfit.

In this one, Max has run low on ink, so Ko-Ko finishes drawing himself and then heads over to the camera room, where he creates his own characters, a mechanical dancing Dresden doll with whom he falls in love and a couple of automaton musicians. He gets rid of the musicians, but, alas, the projectionist gets oil onto Ko-Ko's soon-to-be bride, melting her.

A man attempts to shave with a blunt razor.

A few days before the Christmas holiday, a large family decides to put on a home-made play as part of their holiday together. The mother writes the play, and the children practice it. When they are ready, they enact first a prologue and then the play.

In this picture there is a limited amount of action in the pose. As the curtains are drawn aside the shell appears shut. It gradually opens, disclosing the model curled up in a recumbent position. She slowly arises as if awakening, and gracefully assumes the final position of the pose.

A barber's customer is not accustomed to the blade. Luckily, the coiffeur has a modern solution.

This is the first film ever filmed in Stockholm, Sweden. The part of the city featured is Djurgården (Tiergarten in German). It is where the unique outdoor museum Skansen is located.

Naughty Susanne leads an exciting double life between her hometown and Paris: in the provincial nest she is considered the ever virtuous and down to earth girl, while in the cosmopolitan city she always escapes to, she is the queen of the night, sophisticated and seductive. In Paris, she meets René and begins to recruit him, but she has a noble competitor: Jacqueline. A spirited love triangle begins, complicated by the interventions of uncomprehending moral preachers. Their befitting final finds the story in the Moulin Rouge.

The film begins with an obese woman going to the shoe store and insisting she's a size 3 1/2--though she's obviously much larger. Then, out of the blue, a cat and a stick figure appear and make fun of the woman--making fat jokes and the like.

Railroad magnate Gordon Rogers agrees to allow his daughter, Helen, to marry wealthy idler Billy Deering, Jr., but only if the latter can hold the same job for one month. Billy is hired for an array of jobs, including office clerk and xylophone player, but always quits just before being fired. He then finds work in a restaurant where he is required to dress as a knight in armor and pose as a statue. On one occasion, Gordon, Helen, and Billy's romantic rival, Tom, enter the restaurant, and Billy is nearly fired when Helen recognizes him. Meanwhile, Gordon plans to merge one of his railroads with a company that is in a dispute with Tom's uncle, an unprincipled financier. Acting on the promise of a generous cash reward, Tom is determined to steal documents relating to the merger.