Experiments in Motion Graphics

Documentary about the making of Chaplin (1992).

Short documentary exploring the fame and talent of Charlie Chaplin.

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.

Satyajit Ray's poetic documentary was commissioned by the Chogyal (King) of Sikkim at a time when he felt the sovereignty of Sikkim was under threat from both China and India. Ray's documentary is about the sovereignty of Sikkim. The film was banned by the government of India when Sikkim merged with India in 1975. The ban was finally lifted by the Ministry of External Affairs in September 2010. Preserved by the Academy Film Archive in 2007.

An in-depth look at the highly successful TV series, including a study of the philosophical approach of the program.

In this visual essay John Bengtson, author of Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton, provides a tour of where Seven Chances was filmed, comparing archival images with contemporary photos, and sharing stories of Mrs. Eleanor Keaton's visit to the Seven Chances church.

Four visual essays by Silent Echoes author John Bengtson identifying Buster Keaton's shooting locations for his many short films produced between 1920-1923, many in the streets surrounding his former Hollywood studio, the same studio where, a few years earlier, Charlie Chaplin had made his brilliant series of Mutual shorts.

Hawaii, May 1977. After the success of Star Wars, George Lucas and Steven Spielberg meet to find a new project to work on together, the former as producer, the latter as director. The story of how the charismatic archaeologist Indiana Jones was born and how his first adventure, released in 1981, triumphed at box offices around the world.

Documentary about the 1988 follow-up film Critters 2. Features interviews with director Mick Garris; actors Liane Curtis, Don Opper, Terrence Mann, and Lin Shaye; producer Barry Opper; critters designers; and more.

Documentary about the 1991 follow-up film Critters 3. Features interviews with producer Barry Opper; actors Don Opper and Terrence Mann; writer; cinematographer; and critters designers.

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

Documentary about the 1992 follow-up film Critters 4. Features interviews with producer Barry Opper; actors Don Opper and Terrence Mann; writer; cinematographer; and critters designers.

La Garoupe, a beach in Antibes, in 1937. For one summer, the painter and photographer Man Ray films his friends Pablo Picasso, Dora Maar, Paul Eluard and his wife Nusch, as well as Lee Miller. During these few weeks, love, friendship, poetry, photography and painting are still mixed in the carefree and the creativity specific to the artistic movements of the interwar period.

The Town was a short propaganda film produced by the Office of War Information in 1945. It presents an idealized vision of American life, shown in microcosm by Madison, Indiana. It was created primarily for exhibition abroad, to provide international audiences a more well-rounded view of America, and was therefore produced in more than 20 translations. Preserved by the Academy Film Archive in 2012.

A film's art director is in charge of the set, from conception to construction to furnishing. This short film walks the viewer through art directors' responsibilities and the demands on their talents. They read a script carefully and design a set to capture the time and place, the social strata, and the mood. They must be scholars of the history of architecture, furnishings, and fashion. They choose the colors on a set in anticipation of the lighting and the mood. Their work also sets styles, from Art Deco in the 20's to 30s modernism. Then it's on to the next project. Preserved by the Academy Film Archive in 2012.

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prepare and feel? Spanish actors and directors talk about the most intimate side of acting, about the tricks and work methods when narrating exposed sex. In Spain the general rule is that there are no rules. Each film, each interpreter, faces it in very different ways.

Alongside a passionate cast and crew, follow Walker Scobell, Leah Sava Jeffries and Aryan Simhadri as they step into worlds fit for gods, battle unforgettable creatures, and perform legendary stunts.

Tells the story of Tucson and the legendary movies that were shot there.

Interview with filmmaker Peter Bogdanovich about Red River and the two versions of the film.