In “The Oratorio,” filmmaker Martin Scorsese helps tell the story of an 1826 performance that forever changed America’s cultural landscape with the introduction of Italian opera to New York City.
The life and career of Puerto Rican tenor Antonio Paoli, also known as The King of Tenors and The Tenor of Kings.
Sounds of Dortmund
Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.
This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre Ypsilon play of the same name shot at various bizarre locations such as airport, botanical garden and winter forest.
This film is at once a self-portrait and an homage to Jean-Marie Straub, Farocki's role model and former teacher at the Film Academy.
The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.
Documentary about opera in Hollywood.
Documentary about female opera stars.
Marjorie grew up in Winchelsea in country Victoria, Australia, dreaming of becoming an opera star like Dame Nellie Melba. In 1928 she went to Paris to study opera without knowing a word of French and having never heard of Richard Wagner. In 1941, at the height her success, she was tragically cut down by polio and became completely paralysed. With the help of Australian nurse, Sister Kenny, Marjorie regained movement in her upper body and resumed her career in a wheelchair. In 1955, MGM made a movie of her life, "Interrupted Melody", starring Eleanor Parker and Glenn Ford, which won an Academy Award.
What drives men and women to risk their own lives to save those of others? Fuoco Sacro tells the story of the Vigili del Fuoco, the Italian fire department, and does it through the voices of the people who, over half a century of history, have tackled with competence and a spirit of self-sacrifice the greatest calamities that Italy has tragically had to experience at firsthand.
Hoteliér
A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the Solitude of Cotton Fields" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s "Don Giovanni" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.
The film follows the staging of the opera Olimpiade while at the same time exploring the dramatic life of its composer Josef Mysliveček, a friend and teacher of W. A. Mozart.
Anna Netrebko und Rolando Villazón singen "La Traviata"
A short film by Walerian Borowczyk in two parts. The first 'panel' follows the morning routine of Leon Boyer who, despite being almost 100 years old, still farms the land, drives a vintage car, and plays with his two dogs. The second panel shows shots of beautiful flowers and a cat, to a recording of Tino Rossi singing 'La romance de Nadir / Je crois encore entendre' from Bizet's opera 'Les pêcheurs de perles'.
Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.
Medailon národní umělkyně Milady Šubrtové
The arias of La traviata are instantly recognisable. Yet at its London premiere in 1856, it was denounced for bringing 'the poetry of the brothel' to the stage and unleashing uncomfortable truths on Victorian society.
This film traces the life of Jan Kapr, a prominent Czech composer of the 20th century. A documentary opera with an ambitious libretto and playful and refined editing work, Kapr Code is an unexpected celebration of creativity that shakes up our ideas of biography and pays tribute to the importance of resisting homologation and censorship through art and creation.