For 18-year-old Finnish–Kosovan Fatu, a simple visit to the grocery store feels as nerve-racking as a lunar expedition: for the first time in his life, he’s wearing makeup in public. Luckily his best friend Rai, a young woman on the spectrum of autism, is there to ferociously support him through the voyage.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
The ostensible subject of this film is the growing, drying, peeling and packaging of persimmons in the tiny Japanese village of Kaminoyama. The inhabitants explain that it is the perfect combination of earth, wind and rain that makes their village’s persimmons superior to those grown anywhere else, including the village just a few miles away. The film’s larger subject, however, is the disappearance of Japan’s traditional culture, the end of a centuries-old way of life.
A landmark work of symbolistic imagery. The words that the filmmakers speak offscreen are imaginary conversation with Cézanne quoted from a critique by Joachim Gasquet. An exchange of memories spanning over 250 years interweaves everything from the philosophy of Empedocles to excerpts from the film Madame Bovary, to extant paintings by Cézanne, to the buildings of the artists’ village at Mont Sainte-Victoire. —ntticc.or.jp
Short animated film.
A young family leaves their home on Kauai. It is time to return to the itinerant path from which all things in their uncommon lives come; beginning and ending on a remote dot in the Pacific. They nomadically trace continents to places where waves meet their edges, envoys of aloha. It is what they will learn, what they bring others, what they will pass on to their children in the hyper-expanded classroom, the lab of direct being; a legacy passed from a father to his family.
This film expresses feeling in a highly obscure way. It presents a seemingly desultory time period to tell the story of two generations. A young girl who’s confused about what lies ahead is sent to England to receive education from childhood. She indulges herself in cyberlove and cannot get herself out of the hurtful affair. A middle-aged father who’s perplexed about death left his hometown for Beijing when he was young. He feels helpless about the status quo of the state-owned film studio. Tortured by terminal disease, he gives up the hope to live on.
When clay animated John Constantine (Matt Ryan) comes to Los Angeles for the premiere of his new show, he quickly finds the rising darkness has put a clutch in the filmmaking process.
This short documentary is a celebration of life on planet Earth. Made from haunting visual images selected from 50 years of NFB productions, the film looks at human beings, their place on earth, and their deep interconnection with all other beings. Evocations of forces that threaten the planet and all its inhabitants also offer avenues for reflection.
A fuzzy bachelor has engineered his wacky morning routine with robotic precision.
Christian Karl Gerhartsreiter lived a life of deception and crime before settling on his ultimate scam - impersonating a Rockefeller. How was Gerhartsreiter able to dupe so many people from so many walks of life? A story that begins in a Bavarian village, continues in the most exclusive clubs on the American East Coast, - and ends in a Los Angeles court.
An animated, dark satire of America's automobile-obsessed, consumerist culture. An anonymous, brilliant scientist toils tirelessly in his ivory tower satisfying the public's ever-increasing demands for novelty and status consciousness, with predictable environmental consequences.
The guards of honour stand in front of the historical symbol of the state. No matter what season and weather is out there, they fulfil their duty. Is there a limit beyond which this honourable duty begins to look exaggerated?
When Fawn mentions to Tinker Bell, Rosetta, Iridessa, Silvermist and Vidia that a group of crocodiles is called a float, Tinker Bell asks Fawn to share more knowledge of animal groups. So, Fawn promptly pulls out her Animal Group Songbook. This short from the extras of the Blu-ray of "Tinker Bell and the Legend of the NeverBeat" features the song "Fawn's Animal Group Song."
This film was made by punching circular holes into fully opaque film stock and laying discs of colour film into some of the punched holes. Only the original copy of this film exists – it cannot be printed and is therefore projected only on rare occasions. As with other Le Grice films from the late 1960s, Spot the Microdot is marked by a radical rejection of ‘illusionism’, choosing to focus instead on the material properties of the film medium itself.
This short was released as an extra in the Blu-ray release of Disney Pixar's INSIDE OUT. It's a zany collection clips of the emotions and how they interact.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
A grief-stricken family migrate from busy London to suburban Basildon looking for a fresh start, but young Bamike is not ready to move on.