A documentary produced in 1979 to celebrate the centenary of the birth of Albert Einstein. Narrated and hosted by Peter Ustinov and written by Nigel Calder.
Structural study of a tree. Light, water and air coax it out of the soil in a manner foregrounding time’s relativity to different forms of life on Earth. Made the day my brother got his fork-lift license.
An educational physics film utilizing a fascinating set consisting of a rotating table and furniture occupying surprisingly unpredictable spots within the viewing area, Leacock’s Frames of Reference (1960), features fine cinematography by Abraham Morochnik, and funny narration by University of Toronto professors Donald Ivey and Patterson Hume, in a wonderful example of the fun a creative team of filmmakers can have with a subject other, less imaginative types might find pedestrian.
Albert Einstein's theory of general relativity has revolutionised our understanding of gravity, space and time. Initially acclaimed, then forgotten, and now rediscovered, the adventure of this hundred-year-old theory has marked the scientific history of the 20th century. From its inception, a mathematical difficulty arose that could have nipped the theory in the bud: the Schwarzschild singularity. In the company of great international relativistic physicists, the viewer embarks on a discovery of this theory with a singular destiny. We discover a "curved" universe that proves to be even stranger than Einstein had envisioned, and harbours some objects - such as black holes - that still challenge today's scientists.
Prof. Jim Al-Khalili tackles the biggest subject of all, the universe. Through a series of critical observations and experiments that revolutionised our understanding of our world Jim guides us through the greatest cosmic detective story of all. He takes us from the beginning of the universe to the end time and answers the question: where did the universe come from and how will it end?
Albert Einstein: l'homme et le génie
Bending Light
Four 1950s icons meet in the same hotel room, and two of them discover more in common between them than they ever anticipated.
"The Observer's Testimony" is an intense psychological video art piece fundamentally based on Slavoj Žižek's philosophical concept of Parallax. The work utilizes a split-screen format to simultaneously present the transformation of the same clay bust into two contradictory psychological realities: The Left Screen depicts the Hunter's (The Accuser's) hardening into a cold judgment and moral decay, conceptually justified by Murat Kaplan's facial analysis; while the Right Screen reflects the Victim's (The Innocent's) dissolution into helplessness, fear, and ultimate surrender. This organic yet unnatural transformation of the busts places the viewer in the irreducible gap between two contradictory testimonies. The core goal of the work is to demonstrate the impossibility of objective truth by proving that reality is entirely dependent on the observer's subjective point of view.
Documentary film(mast)er Jan visits the (playing) drunk slave HD.
Wolfgang slams himself into the sky above Berlin. But his body is not quite as relaxed as he had hoped.
Perpetuating art was the main objective in the life of visual artist, filmmaker and cultural manager Chico Liberato, who died in January, 2023. A pioneer of animation cinema in Bahia, he left a legacy for the area, and even in his family.
There is no functioning democratic society without NGOs. They operate where the state cannot reach. At the same time, trust in the non-profit sector is consistently low in our country - according to a recent survey, 60 percent of adults do not trust them. Using the stories of several non-profit organizations as a backdrop, the documentary explores the current attitude of Czechs towards donations and the paradox resulting from the constant distrust of the non-profit sector on the one hand and the growing generosity of Czechs on the other.
Fluminense's historic Copa Libertadores campaign told by its protagonists. Behind the scenes of the conquest, from the tournament's debut to the top of America. An honor to remember forever.
A film about the friendship of musician Miroslav Wanek and artist Martin Velíšek, connected by their collaboration and especially the band Už jsme doma. It was directed by Václav Kučera, who died in 2019, and completed years later by Radim Špaček. Similarly, producer Romek Hanzlík died in 2019 and the film was completed by Petr Koza in his company KOZA Film, s.r.o.
There are currently 41 assisted reproduction clinics in the Czech Republic. Their annual turnover reaches billions. Is it still medicine or a business without ethical rules? Where does interest in fetal health end, and where does modern eugenics with its catalogue of babies on demand begin? Where does the urgent need for donated gametes end, and questions about what to do with "excess" embryos begin?
1953 was a year of great sadness for Czechoslovak citizens. Obligatory mourning intervened in their lives after the deaths of Stalin and Gottwald. Their grief was sincere because of the currency reform, which ruined their lifelong savings. In retrospect, 1953 was the height of social despair.
Children in the Vysočina region miss the forests that climate change and the bark beetle calamity have taken away. How do they cope with this loss and how does the School Forest project help? Environmentalist Barbora Klocová sought answers to these and many other questions. She filmed a total of 31 personal interviews with children and adolescents from the Highlands aged 8 to 18.
The documentary film presents in an unconventional way the personality of Zdeněk Neubauer, a peculiar philosopher, scientist, academic, mystic and mycologist, dissident and friend of Václav Havel, who became an expert on everything he turned his attention to - and yet he preferred to walk barefoot. Zdeněk Neubauer simply enjoyed thinking - and he knew how to pass on his enthusiasm.
The documentary Farma Květná follows the fate of three young men who have hit rock bottom, living in orphanages, in detention centres, on the streets. Now they have found work, and with it an unrecognised sense of meaning and self-worth, at Farm Květná, founded by former Interior Ministry official Ferdinand Raditsch. In it, he offers unorthodox support to those whose circumstances have destined them for an unfavourable starting line.