Einstein's Relativitätstheorie - Das Geheimnis von Raum und Zeit

A documentary produced in 1979 to celebrate the centenary of the birth of Albert Einstein. Narrated and hosted by Peter Ustinov and written by Nigel Calder.

Bending Light

Structural study of a tree. Light, water and air coax it out of the soil in a manner foregrounding time’s relativity to different forms of life on Earth. Made the day my brother got his fork-lift license.

Albert Einstein's theory of general relativity has revolutionised our understanding of gravity, space and time. Initially acclaimed, then forgotten, and now rediscovered, the adventure of this hundred-year-old theory has marked the scientific history of the 20th century. From its inception, a mathematical difficulty arose that could have nipped the theory in the bud: the Schwarzschild singularity. In the company of great international relativistic physicists, the viewer embarks on a discovery of this theory with a singular destiny. We discover a "curved" universe that proves to be even stranger than Einstein had envisioned, and harbours some objects - such as black holes - that still challenge today's scientists.

An educational physics film utilizing a fascinating set consisting of a rotating table and furniture occupying surprisingly unpredictable spots within the viewing area, Leacock’s Frames of Reference (1960), features fine cinematography by Abraham Morochnik, and funny narration by University of Toronto professors Donald Ivey and Patterson Hume, in a wonderful example of the fun a creative team of filmmakers can have with a subject other, less imaginative types might find pedestrian.

Prof. Jim Al-Khalili tackles the biggest subject of all, the universe. Through a series of critical observations and experiments that revolutionised our understanding of our world Jim guides us through the greatest cosmic detective story of all. He takes us from the beginning of the universe to the end time and answers the question: where did the universe come from and how will it end?

Albert Einstein: l'homme et le génie

"The Observer's Testimony" is an intense psychological video art piece fundamentally based on Slavoj Žižek's philosophical concept of Parallax. The work utilizes a split-screen format to simultaneously present the transformation of the same clay bust into two contradictory psychological realities: The Left Screen depicts the Hunter's (The Accuser's) hardening into a cold judgment and moral decay, conceptually justified by Murat Kaplan's facial analysis; while the Right Screen reflects the Victim's (The Innocent's) dissolution into helplessness, fear, and ultimate surrender. This organic yet unnatural transformation of the busts places the viewer in the irreducible gap between two contradictory testimonies. The core goal of the work is to demonstrate the impossibility of objective truth by proving that reality is entirely dependent on the observer's subjective point of view.

Four 1950s icons meet in the same hotel room, and two of them discover more in common between them than they ever anticipated.

4000m above sea level, lies a small spiritual village called Nurkum. This is a mind blowing story of the last Sherpa family holding the traditional Sherpa profession of the Mountain cow husbandry in the most extreme weather conditions. It shoes redemption and pain while holding the old ways of tradition in the backdrop of the modernist way of life.

In 1990, one sixth of the population of Bhutan was exiled because they demanded greater democratic rights from the ruler. The film follows the story of Sarita, a 13-year-old girl born in Khudunabari, a refugee camp in Nepal where over 100,000 Bhutanese exiles live. Now they will be "relocated": thousands of families will be forced to emigrate and their Lotshampa identity will disappear forever. Sarita and her friends will not tell us their odyssey: they will dance and sing it.

Fogo de Conselho

Sampaloc Lake - the most prominent of the seven lakes of San Pablo City has provided shelter, employment and inspiration to its immediate community for countless decades. In return, the natural resource suffered from indiscriminate use of the residents themselves and the consequences of rapid urbanization. Recently, the local government have implemented a clearing of all residential structures within the legal easement of the dying lake to pave the way for a tourism master plan that endeavors to balance revenue and environmental protection. In the eve of the clearing operations, film maker Dennis Empalmado documented the final musings of the residents, advocates, and artists whose lives revolved around the 99 hectare crater lake.

A look that explores the role of the muses in the History of Western Art, highlighting their close connection with the work of the so-called great geniuses as co-creators.

Frans Masereel is one of the most fascinating Belgian artists of the 20th century. His work, essentially composed of black and white engravings, is a cry of rebellion against the tragedies of his time. Forced into exile for his pacifist convictions, he embodied, alongside writers like Stefan Zweig and Romain Rolland, the dream of a cultural and brotherly Europe. Through an imaginary correspondence the director addresses to the artist, the film sketches the portrait of a free, touching man who, throughout his life, attempted to break free of art dealers and put his creations in the hands of all.

Few places symbolise the dawn of modernity with its expectations and upheavals better than the Jelmoli department store. The director documents the 125-year history from its foundation to its closure at the end of 2024.

A propaganda film covering Revisionist Zionist talking points regarding the history of Israel and sectarian views on the Arabs and Muslims of the world.

"El campo para el hombre" was a politically militant documentary about the small holdings of land in the north of Spain and the large estates in the south of the country. This film portrays the exploitation and misery of the Spanish peasants, but also their class-consciousness and their will to fight for their rights and freedom. The film was shot in the late years of Franco's dictatorship, so it was made in secrecy (the directors were connected to the Spanish Communist Party).

Cinéastes de notre temps : Norman McLaren

Developments in the Canadian forestry industry during the 1970s are shown being carried out both as lab experiments and in the field to protect and conserve the country's vast forests. These include turning a Newfoundland bog into woodland, fostering British Columbia seedlings that withstand mechanical planting, inoculating Ontario elms against the bark beetle, devising ways of controlling fire, and more.