For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona) to give us their own "lost road," that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works. Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.
Sarajevo in the twentieth month of its besiegement. The situation is critical, but the city chooses to organise an international film festival. Dutch filmmakers Johan van der Keuken and Frank Vellenga present Van der Keuken's documentaries Face Value and Brass Unbound there, and one of the festival organisers asks a festival visitor: "What is the significance of film in war?" In Sarajevo Film Festival Film, a reflection on film, war and daily life, fictional images are juxtaposed in a disconcerting way with the gruesome reality of the life of a festival visitor.
A secret culture of foragers hunt the Matsutake, a coveted Japanese mushroom worth up to $1,000 a pound—although its true value lies underground as a brilliant networker and healer of ruined landscapes. The Matsutake might just be our last, best hope for an American forest system run amok.
A short film made for "Venezia 70 - Future Reloaded". Inspired by Jean-Luc Godard's film "Contempt", the short film serves as a reflection on the state of cinema, depicting two film projectors contemplating the uncertainty of their future.
The story of the struggle for the women's vote is much more than just the account of the exploits of Emmeline Pankhurst or the tragic fate of Emily Davidson. Lucy Worsley puts herself at the heart of the drama, alongside a group of astonishing young working class suffragettes who decided to go against every rule and expectation that British Edwardian society (1901-1910) had about them…
This omnibus of film clips include a Savanna golf course made from Civil War trenches, wooden Indians used ourside cigar stores, an American Indian artist from South Dakota who paints upside down, the smallest residence house, a Bronx River statue with mysterious Civil War origins, the Ocean Grove community in New Jersey that closes on Sundays and a futuristic automated parking garage. Vitaphone No. 1364.
La source
Experimental film directed by Dmitry Frolov, shot in the midst of perestroika in the USSR. February 1991. Starring the drummer for the MEANTRAITORS Vladislav Lyashchuk - a very peculiar musician played without bass drums and Toms.
While reconstruction of L’Atalante as a major feature has captured critical attention and debate, we also know that in 1933 even contemporary audiences, critics and politicians grasped the dangerous messages of Vigo’s mini-epic of school rebellion and took their scissors to it while keeping it from the public for more than a decade. Still, alternative versions reached other countries – including a different, early version in Italy – and pieces remain. Together with the rushes, outtakes and on location footage of Vigo during the shoot, Young Devils in School helps us to better understand Vigo’s original vision.
Impressions from a plant of August Thyssen-Hütte. In this steel mill, only the fog is gray, not the job and not everyday life.
The cast and crew of 'Enemy' guide the audience through the making of the film and the possible meanings behind its enigmatic imagery.
Panel discussion about the original Broadway production of Lorraine Hansbury's "A Raisin in the Sun."
Upon his arrival in Paris, filmmaker Tomas Cali immerses himself in learning French, as well as the language of sketching. In an art studio, he meets transgender life model Linda Demorrir, who helps him to connect with himself and his new city in a profoundly different way.
Commemorative celebrations of the independence of the Republic of Niger filmed in December 1961 and 1962.
In an effort to improve feminine hygiene, a machine that creates low-cost biodegradable sanitary pads is installed in a rural village in Northern India. Using the machine, a group of local women is employed to produce and sell pads, offering them newfound independence and helping to destigmatize menstruation for all.
In Denver, an intrepid activist runs for office with the aim of eliminating cash bail.
With depth, intimacy, and humor, FLOAT! captures filmmaker Azza Cohen's magnetic grandma’s life-affirming journey learning to swim at 82, inspiring audiences to defy societal expectations of aging and to boldly look forward at every stage.
A young artist receives a telegram: his girlfriend has a stopover at Potsdam station. She wants to use the time to see him... The movie tells of small unfortunate mishaps that prevent the meeting.
Filmmaker Davina Maria and illustrator Dominique Goblet share a fascination for the beach in Ostend. Made up of photographs and illustrations, the film subtly interweaves their respective artistic practices. With a delicate and melancholic tone, Souvenirs d'une journée parfaite celebrates friendship, memory and the fleeting nature of shared moments.
"I throw water in space with a bucket. A video camera pictures this. Another camera pictures this event from the TV screen. 3 modalities of reality: 3 levels of interpretation. Reality: filmed reality: filmed film." - Peter Weibel.