Boom Festival - We Are One

The seminal live performance by The Strokes, performing on a brightly lit-stage before an intimate audience at Zoetrope Studios in Los Angeles.

Road To Austin chronicles how Austin, Texas became the Live Music Capital of the World, dating from 1835 to present day. The film builds to a climax and weaves its way towards an all-star live performance led by Stephen Bruton and his 14-piece band.

A short educational documentary on early electronic composition and synthesizers.

SET 1 [7:32 - 9:00 PT] Shakedown Street > Cold Rain and Snow Mississippi Half-Step Uptown Toodeloo They Love Each Other St. Stephen 1 > The Eleven > Deal SET 2 [9:39 - 11:29 PT] Sugaree W New Speedway Boogie > Eyes of the World > Estimated Prophet > Drums 2 > Space > The Wheel > Wharf Rat E > Sugar Magnolia ENCORE [11:31 - 11:39 PT] Black Muddy River Key 1 with William Tell Bridge 2 with Oteil on Banjo Bass W Mayer playing Wolf Replica E Explicit Language Credit:/u/donttouchthatknob

Set 1: Bertha(Grateful Dead cover) (>) Good Lovin'(The Young Rascals cover) Brown-Eyed Women (Grateful Dead cover) Jack Straw (Grateful Dead cover) High Time (Grateful Dead cover) Mr. Charlie(Grateful Dead cover) Bird Song (Jerry Garcia cover) (with elements of 'The Other One') (>) Don't Ease Me In (Henry Thomas cover) Set 2: Althea(Grateful Dead cover) (>) The Other One(Grateful Dead cover) (verse 1) (>) Terrapin Station(Grateful Dead cover) (> 'The Other One' (verse 2)) (>) Drums(Grateful Dead cover) (with Big Steve Parish) (>) Space(Grateful Dead cover) (>) Stella Blue(Grateful Dead cover) (>) Help on the Way(Grateful Dead cover) (>) Slipknot!(Grateful Dead cover) (>) Franklin's Tower(Grateful Dead cover) Encore: Brokedown Palace(Grateful Dead cover)

Set 1: Jam (>) Cassidy (Bob Weir song) (>) Deal (Jerry Garcia cover) Samson and Delilah ([traditional] cover) Friend of the Devil (Grateful Dead cover) It Hurts Me Too (Tampa Red cover) Tennessee Jed (Grateful Dead cover) If I Had the World to Give (Grateful Dead cover) (>) Going Down the Road Feeling Bad ([traditional] cover) Set 2: Althea (Grateful Dead cover) Estimated Prophet (Grateful Dead cover) (>) China Cat Sunflower (Grateful Dead cover) (>) I Know You Rider ([traditional] cover) (>) Eyes of the World (Grateful Dead cover) (>) Drums (Grateful Dead cover) (with Oteil Burbridge) (>) Space (Grateful Dead cover) (>) Terrapin Station (Grateful Dead cover) (>) Morning Dew (Bonnie Dobson cover)

Set 1: Shakedown Street (Grateful Dead cover) Cold Rain and Snow (Obray Ramsey cover) Loser (Jerry Garcia cover) Dire Wolf (Grateful Dead cover) Loose Lucy (Grateful Dead cover) The Wheel (Jerry Garcia cover) (>) Bertha (Grateful Dead cover) Let It Grow (Grateful Dead cover) Set 2: Help on the Way (Grateful Dead cover) (>) Slipknot! (Grateful Dead cover) (>) Franklin's Tower (Grateful Dead cover) Fire on the Mountain (Grateful Dead cover) (>) The Other One (Grateful Dead cover) (verse 1) (>) Drums (Grateful Dead cover) (>) Space (Grateful Dead cover) (> 'The Other One' verse 2) Black Peter (Grateful Dead cover) (>) Sugar Magnolia (Grateful Dead cover) U.S. Blues (Grateful Dead cover)

Over the course of the six music festivals, friends Maxie and Summer will learn to accept the impending loss of their friend James from brain cancer through Marley, an up-and-coming musician whose own rise to the main stage will provide a positive anchor for them to move forward with their lives.

Capturing the sights, sounds, and magic of Carlton Haney’s 1971 Labor Day Festival in Camp Springs, North Carolina; a three-day outdoor festival—the first of its kind—featuring bluegrass veterans and future stars alike sharing the primitive wood and cinder block stage. More than just capturing one of the largest bluegrass festivals of that decade, this documentary is also an interesting mixture of live performances, interviews, impromptu jam sessions and crowd footage of live music set in a small town surrounded by the now long gone red clay and tobacco shacks of North Carolina.

The original Tresor was in many ways the quintessential Berlin club: located in an unrenovated vault beneath a bombed out department store, it opened its doors amidst the general confusion and ecstasy that swept across the city when the wall fell. Its low ceilings, industrial decor and generally unhinged atmosphere created an unprecedented platform not only for techno in Berlin, but also for the scene taking shape across the Atlantic in Detroit.

In the early 80s, some bored young people in Hultsfred arrange a gig with the bands Ebba Grön and Dag Vag. It will be the starting point for what would become Sweden's biggest music festival.

Escape from everyday life in freedom and community and live utopias - for many organizers and artists, the secret of the music festivals that make culturally weak Mecklenburg-Western Pomerania a place of pilgrimage for tens of thousands of people every summer. But instead of freedom, community and utopia, there was one thing above all in the festival summers of 2020 and 2021: silence.

Schiller: Morgenstund

A documentary that goes inside the dark, witty, surreal world of cult English singer/songwriter Robyn Hitchcock.

Rave Culture is one of Britain’s great cultural exports, but after its first wave in the late eighties and early nineties, it was soon forced into the underground by stringent new laws and superclubs. But forward 25 years into in the midst of a nationwide purge on the nation’s nightlife, where nearly half of all British clubs have shut down in the last decade, and a new kind of scene has emerged. Clive Martin investigates this 21st century version of Rave, where young people break into disused spaces with the help of bolt-cutters and complicated squatting laws, to suck on balloons and go hard into the early morning. But with the police using increasingly extreme tactics to clamp down on these parties, and more than one fatality causing nationwide media panic, can the scene survive?

Live at Val de Moine,Clisson,France 24.6.2022

THE OPENER is a feel-good, underdog music doc about a street performer who wrote 30 songs in 30 days to process his grief and isolation during the pandemic, and found that his music spoke to millions. When it reached the ears of one of his heroes, Grammy-winner Jason Mraz, he was invited on his very first tour and given a chance to prove himself on the big stage.

Swedish metal band The Order Of Israfel perform a selection of songs off their first album 'Wisdom' at the Sweden Rock Festival on June 3rd, 2015.

"Manabiya Xstasy" was a school festival tour held in November 1999. Amateur musicians who were Sheena's friends were appointed as band members. In addition, half of the songs played were unreleased songs, including cover songs.

This work by indie filmmaker Ikon documents 20 Years of Jungle Mania, a rave held on 6 April 2013 at the Coronet Theatre in London. The event celebrated and commemorated 20 years of drum and bass music in London dance culture. In addition to coverage of the live performances and the crowd, the film features interviews with reknowned drum and bass DJs and producers who performed that night.