Continu-discontinu

A reminder of the colourful, boundlessly animated exo-imagery that forms the DNA of the world we live in.

This metaphorical surrealist tale is an allusion. NIGHTINGALES IN DECEMBER is a trip into the memories, and the fields of the current realities. What if the Nightingales were working, instead of singing and going south? Is the innocence the only savior of birdsongs? There are no Nightingales in December... What is left, is only the history of our beginning, and our end.

An experimental animation that recalls a treacherious, winter journey across a Montréal landmark.

Mizuki Kiyama's short animation utilizes a paint on glass technique to render a young girl's visit to a neighborhood sento (bath house) with her mother with dazzling sensuous wonder. Evoking childish fascination at daily rituals, this quotidian act amidst feminine intimacy becomes a space of otherworldly fantasy.

Prelude 14 begins in deep brilliant red which darkens into deeper reds and lavender shapes, disrupted by a variety of colors settling into browns and grays and shapes most rock-like, all of which is then shot-thru with sufficient yellow to break up all hard-edge form and give a molten aspect to the mixtures of shapes.

La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.

TRAUMA is a collaborative film project by Jesse Kanda and Arca first partially exhibited at MoMA PS1 at the end of 2013. The film follows a nonlinear narrative about the death of a salaryman, a drunk driving infant and takes place within a subconscious world. TRAUMA's score will span through Arca's existing and future works.

Replika

The hilarious hour-long episode follows the bipolar, beer-swilling dog, Barkley, and the Critters, the band he fronts. His rocker menagerie includes a vulture, a snake, a tracksuit-clad paranoid schizophrenic crow, a Buckethead-esque farm boy on harmonica, and a manic- depressive canine drummer.

An experimental animated short film using abstract painting to explore the tension field between abstraction and recognizability.

"Frozen Jumper" begins in hit-and-run style with a pulsating textural noise. Flickering, nearly rectangular patterns join on the image plane, at first in black-and-white, bringing to mind the sprocket holes in celluloid film and, not least due to the lack of geometric precision, giving the impression of a pre-digital origin. As the soundtrack rattles on in a minimalistic way, the pattern’s twitchy dance is submerged in various warm hues such as yellow, pink, light green and light blue, which in a different rhythm and to a more agreeable music could be perceived as the signature of slightly retro psychedelia.

Barry Doupé’s Thalé (2009) experiments with the phenomenology of light and colour through fiber-optic flower arrangements. Doupé’s animations are inspired by the Thale Cress plant, which is commonly used in biological mutation experiments. His rotating electronic floras, which resemble neon lights, sex toys and fireworks, glow in the dark digital void. - Amy Kazymerchyk, Fabulous Festival of Fringe Film

This is one of those abstract animated films in which colored, richly textured light moves in a black, three-dimensional space. The pictures and the electronic score are unified in a strict structure made of three main sections which progressively develop three subsections. This film may look like it was made using computers or video to the uninitiated, but only animation and much optical printing are to be seen herein. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.

Dramatic story of a man and a woman that had a short but passionate love story.

Three memories that become one. An attempt to merge heterogeneous materials: a film sequence shot in Rome, a photo from the 1930s, a noisy soundtrack. Fragmented lines, exploding bass frequencies and flickering.

Untitled / Aubrac

Claire is composed of digital scans and blow-ups of a series of three ink-on-paper artworks created in 2012 by French-Spanish researcher, publisher and artist Claire Latxague. While collecting drawings, written documents and other printed materials for a (yet unreleased) project called Un film de papier, I’ve stumbled upon Latxague’s artwork, entitled À la renverse. The blow-ups were made in an attempt of unearthing cartographic imagery in abstract compositions.

A boom operator attempts to record the noise mushrooms make in this semi-experimental animation inspired by the world of sounds.

Norman McLaren made Scherzo early after his arrival in North America in 1939, but the film was subsequently lost. In 1984 the original materials were found and the hand-drawn images and sound were reconstituted. Picture and sound dance triple-quick in this animated version of a musical scherzo. A film without words.

Black kites soar on thermals along the Kamo river in Kyoto. Flags billow. Cacti spin. Plum trees blossom. Pigeons make love atop a clock. Friends chat by the riverside. Filmed February/March 2019 on a single 40 year old cartridge of Kodachrome Super 8 and hand-developed in Caffenol. The film was heavily fogged, but there are some (real) images.