This dazzling stop-motion animation provided Vorkapich with a forum to demonstrate complex perceptual theories related to the persistence of vision and phi phenomenon. The dance of objects and their movements before the camera lens–somewhat similar to Oskar Fischinger’s abstractions–illustrate many visual sensations playfully executed by Vorkapich.
White circles appear and disappear on a black surface.
Documentary recording of one day of children's play in the yard of a Warsaw housing estate.
You Take Care Now, an early student film, is a perfect exemplar of Ann Marie Fleming's idiosyncratic vision and stands as one of her signature works. Made on 16mm, and incorporating found footage, original material, animation, and processed images (Vancouver's groundbreaking avant-garde cinema of the 1970s is a decided influence here), Fleming's film offers a visually dazzling, emotionally wrenching, oddly humorous account of two profound personal traumas.
A day in the life of young boy with a distorted vision of the world. 3 short little claymation episodes - Ricardo Discovers "Sex," Ricardo's Hero and Ricardo's Birthday.
Short film by Mary Ellen Bute
From 1967-71 Barry Spinello made films without camera or tape recorder by hand drawing both sound and picture directly onto clear 16mm leader. His interest and education (at Columbia) was in music, painting, and poetry. His effort was to merge these three: “to squeeze sound and picture out of the same tube – to weave a cloth with warp as sound, woof as picture, and meaning the fabric itself."
It is well known that the disposition of the images drawn by Escher are neither for animation nor for pre-animation; actually, quite the opposite. His images appear to be the carrying out of metamorphic dissolves. A bird gives way to the recognition of a house, which turns into fish, which turns into birds, and so on. Not a single flapping of wings takes place; everything is reiterated and fixed, becoming immersed in and re-emerging from a static continuum. All of Escher is an homage to one of the major animating forces of the cinema: the cross-dissolve. Precisely there, I found cinematic attitudes: in the house which turns into fish and in everything that transforms into something else. I gradually managed to figure out various types of non-existent sequences and then finally found myself dissolved, crossing over metamorphically. —P.G.
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.
Expelled from the machine-week for incompetence, Sunday meets a mysterious alter ego that takes him on a contemplative stroll. At the end of a dreamlike inner journey, Sunday returns to the machine to reinvent it.
Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope
Both a scientific and dreamlike documentary at once, Ghost Cell is a stereoscopic plunge into the guts of an organic Paris seen as a cell through a virtual microscope.
White Tape explores the theme of boundaries: the frame, the space between brushstrokes and the implications of occupation.
When a small boy loses his favourite toy – a small teddy bear – this draws him into the inner world of his childhood. Nonetheless, he must destroy this realm if he wants to grow up.
The mutating forms of Tensai Banpaku, or “Genius Expo” create a stunning abstract orchestra.
From the infinitely small to the infinitely large, all things in the universe are tightly connected: they interact and restructure in a combination of movements and perpetual metamorphoses.
Five years in the making, Lawrence Jordan's feature-length "alchemical autobiography" Sophie's Place takes as its inspiration the story of the Greek goddess of wisdom, Sophia. Writes Jordan, "I must emphasize that I do not know the exact significance of any of the symbols in the film any more than I know the meaning of my dreams... I hope that the symbols and the episodes set off poetic associations in the viewer. I mean them to be entirely open to the viewer's own interpretation."
Once there was a sailor beloved by all. She sailed the ocean blue seeing adventures through and through. And her name was Dorothy-Do.
A year has passed since Menma's ghostly return to the Super Peace Busters. Although the time they spent together during that summer was short, the five members reminisce about what happened as they each write a letter to their lost friend.
Our narrator looks fondly back at his childhood in Liverpool and the antics of his best friend Johnno. Well known for being a showman and a keen one for joking and the like, Johnno starts to change for the worse after he announced that his father has died.