Brittown

This lively documentary explores the rise and fall of physical media from the origin of film all the way through the video store era into digital media, focusing on B-movie and cult films. With icons like Joe Bob Briggs (MonsterVision), Lloyd Kaufman (Toxic Avenger), Greg Sestero (The Room), Debbie Rochon (Return to Nuke 'Em High), Deborah Reed (Troll 2), Mark Frazer (Samurai Cop), James Nguyen (Birdemic) and many others.

An intimate portrait and saga of four film pioneers--Harry, Albert, Sam and Jack who rose from immigrant poverty through personal tragedies persevering to create a major studio with a social conscience.

In this documentary, filmmakers Daniel B. Gold and Judith Helfand (Blue Vinyl) follow a troupe of self-proclaimed global warming "warriors" on a mission to get the world to care about rising temperatures and melting polar ice caps. Taking a topic that's inherently serious and applying their signature blend of humor and emotional heft, Gold and Helfand advance the environmental dialogue in a surprisingly entertaining way.

A documentary that examines the psychopathology behind suicide bombers - which ultimately reveals what makes them tick!

Larry Pierce is a family man and factory worker who lives in Middletown, Indiana with his wife Sandy. Outside of his regular nine-to-five job, Pierce has also been writing and recording raunchy country albums since 1994. After being forced to retire from his job after thirty-one years, the 53-year-old Pierce hooks up with the rock group -itis and performs his first concert in front of a live audience.

You find yourself turning 30 without being initiated into the mysteries of love. What happened? LOVE ALIEN is a filmmaker's radical, subjective look at his life's problem. Accompanied by his camera, he explores the unknown world of lovers. On this journey he encounters relationship counselors, wardrobe consultants, partygoers, Valentine's Day shoppers, a neighbor's cat, his own family - and women. A filmmaker's cinematic attempt to find his first girlfriend.

Seven entirely static shots make up James Benning's quiet reflection on existence in the Ruhr Valley.

Choppertown is the world’s first motorcycle documentary about the renowned hot rod and motorcycle club, the Sinners. Modern day greasers, the Sinners are all about the old school. None of them is old enough to have experienced the hot rod heydays of the ‘50s and ‘60s, but still they live on the edge of society chopping cars and bikes and searching for vintage parts to make their “Rat Rods”, “Trumps”, “Mercs”, and “Bobbers” into rolling works of art.

ḤARAM is an essay film portraying the urgent contemporary situation at the Haram Al Sharif/ Noble Sanctuary in the Old City of Jerusalem reflecting on the growing Temple Mount Faithful movement whose goal is to build the Jewish Third Temple on this holy landscape and in turn to assert Jewish sovereignty over this holy Muslim site.

VIVA ÁGUA is a meditation on the philosophical work entitled ÁGUA VIVA written by Clarice Lispector in 1973. The film reflects on Lispector’s interior experimental monologue on the “instant-now” of time, the discomforts of language which are “beyond thought” and the harmonious dissonant reminders and remainders of that “sometime what is seen is ineffable.”

Anna, Pina, Teresa reinterprets the pivotal scene in Rossellini’s “Roma Città Aperta” where Anna Magnani, who plays the character Pina, (based on the story of Teresa Gullace,) is murdered on the streets of Rome by the Fascist police. This scene is characterized by three movements performed by Magnani — resistance, running and falling. Filmed in the Sala Scherma at Foro Italico in Rome (Mussolini’s fencing studio designed by Moretti) Anna, Pina, Teresa examines the contemporary and historical dynamics between an urban Fascist space and movements of resistance.

E42 is a cinematic exploration of the area in Rome knows as the EUR, a modernist landscape that was originally designated by Mussolini as the the site of the World Fair of 1942 and as a celebration of the 20 year anniversary of Fascism. Originally designed as a monumental space for public performance and collective acts of solidarity to the Fascist regime, this landscape was in fact never inaugurated. After the war, the 420 acre area was recuperated and today projects a timeless aura of an unfinished and temporary, empty and silent, monumental and imposing as well as an ephemeral landscape.

Filmmaker and evolutionary biologist Randy Olson tries to figure out if it is the Darwinists or Intelligent Design supporters who will become a flock of dodos.

Record high oil prices, global warming, and an insatiable demand for energy: these issues define our generation. The film exposes shocking connections between the auto industry, the oil industry, and the government, while exploring alternative energies such as solar, wind, electricity, and non-food-based biofuels.

In 1996, electric cars began to appear on roads all over California. They were quiet and fast, produced no exhaust, and ran without gasoline... Ten years later, these cars were destroyed.

We spent last winter breaking trail into the backcountry with some of the top telemark skiers in the world like Nick DeVore, Andy Jacobsen, Jason West, Will Cardamone, Megan Michelson and many others.

BROTHERS AT WAR is an intimate portrait of an American family during a turbulent time.  Jake Rademacher sets out to understand the experience, sacrifice, and motivation of his two brothers serving in Iraq. The film follows Jake’s exploits as he risks everything—including his life—to tell his brothers’ story.

State of Bacon tells the kinda real but mostly fake tale of an oddball group of characters leading up to the annual Blue Ribbon Bacon Festival. Bacon-enthusiasts, Governor Branstad, a bacon queen, Hacksaw Jim Duggan, members of PETA, and an envoy of Icelanders are not excluded from this bacon party and during the course of the film become intertwined with the organizers of the festival to show that bacon diplomacy is not dead.

Chronological look at the fiasco in Iraq, especially decisions made in the spring of 2003 - and the backgrounds of those making decisions - immediately following the overthrow of Saddam: no occupation plan, an inadequate team to run the country, insufficient troops to keep order, and three edicts from the White House announced by Bremmer when he took over.

Near-silent and shot via a cell phone, a war veteran observes the world which has been colored by his experiences in Afghanistan.