Autoritratto Auschwitz. L'occhio è per così dire l'evoluzione biologica di una lagrima

By tracking scientists and Holocaust survivors in Lithuania, The Good Nazi tells the story of a Schindler-type Nazi officer who turned his back on his dark ideology and risked his life to save hundreds of Jews.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

A film about the career and methods of the master silent comedy filmmaker.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

Lloyd Kaufman and the Troma Team struggle against incompetence, conflict and "the man" in order to complete their latest piece of art, Terror Firmer. The documentarians hold nothing back in the fight for truly independent cinema.

From Angry Bible Thumpers to Infamous Hall H Lines, This is an Appropriated Video Essay Covering the Negative Changes that San Diego Comic Con Has Gone Through This Passed Decade Alone.

Experimental projects carried out during scientific initiation - 2002 / UFRJ

Experimental projects carried out during scientific initiation - 2002 / UFRJ

Gina Carano in Training

A detailed and deeply personal exploration into genocide and how something this atrocious happened, and continues to happen again and again - even in modern times. First-time filmmaker, Paul Bachow, travels around the world and taps into a vast knowledge base of historians, psychology practitioners, and data derived from countless interviews with experts from around the world.

A documentary of uncompromising, outlaw, cult underground filmmaker Jim Van Bebber, covering his life from 2010-2015 while he tries to make a comeback and make a new exploitation film after years of struggling to work.

Ostensibly a portrait of a place where the artist had resided until recently, the new film by Robert Beavers conjures not only the memory but also the physical presence of those who have previously stayed there. Adhering to a solitary intimacy while simultaneously acting as an ode to human endeavour and shared impulses toward fulfillment through art, Listening to the Space in my Room is a moving testament to existence (whose traces are found in literature, music, filmmaking, gardening) and our endless search for meaning and authenticity. The film's precise yet enigmatic sound-image construction carries a rare emotional weight.

An overdressed girl tries her luck in dance events that are for Finnish tourists in a small Estonian health resort town, Pärnu.

A young man in a tram is asking a bit too much from a stranger.

An elderly lady pushes the limits of customer service at an up-market department store by continuously requesting announcements for interesting-looking men.

The absurd logic of the ‘real character’ and the extreme rules of Disneyland become apparent when a real fan of Snow White is banned from entering the theme park dressed as Snow White.

Broad Sense is based on an three day long intervention in the European Parliament in Brussels. The video reveals the diversity of security responses to the artist’s visits.

The second entry in Velu Viswanadhan's series of experimental documentaries. This film traces the Ganges river upstream.

The voices of the 2013 Generation of the now extinct CUEC, talk about issues such as loneliness, growing up and decisions about the uncertain future they face when leaving to study Cinematography.

In this documentary about low-budget filmmaking in upstate New York, you'll learn how affordable digital-video technology has changed the lives of the artists behind action flicks, monster movies, nonfiction stories, and comedies. "Every Pixel Tells a Story" introduces viewers to a wide range of independent filmmakers, all of whom prove that with a little ingenuity, access to the right technology, and plenty of tenacity, filmmakers can still practice their craft 3,000 miles from Hollywood. In fact, "Every Pixel Tells a Story" is an example of what can be accomplished on digital video. Producer-director Peter Hanson shot and edited the movie in a matter of weeks using a camcorder, a computer editing system, and a $30 microphone from Radio Shack, all while spending a fraction of what the documentary would have cost had it been shot on film.