Les oeillets rouges d'avril

Located on the île de la Cité, in the middle of the Seine, the Paris Law Court looks like an impenetrable fortress. Like Kafka’s castle, it guards its secrets well. It is the place of power. The filmmaker, who worked there for several years as a crime reporter, is extremely familiar with its labyrinthine spaces, its practices, its ceremonies. She comes back to it now, while the Courthouse, such as she knows it, is about to disappear: its relocation is planned in 2017. So, she explores it, camera in hand, on the traces of her experience.

"Plastic Paradise" is an independent documentary film that chronicles Angela Sun's personal journey of discovery to one of the most remote places on Earth, Midway Atoll, to uncover the truth behind the mystery of the Great Pacific Garbage Patch. Along the way she encounters scientists, celebrities, legislators and activists who shed light on what our society's vast consumption of disposable plastic is doing to our oceans -- and what it may be doing to our health.

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

Twenty-five films from twenty-five European countries by twenty-five European directors.

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

Portrait of a private coal company in East Berlin's Prenzlauer Berg district in 1988/89. The feisty woman boss runs the business with humour and understanding. Her seven male employees respect her. To the outside world, they are all tough guys, but as they describe their jobs and personal situations, above and beyond the hard manual labour, their vulnerability starts to come to light.

Sitting at her typewriter, listening to tango music, she dreams. Buenos Aires and Montevideo are far away, a different world where, long ago, the tango came into being. A dream about dance and music, as well as about unfulfilled desire and wanderlust behind the Berlin Wall.

Photographer Gundula Schulze wrote her graduate thesis on "nude photography of women in East Germany". It's a subject she continues to pursue in her photography. She considers the stereotype of superficial nude photography anachronistic, and talks vividly about being at pains to develop a relationship of trust with the women she photographs. Schulze wants to show what makes up the "whole woman", living up to her position in East Germany. Scenes of women in the professional world have been edited into the film.

The people of Rwanda attempt to reconcile after the genocide through an open process of admission and forgiveness.

Six American mothers, each grieving the death of a child, journey to South Africa to volunteer with impoverished children. The strength of the people they meet and the reality of the poverty they witness deeply affects them. They ultimately discover hope and healing as a result of serving others, and through the unexpected friendships they form with each other.

Forget the pie charts, color-coded maps and hyperventilating pundits. What's the street-level experience of voters in today's America? In a triumph of documentary storytelling, ELECTION DAY combines eleven stories--all shot simultaneously on November 2, 2004, from dawn until long past midnight--into one. Factory workers, ex-felons, harried moms, Native American activists and diligent poll watchers, from South Dakota to Florida, take the process of democracy into their own hands. The result: an entertaining, inspiring and sometimes unsettling tapestry of citizens determined on one fateful day to make their votes count.

A documentary on kids who attend a summer camp hoping to become the next Billy Graham.

A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.

In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.

Jazz in Love tells the story of Jazz, a young man from Davao whose dream wedding is within reach: his boyfriend of 11 months has proposed. Because no law allows him to get married in the Philippines, he must fly to Germany, his boyfriend's home country, and tie the knot there. One of the things that stand in his way is his inability to speak Deutsch, and to address that he must temporarily relocate to Manila for language lessons. Meanwhile, his parents remain completely unaware of the radical changes that his life is about to undergo.

The film brings us under the skin and into the mind of La Chana, a talented Gypsy flamenco dancer as she returns to the stage to give a final seated performance after a 30-year break. Along the way, La Chana reveals the secret behind her disappearance when she was at the peak of her career.

Documentary film about the therapy facility ‘Violetta Clean’, founded in Berlin in 1983, the first inpatient therapy facility in Germany for drug-addicted girls and women.

A compilation of found footage from musicals, home movies, animated shorts, educational films, commercials, and propaganda set against pop music from the Third Reich, Hitler's Hitparade presents audiences with an unprecedented experiential collage of Nazi Germany.

A documentary about the outcome of a decision made by a brother and sister in 1945. One missed meeting, two families, and three generations.

This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.