Nami

In Beyond Sight, Dália is a teenager desperate to belong, even if it means adopting the cruel prejudices of her toxic group of friends. But when an unexpected accident leaves her blind, Dália finds herself on the other side of the judgment she once inflicted. Struggling to adapt, she crosses paths with a mysterious doctor who offers her a chance to regain her sight—through an experimental substance that promises not just vision, but a transformation into her best self: Zoe.

Explorers is a idealistic look at the future of space travel, seen from the perspective of those who dare to venture into the unknown.

A woman discovers her animal nature when a wolf grows out of her own body and ravages her.

Pari, a 14-year-old girl, dreams of becoming a pilot while growing up in a society that doesn’t allow her to dream.

Animated film from Robert Sahakyants. Political satire on the last years of Soviet Russian rule over Armenia. It makes fun of several well known Soviet leaders. Based on a popular Russian song from the 1930's

Every time a Soviet apparatchik presses a button, something explodes.

"While walking through a toy store, the day before today, I overheard a crayon box with many things to say..."

In a wild uninhabited desert, a team of rangers is in charge of rescuing people who got lost there. One of them, Jean-Mi, is going to draw apart from the group and meet an unexpected character.

A young Polish partisan flees from the Warsaw Uprising. Whilst hiding in the yard of a countryside manor, he is chased up a tree by a large wolfhound. With his rifle out of reach, there seems to be no way to escape his predicament.

Following the outbreak of an aggressive virus, a young woman awakes in a hospital bed. As the horrifying events that led her there are revealed, it becomes clear that the cure is just the beginning. This short film is a prequel for the feature film, The Third Wave, which was written at the Binger FilmLab 2012. The project also won the Best Story Pitch award at the Edinburgh Film Festival, June 2012.

A journey on a night train.

The Laughter Congress

A windows cleaner is struggling to keep the building he is assigned to free from any dirt.

In one depot, two trams lived together. All day long, they traveled around the city, filling the streets with cheerful clatter, and they were happy. But in life, nothing lasts forever.

Éiru is the smallest child of an Iron-Age clan. All she wants is to be a mighty warrior who is taken seriously by her kinfolk. But when the village’s well mysteriously dries up, only she is small enough to descend into the belly of the earth to investigate and bring the water of life back to her people. Éiru is the story of a child in search of a quest, and a goddess in search of a champion.

An intense and disturbing horror short film made in 2008 for the "CUT!" competition. British channel Zone Horror. The work explores the sinister atmosphere behind the production of a snuff film from the director's point of view. It was selected among the 10 finalists of the competition.

The daughters of Pandora on a special mission ...

A family portrait session goes horribly wrong, as secrets and jealousy bubble to the surface under the photographer's watchful gaze.

Mankind can no longer reproduce because of gene manipulation aimed at making life longer. The clones ruling the bottomless underworld may have become fertile. Parton is selected to go on a mission through a subterranean labyrinth crawling with monsters to secure humanity's future.

Frieda Liappa in this short film casts an alternative gaze on the notion of historicity. Loukia is a teenager currently staying at her cousin’s house in Athens. Unlike her cousin she is timid and quite stressed for the school exam. She studies history. Between the lines of her book the historical events sprung up in a multidimensional way. Liappa transverses the dimensions of the real the imaginary and the symbolic. She invites the viewer to consider the construction of the filmic as well as the historical text. She succeeds in making a film with an open end and to leave room for our own contingent constructions.