Life Is One of the Simplest

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

After receiving the key to the city for their heroic efforts, Rocket J. Squirrel notices that Bullwinkle falls in love with a robotic moose. Unbeknownst to him, inside the moose is Boris Badinov, who, along with Natasha Fatale and Fearless Leader, are carrying out another plan to eliminate Rocky & Bullwinkle.

A fisherman waits on the quay for prey. But when a fish finally bites, unusual things start to happen...

At home on their mountain, the small colony of rats doesn't lead much of a life. Nothing to eat, nothing to drink and nothing but rubbish, as far as the eye can see. Life drifts along, until one day a rat finds a postcard with a special motif. After this, nothing is the way it used to be ...

A film documenting the landscapes of northern Iceland.

A look at what it's like to be gay and black in America.

A portrait of the American artist Ray Johnson (1927-1995), based on a personal interpretation of Johnson’s avant-garde strategies, using the telephone and the internet as primary sources for sound and image.

Stranded on the Moon and thought to be alone, a determined robot finds an eager helper to assist him in repairing a rocket to take him back home to Earth.

Corral is a 1954 National Film Board of Canada documentary by Colin Low, partly shot in the Cochrane Ranch in what is now Cochrane, Alberta. In the film, a cowboy rounds up wild horses, lassoing one of the high-spirited animals in the corral, then going on a ride across the Rocky Mountain Foothills of Alberta.

Three robbers plan to break into the house of a mysterious old sailor to steal his gold. They soon find out that the old man is not as defenseless as they once thought.

Upon the death of his grandfather and playmate, Bruno, an 8-year-old boy, embarks on a journey in a magical world, trying to finish the unfinished story he was building with his grandfather to become a king.

A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.

Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).

Mike and Sulley are back at Monsters University for a fun-filled weekend with their Oozma Kappa fraternity brothers. The gang is throwing their first party, but no one’s showing up. Luckily for them, Mike and Sulley have come up with a plan to make sure “Party Central” is the most epic party the school has ever seen.

A regular Wednesday night in Tokyo's subway. The train is filled with more and more people...

An egg desperately tries to prevent being hatched. In this animated short from the Canada Vignette series, learn how societies in evolution are often in danger of self-destruction.

A fascinating insight into the life and works of photographer Imogen Cunningham. Coming into public attention around 1910, she was celebrated in the late sixties through awards, honorary degrees and exhibitions. Her photos are looked at from three focal points: nature, portraits and figure studies.

An underground fight is taking place in a painter's studio between the artist and the ten tyrants.

A day and night in the life of three alcoholic derelicts: "and the meek shall inherit the earth - six feet of it".

In the haunting stillness of post-Soviet suburbia, a lone man walks with purpose — toward the river. With each heavy step across the gray, lifeless field, he carries not only his own weight, but the burdens of an entire generation. He does not speak. He does not turn back. We do not know his name. But we know where he’s going. The River awaits. A meditation on isolation, purpose, and the absurdity of existence, "Идущий к реке" captures the Slavic soul in a single low-res frame. What started as a simple clip from a local Russian TV segment became a viral icon of stoicism, despair, and meme-worthy introspection.