Don't Get High on Your Own Supply

In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.

Form small beginnings on a Victorian farm to globetrotting punk rock icons, the Cosmic Psychos became one of Australia's most influential bands. Now after thirty years of music making, 'Cosmic Psychos: Blokes You Can Trust' documents the highs and lows of the group's musical career as told by members from the Melvins, L7, Mud Honey, Pearl Jam, and The Hard-Ons with other international music producers and from the Cosmic Psycho band members themselves.

Megacities is a documentary about the slums of five different metropolitan cities.

At the close of Jacques Chirac's life, politician Jean-Louis Debré has wished to make a film to celebrate his friend, to tell the story of their friendship and professional understanding, and to make an intimate portrait of the former President of France through the accounts of a few very close friends. Thanks to Jean-Louis Debré's presence, Claude Chirac and some of Jacques Chirac's closest friends, famous or unknown, agreed to talk to the camera, sometimes for the first time, to evoke their untold-before memories and tell about the moments that bonded the two men for a lifetime.

Cocco and Stefano are two unlikely friends bonded by a mutual goal: reach Samarkand from the mountains of Northeast Italy. Cocco is an old biker with a troubled past whose dream is to depart towards the East with his Harley-Davidson from ’39. Stefano is a young director who wants to make a film about the adventure and the story of his friend. Between the highs and lows of a quixotic trip, the challenge will reveal bigger than the two expected. Only through friendship, Cocco and Stefano will be able to reach their dreams.

In the late 1990s, some officers at Vancouver Police Department made a documentary film (THROUGH A BLUE LENS) about the everyday lives of six drug addicts in Vancouver's skid row, the Downtown Eastside. TEARS FOR APRIL reintroduces us to these six people; with footage shot over a period of nearly ten years, it continues their biography.

You arrive at a secret location at a precise time, prompted by a mysterious email. You must follow the instructions closely. Once inside, disturbing visions begin. Unspeakable acts befall you—often frightening, sometimes sensual, possibly painful—each stimulating your deepest fears. And when it's over, you are changed, abandoned, and left wondering what is real and what was merely a game.

In Vancouver, British Columbia, two teenagers attempt to create a feature length documentary about their lives. The main character James (played by himself) becomes obsessed with the project and is pushed into a more introverted, lonely existence. His best friend Quinn (played by himself) sets out to help him, but is met with the real answer as to why James is keeping himself inside: the rejection of what he thinks is the love of his life. The two of them go their separate ways, with James going deeper into a depression he’s not sure he can escape from.

A young woman rediscovers a letter from an old friend, forcing her to reconcile with the past.

The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.

This documentary, set in the Lower East End of Vancouver's downtown core, is a pretty honest account of life on the streets in urban Canada. It is aimed at educating high school kids on the dangers of addiction to hard drugs and is the brainchild of a group of city police officers who videotape their interactions with local homeless personalities.

This documentary follows 9 life long friends as they traverse the rewarding time of college at Anderson University in South Carolina.

By following the lives of five Japanese individuals this documentary explores the problem of depression in Japan and how the marketing of anti-depressant drugs has changed the way the Japanese view depression. Marketing of anti-depressants did not begin in Japan until the late 1990s and prior to this, depression was not widely recognized as a problem by the Japanese public. Since then, use of anti-depressants has sky-rocketed and use of the Japanese word "utsu" to describe depression has become commonplace, having previously been used only by psychiatric professionals.

Interviews with former drug dealers, over-prescribing doctors and DEA agents uncover a shocking truth of the pharmaceutical industry’s plan to target opioid sales to an impoverished community.

Paris, Rue Beautreillis, July 3, 1971. The corpse of rock star Jim Morrison is found in a bathtub, in the apartment of his girlfriend Pamela Courson. The chronicle of the last months of the life of the poet, singer and charismatic leader of the American band The Doors, one of the most influential in the history of rock.

An award-winning wordless documentary that explores the architecture of the then new St. Peter's Seminary which is now seen as one of the most important post-war buildings in the United Kingdom. The film was made in celebration after architect Jack Coia was awarded the RIBA Gold Medal in 1969. Winner of the Medalla de Bronce at the Fifth Union of International Architects Festival in Madrid (1975).

North Philadelphia, PA – Kev, El and Andy are three men united by one struggle: they are trying to defy gravity. As part of the 700,000 prisoners released into society every year, they find themselves faced with a chilling outlook: 67% of ex-offenders re-offend within three years. What explains this invisible force that keeps former inmates in a seemingly unending cycle of incarceration? Filmed on the street over the course of two years, Pull of Gravity is an intimate portrait of these three men that confronts head-on the gritty details of lives cut short by poverty and drugs, where dealing is seen as the only route to economic prosperity, where using offers an escape from powerlessness, and where prison is too often the next stop. The film’s unfiltered lense captures its subjects as they lay bare their stories, fears, and tentative dreams.

In the 1980s the breathtaking scenery of the Engadine is the setting of a social tragedy. The local youth rejects the rigid rules of traditional society. Along with juvenile get-togethers, heroin appears in the mountain valley. As more and more die from overdose, society reacts to the crisis by isolating itself and averting its eyes. The film lifts the veil on the stories untold. Can the memories of this bleak past become part of the Engadine’s acknowledged heritage?

Rock 'n Roll Junkie is a documentary about the extraordinary life of dutch rock 'n roll myth and personification of sex, drugs and rock 'n' roll Herman Brood.

The motivations behind Paratriathlon Events Gold Medal winners, Spanish José Luis García and his guide, Francisco Nieva, and the strong bond between them.