A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution.
A visual essay on contemporary Kiwi architecture.
With noise-canceling headphones, they communicate with an inaudible counterpart. Decoupled, they move around the room and meet their surroundings. Intimate stories and needs are discussed. The personal blends into a shared portrait.
Berkay Özdinç turns the ghost hotel into a protagonist, which conduces to the meeting of his parents and is thus associated with his existence. In the film which goes over the places, while wandering in the current state of the hotel, he reawakens the memory of the place with his parents’ narration.
Through the footage from his family's Handycam, the director creates a portrait of his family that is falling apart.
On April 1st, 2022, my grandfather passed away and i felt lost. I think my path changed when, some days after he passed away, i was offered a small VHS camera. "Moving Memories" is a visual journey that makes the viewer reflect on our momentary presence on earth and questions the nature of memory. Throughout this journey, we get to the conclusion that memories are more than just static photographs in our minds, they're alive and in constant movement, changing while we evolve as individuals. These memories have influence and help us to move on.
Die Liebe stört der kalte Tod
An essay style film in the vein of Orson Welles' "F For Fake" and Jon Jost's "Speaking Directly". From 2011 to 2013, filmmaker Kristian Day randomly documented the art and actions of the award winning metal sculptor, James Bearden. Refusing to make another artist documentary, Day insisted on illustrating Bearden's creative process through surreal and id oriented story telling.
Video essay ‘Rock and Cliff' investigates the creation of Horn Town, a new model village and centre of large scale tourist development, and the experiences of rural residents moved there through government-led displacement. Horn Town is located in Wulong, a rural district near the Three Gorges Dam administered by the Chongqing municipality (a city of 30 million people). Narrated in the style of a science documentary but using local Chongqing dialect, the video brings a geological and topographical perspective to types of 'rocks' found in the area,from mythological stones from a mountain cliff, to ruins of the original settlement, to a stone sculpture from a dubious 'Land Art Biennial', in order to address issues of land acquisition, top-down development and spatial politic.
This film essay is inspired by Leonid Trauberg's eponymous autobiographical text. It also sheds light on his public condemnation in 1949 as a leader of the "cosmopolitans," accused of "only causing harm to Soviet cinema," as well as his enthusiasm for silent slapstick comedies, the novels of P.G. Wodehouse and G.K. Chesterton, and his fascination with the lost FEKS film, The Adventures of Octobrine.
Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produced in Eastern Europe since the introduction of capitalism. The video provides a glimpse of young men responding to the pressures of an unfamiliar world, one in which money, power and sex are now connected.
A film essay in which multiple female characters, drawn from different films, slowly overlap and connect through a shared state of melancholy.
After the disappearance of Aldemar his wife decided to get overall uncertainty by including him in the list of deaths in the 1938 Colombian National Census. Today, 83 years later, I repeat her. I try to find myself among the numbers in the digital database in order to finish the torture that has also implied my own disappearance.
A documentary based on the mutual experiences of a trio of directors, which portrays life in the border village of Bystré during the last year of the millennium. The film concentrates on the exuberant social life of the community, including many bizarre recent customs, as well as on several very intimate moments in the lives of the inhabitants.
Originally produced anonymously and distributed by RTMark, Untitled #29.95 tells the story of the commercial art establishment's attempt to turn video art into a precious commodified object through the release of limited editions during the nineties.
In addition to being a popular excursion destination, Äskhult's village outside Kungsbacka on the west coast of Sweden is a place where our past is kept alive while creating opportunities for a more sustainable future.
Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.
A street in downtown Warsaw transforms into a kaleidoscopic portrait of Polish society. Behind the viewfinder is an Indian immigrant, who seeks to overcome the boundaries between himself and an anxiety-ridden country.
Twenty-five films from twenty-five European countries by twenty-five European directors.
The six-hour essay in four parts examines the history of regimes and revolutions, leaders and martyrs, from a philosophical perspective. The collage of personal memories, staged scenes and archives of collective memory compares the Prague Spring to the Velvet Revolution and shows the exposure, conflict, crisis, and catharsis of the post-communist society. Democracy can be saved through creative laughter, dissolving the untouchability and hypertrophic egos of the representatives of state institutions. The Internet frees the society from representatives of the non-functional connecting link that prevents direct communication between citizens and institutions of power. “I can see you until I spot you. Once I spot you, I cannot see you anymore.” K. Vachek