Negeri 5 Menara

Back when urbanization was a new phenomenon, this film captured the aspirations desired by three young men from North Sumatera of Batak ethnicity. As the case with other regional area, people from the rural realm were convinced that their way of live is inadequate, so that they "need" to make it in the city, or bust. So Sabar, Tigor and Sahat went up and down their luck in order to find their desired "gold" in a strange land.

Divorced couple Georgia and David find themselves on a shared mission: they team up and travel to Bali to stop their daughter Lily from making the same mistake they once made 25 years ago.

Toni, Aghi, Bubu, and Saras get the task of making essays. They create a free school for street children but they chose to earn money than learn.

In Minangkabau, West Sumatera, Yuda a skilled practitioner of Silat Harimau is in the final preparations to begin his "Merantau" a century's old rites-of-passage to be carried out by the community's young men that will see him leave the comforts of his idyllic farming village and make a name for himself in the bustling city of Jakarta.

Feelings slowly grow between an eccentric writer and an aspiring painter until circumstances — and other people — cause them both to drift away.

A popular high school girl strains her relationship with her close-knit clique when she begins falling for a reclusive, lower-class schoolmate.

Liz Gilbert had everything a modern woman is supposed to dream of having – a husband, a house and a successful career – yet like so many others, she found herself lost, confused and searching for what she really wanted in life. Newly divorced and at a crossroads, Gilbert steps out of her comfort zone, risking everything to change her life, embarking on a journey around the world that becomes a quest for self-discovery. In her travels, she discovers the true pleasure of nourishment by eating in Italy, the power of prayer in India and, finally and unexpectedly, the inner peace and balance of true love in Bali.

Tantra and Tantri are inseparable. When they secretly steal eggs from the family’s sacrificial offering, Tantri always gets the whites and Tantra the yolks. One day, however, the yolk is missing, as is Tantra. Her brother gravely ill and in hospital, Tantri starts slipping into magical parallel worlds, approaching the inevitable farewell through costumes, body paint and dance. When at one point Tantri’s mother washes the paint from her face, it is as if tenderly to expel the illusion that things can remain as they are. In long dream sequences and against the background of the Balinese philosophy of sekala – the seen – and niskala – the unseen – Andini relates how one ten-year-old girl deals with parting and grief.

On this lonesome birthday, Johan tries to celebrate it as if his late mother is still here. Succumbing to his past, though in reality, there is only Paran, his best friend.

Australian journalist Guy Hamilton travels to Indonesia to cover civil strife in 1965. There—on the eve of an attempted coup—he befriends a Chinese Australian photographer with a deep connection to and vast knowledge of the Indonesian people, and also falls in love with a British national.

Chihiro is depressed and obsessed with his own mortality. Him and his wife, Yuri (Yoko Mitsuya), decide to take a trip to Bali, Indonesia to see his pregnant sister, Kumi (Kiki Sugino). They hope the trip can bring about change.

Four stories unfold in Jakarta, a big city that feels cold and dehumanizing. Life there strips away meaning, turning people into soulless zombies. In their search for purpose, youths turn to the only things that seem worthwhile—television and movies. This obsession pushes them down a dark path, transforming them into twisted versions of anti-heroes who make anti-social choices that spiral out of control.

Sonjay, a poor and stinking high school student, was bullied by a gang street student until one day he met his best friend.

Kenny Wells, a modern-day prospector, hustler, and dreamer, is desperate for a lucky break. Left with few options, Wells teams up with an equally luckless geologist to execute a grandiose, last-ditch effort: to find gold deep in the uncharted jungle of Indonesia.

A group of English, American, Dutch and Australian women creates a vocal orchestra while being imprisoned in a Japanese POW camp on Sumatra during World War II.

A group of civilians share a bus ride to Sampar, a town full of natural resources. It is heavily guarded by the state army who is fighting against the rebel militias, who want freedom over their homeland.

Devoted to the heroes who fought for their homeland’s freedom in the 1947 Indonesian war of liberation.

After meeting at a party, two Indonesian students studying in the US embark on a project to create a science fiction epic that will captivate the masses.

On an obscure Pacific Island just north of Australia, the Japanese Empire has operated a prisoner of war camp for Australian soldiers. At the close of World War II, the liberated POWs tell a gruesome tale of mass executions of over eight hundred persons as well as torture style killings of downed Australian airmen. In an attempt to bring those responsible to justice, the Australian Army establishes a War Crimes Tribunal to pass judgement on the Japanese men and officers who ran the Ambon camp. In an added twist, a high ranking Japanese admiral is implicated, and politics become involoved with justice as American authorities in Japan lobby for the Admiral's release. Written by Anthony Hughes

Denias lives at the foot of Jayawijaya Mountains. He goes to school in a cottage on the hill run by Pak Guru (or Teacher), who comes from Java. Pak Guru convinces Denias to continue his education because he believes that the boy is clever and could become a mathematician. Maleo the soldier also encourages Denias to go across the mountain where a good school lies. Then Denias goes on a 10-day expedition to find the school all by himself. His sleeping bag washes away in the river and he also passes out of exhaustion. Then he has to struggle to be accepted in the school as the Freeport Company that owns it, only allows children of the chiefs or the nearest tribes to be admitted.