The Persuaders

Kalo (taro) production on each of the major islands of Hawai'i circa 1994. Meet the amazing people who love and continue to cultivate taro on lo'i that in some cases has been in the family for generations and centuries! Young, old, and family growers on Maui, Moloka'i, Hawai'i, O'ahu, and Kaua'i islands. Includes history/culture of kalo, Issues related to land and water, uses of kalo, and prospects for the future.

This hour-long documentary is a provocative look at a historical event of which few Americans are aware. In mid-January, 1893, armed troops from the U.S.S Boston landed at Honolulu in support of a treasonous coup d’état against the constitutional sovereign of the Hawaiian Kingdom, Queen Lili‘uokalani. The event was described by U.S. President Grover Cleveland as an "act of war."

This short film follows Tonisha, Toneil and their family as they reclaim their Navajo history and reconnect with ancestors within the canyon walls.

"The Ninth Island" tells the story of Hawaii’s indigenous population and its struggles to stay connected to its ancestral home.

A documentary about a beloved South Bronx matriarch and former "First Lady" of the Savage Skulls gang struggling to remain visible in a rapidly gentrifying community she helped rebuild in the 1980s. With one foot firmly grounded in the outlaw life and the other as an activist and spiritual advisor, Lorine Padilla straddles the complexities of multiple worlds.

Self-portrait of a 38-year-old mother from Abitibi, struggling with breast cancer.

Although the mountain volcano Mauna Kea last erupted around 4,000 years ago, it is still hot today, the center of a burning controversy over whether its summit should be used for astronomical observatories or preserved as a cultural landscape sacred to the Hawaiian people. For five years the documentary production team Nā Maka o ka 'Āina ("the eyes of the land") captured on video the seasonal moods of Mauna Kea's unique 14,000-foot summit, the richly varied ecosystems that extend from sea level to alpine zone, the legends and stories that reveal the mountain's geologic and cultural history, and the political turbulence surrounding the efforts to protect the most significant temple in the islands: the mountain itself.

If your family photographs could speak, what stories would they share? Interweaving interviews with family artefacts, 'My Lovely Grandma' is an exploration of my maternal family history from the perspective of Molly and the woman she was before she became my lovely grandma.

What does blood have to do with identity? Kendra Mylnechuk, an adult Native adoptee, born in 1980 at the cusp of the enactment of the Indian Child Welfare Act, is on a journey to reconnect with her birth family and discover her Lummi heritage.

Concerned about the declining health of people all around them, Native American women are sparking physical and spiritual rejuvenation through reclaiming traditional foodways.

Keeping the Vision Alive is a documentary film containing the voices and images of Korean women filmmakers-both senior filmmakers and also the peers of director Yim. The film is Yim’s homage to both contemporary Korean women filmmakers, written by a filmmaker of the same age, and also to the history of women filmmakers in Korea. Yim does not reveal her own voice or opinion and lets the voices and images of the filmmakers speak for themselves through a non-interventionist camera. From the pioneers, Park Nam-ok, and Hwang Hye-mi, who directed First Experience in 70’s, to recent filmmakers, Byun Young-joo and Jang Hee-sun, the film traces their experiences, troubles, concerns and thoughts as women and women filmmakers. Keeping the Vision Alive calmly and enthusiastically encourages and celebrates the struggles, the resistance and the survival of women filmmakers in a conservative Korean film industry and a male-dominated and sexist social system. (Kwon Eun-sun)

When French writer Marguerite Duras (1914-96) published her novel The Sea Wall in 1950, she came very close to winning the prestigious Prix Goncourt. Meanwhile, in Indochina, France was suffering its first military defeats in its war against the Việt Minh, the rebel movement for independence.

Sixteen-year-old Jewel Wilson is the next generation in a long line of prolific Inupiat subsistence hunters in Unalakleet, Alaska. Her ability to hunt moose is hindered by two pressing issues – scarce wildlife and the pressures of high school life. Finding sufficient food competes with track practice and homework in Jewel’s multilayered world. Along with her father, Jewel turns to the land to feed their family and finds that their village’s way of life is endangered by the same environmental shifts that could affect us all. In hunting moose, we see that Jewel is also hunting for answers. How will her village survive if subsistence hunting is threatened? Can she honor the traditions of her Elders while navigating the pressures and anxieties of a modern, connected teenager? "Jewel’s Hunt" proves to be both physical and philosophical in this insightful exploration of what it means to come of age in complicated times in Unalakleet, Alaska.

Shot on location in Singapore, Japan, London, Paris, New York, Berlin and Amsterdam, artist and filmmaker Ang Sookoon takes us on an eye opening journey into the private lives of artists. Through candid conversations with fellow artists, these dialogues reveal the artists’ perspectives on the financial difficulties inherent in their unconventional career. In turn, together with Sookoon they question the current systems that govern an artist’s career and livelihood.

The gripping story of legendary American actor John Travolta: his rise to stardom in the 1970s; his agonizing fall in disgrace in the 1980s; and his stunning artistic rebirth in the 1990s.

Kansalainen Jussila

A porn-loving, Charles Manson-befriending, Mississippi Republican runs to become the next sheriff.

Focusing on three women from vastly different backgrounds this film weaves together powerful moments from each of these Rosie's journeys of transformation.

Amateur travelogues by women in the 1920s-50s are woven into this meditation on the traveler’s gaze. A mountaineer, a divorcee on a tour of biblical gardens, an antique merchant and others are revealed through their own optical autobiographies.

Two tons of snow—flown from New Hampshire to Puerto Rico in 1952 in order to “gift” Puerto Ricans a “white Christmas”—become a metaphor for the colonialist paternalism of America’s relationship to Puerto Rico.